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| Author | : Omacanda Hāṇḍā |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Omacanda Hāṇḍā |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Christoph Bergmann |
| Publisher | : Routledge |
| Total Pages | : 275 |
| Release | : 2019-08-09 |
| Genre | : Social Science |
| ISBN | : 1351679503 |
This book focuses on the ritualized forms of mobility that constitute phenomena of pilgrimage in South Asia and establishes a new analytical framework for the study of ritual journeys. The book advances the conceptual scope of ‘classical’ Pilgrimage Studies and provides empirical depth through individual case studies. A key concern is the strategies of ritualization through which actors create, assemble and (re-)articulate certain modes of displacement to differentiate themselves from everyday forms of locomotion. Ritual journeys are understood as being both productive of and produced by South Asia’s socio-economically uneven, politically charged and culturally variegated landscapes. From various disciplinary angles, each chapter explores how spaces and movements in space are continually created, contested and transformed through ritual journeys. By focusing on this co-production of space and mobility, the book delivers a conceptually driven and empirically grounded engagement with the diverse and changing traditions of ritual journeying in South Asia. Interdisciplinary in its approach, the book is a must-have reference work for academics interested in South Asian Studies, Religious Studies, Anthropology and Human Geography with a focus on pilgrimage and the socio-spatial ideas and practices of ritualized movements in South Asia.
| Author | : Dallas Museum of Art |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780300149883 |
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
| Author | : The Getty Conservation Institute |
| Publisher | : Getty Publications |
| Total Pages | : 492 |
| Release | : 1991-02-28 |
| Genre | : Art |
| ISBN | : 0892361816 |
On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
| Author | : Gabriela Krist |
| Publisher | : Böhlau Verlag Wien |
| Total Pages | : 378 |
| Release | : 2016-10-10 |
| Genre | : Art |
| ISBN | : 3205202678 |
The Nako temple complex from the 12th century is an extraordinary testimony of early Tibetan Buddhism not anymore preserved in today’s Tibet. Endangered by the rough environment, improper treatment and frequent earthquakes, the outstanding monuments were re-discovered by scholars from Austrian universities in the 1980s. The transdisciplