Paradigm & Parody
Author | : Henry F. Majewski |
Publisher | : University of Virginia Press |
Total Pages | : 196 |
Release | : 1989 |
Genre | : Literary Collections |
ISBN | : 9780813911779 |
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Author | : Henry F. Majewski |
Publisher | : University of Virginia Press |
Total Pages | : 196 |
Release | : 1989 |
Genre | : Literary Collections |
ISBN | : 9780813911779 |
Author | : Frank Palmeri |
Publisher | : University of Texas Press |
Total Pages | : 196 |
Release | : 2014-08-04 |
Genre | : Literary Criticism |
ISBN | : 1477301607 |
Virtually all theories of satire define it as a criticism of contemporary society. Some argue that satire criticizes the present in favor of a standard of values that has been superseded, and thus that satire is generally backward-looking and conservative. While this is often true of poetic satire, in this study Frank Palmeri asserts that narrative satire performs a different function, that it parodies both the established view of the world and that of its opponents, offering its own distinctive critical perspective. This theory of satire builds on the idea of dialogical parody in the work of Russian theorist Mikhail Bakhtin, while revising Bakhtin's estimate of carnival. In Palmeri's view, the carnivalesque offers only an inverted mirror image of authoritative discourse, while parodic narrative satire suggests an alternative to both the official world and its inverted opposite. Palmeri applies this theory of narrative satire to five works of world literature, each of which has generated sharp controversy about the genre to which it rightly belongs: Petronius' Satyricon, Jonathan Swift's A Tale of a Tub, Edward Gibbon's Decline and Fall of the Roman Empire, Herman Melville's The Confidence-Man, and Thomas Pynchon's The Crying of Lot 49. He analyzes the features that link these works and shows how the changing pairs of alternatives that are parodied in these satires reflect changes in the terms of social and cultural oppositions. Satire in Narrative will appeal to comparatists, specialists in eighteenth-century and American literature, and others interested in theories of genre and the relations between literary forms and social history.
Author | : Queirós, António dos Santos |
Publisher | : IGI Global |
Total Pages | : 274 |
Release | : 2020-06-19 |
Genre | : Philosophy |
ISBN | : 179983638X |
OECD, UNESCO, the European Union, and the United Nations acknowledge that formal educational systems alone cannot respond to rapid and constant technological, social, and economic change in society and that they should be reinforced by non-formal educational practices. Examining a New Paradigm of Heritage With Philosophy, Economy, and Education is a critical scholarly publication that provides comprehensive research on the sustainability of identity and cultural heritage. The book establishes uniform and consistent conceptual criteria to identify and distinguish the different typological categories of heritage and discusses the concept of “cultural landscape” and environmental ethics. Moreover, connections between cultural heritage and natural heritage and the economy of heritage are explored. Finally, the book discusses cultural landscape as an educational resource with reading and interpretation of the cultural landscape as a basis for learning with a methodology of experimental science and its first metamorphosis of value. Featuring a range of topics such as curriculum design, ethics, and environmental tourism, this book is ideal for academicians, sociologists, biologists, researchers, policymakers, and students.
Author | : Julius Steinberg |
Publisher | : Penn State Press |
Total Pages | : 385 |
Release | : 2015-09-02 |
Genre | : History |
ISBN | : 1575063743 |
Are the Writings a miscellaneous collection of books, as is so often asserted, or do they have a purposeful design or arrangement? Over the past 35 years, there has been a significant amount of scholarly interest in the shape of the Law, Former Prophets, Twelve Minor Prophets and the Psalms, while examinations of the shape of the Writings were almost nonexistent until very recently. The 11 essays in this volume explore this often-neglected issue from a variety of critical perspectives—reader-centered approaches, canonical, structural-canonical, and redactional—made more robust by the mix of German- and English-language scholarship on this question, including 4 articles translated from German into English. Essays range from the historical development of the collection, to analysis of the collection’s different arrangements, to the relationship of books and subcollections within the Writings, to the reception of the collection in Jewish and Christian sources. Every book in the Writings is discussed, with particular attention given to Job, Ruth, and 1 and 2 Chronicles. The volume closes with 3 critical responses from John Barton, Tamara Cohn Eskenazi, and Christopher Seitz.
Author | : Alexandre G. Mitchell |
Publisher | : Cambridge University Press |
Total Pages | : 399 |
Release | : 2009-08-24 |
Genre | : Art |
ISBN | : 1107728894 |
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression; politics and religion; Greek vases and trends in fashion; market-driven production; proper and improper behaviour; popular versus elite culture; carnival in situ; and the place of women, foreigners, workers and labourers within the Greek city. Richly illustrated with more than 140 drawings and photographs, this study amply documents the comic representations that formed an important part of ancient Greek visual language from the sixth to the fourth centuries BC.
Author | : Julie Cross |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2010-12-14 |
Genre | : Literary Criticism |
ISBN | : 1136839879 |
In this new book, Julie Cross examines the intricacies of textual humor in contemporary junior literature, using the tools of literary criticism and humor theory. Cross investigates the dialectical paradoxes of humor and debunks the common belief in oppositional binaries of ‘simple’ versus ‘complex’ humor. The varied combinations of so-called high and low forms of humor within junior texts for young readers, who are at such a crucial stage of their reading and social development, provide a valuable commentary upon the culture and values of contemporary western society, making the book of considerable interest to scholars of both children’s literature and childhood studies. Cross explores the ways in which the changing content, forms and functions of the many varied combinations of humor in junior texts, including the Lemony Snickett series, reveal societal attitudes towards young children and childhood. The new compounds of seemingly paradoxical high and low forms of humor, in texts for developing readers from the 1960s onwards, reflect and contribute to contemporary society’s hesitant and uneven acceptance of the emergent paradigm of children’s rights, abilities, participation and empowerment. Cross identifies four types of potentially subversive/transgressive humor which have emerged since the 1960s which, coupled with the three main theories of humor – relief, superiority and incongruity theories – enables a long-overdue charting of developments in humor within junior texts. Cross also argues that the gradual increase in the compounding of the simple and the complex provide opportunities for young readers to play with ambiguous, complicated ideas, helping them embrace the complexities and contradictions of contemporary life.
Author | : Sarah Davison |
Publisher | : Oxford University Press |
Total Pages | : 305 |
Release | : 2023-06-08 |
Genre | : Literary Criticism |
ISBN | : 0192849247 |
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
Author | : Candas Jane Dorsey |
Publisher | : Macmillan |
Total Pages | : 372 |
Release | : 2002-11-23 |
Genre | : Fiction |
ISBN | : 9780312877972 |
"A dozen or more humanoid alien infants have been brought to Earth to be given into the care of major Earth governments. This is stunning but distant news - until Morgan is hired to raise one of them, named Blue. When Blue confounds everyone by insisting on coming, with all the attendant government surveillance, to live in Morgan's house, conflict is inevitable and a murder is committed. But the mysteries of the alien boy ( or is it a girl?) in their midst are more profound than the mystery of the crime. Through it all, Morgan's ideals never waver, she truly believes that all beings, human and alien, can live in harmony. Dorsey's skill with characters, both human and alien, and with their complex relationships, will evoke comparisons with the SF classics of Theodore Sturgeon."--BOOK JACKET.
Author | : Sara de Freitas |
Publisher | : Bloomsbury Publishing |
Total Pages | : 366 |
Release | : 2012-04-05 |
Genre | : Education |
ISBN | : 1441176799 |
Technological advancements have revolutionised the field of learning in the past twenty years and are continuing to push the boundaries of institutions towards new forms of knowledge construction, social interaction and meaning making. This book examines the key debates that have shaped that technological journey, from ancient to modern times, and draws together meaningful articles to provide an expert guide for e-learning practitioners, research staff, students and industrial trainees. The e-Learning Reader provides a scholarly collection of key texts which examine the concept and practice of e-learning in education and training. The book brings together a series of formative historical and recent articles which frame the debate on e-learning, drawing together new comments from leading experts in the field of e-learning.
Author | : Jonathan Gray |
Publisher | : NYU Press |
Total Pages | : 299 |
Release | : 2009-04-01 |
Genre | : Performing Arts |
ISBN | : 081473216X |
A fascinating look into what happens when comedy becomes political and politics becomes comedy Satirical TV has become mandatory viewing for citizens wishing to make sense of the bizarre contemporary state of political life. Shifts in industry economics and audience tastes have re-made television comedy, once considered a wasteland of escapist humor, into what is arguably the most popular source of political critique. From fake news and pundit shows to animated sitcoms and mash-up videos, satire has become an important avenue for processing politics in informative and entertaining ways, and satire TV is now its own thriving, viable television genre. Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil’ Bush to Chappelle’s Show, along with Internet D.I.Y. satire and essays on British and Canadian satire. They all offer insights into what today’s class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.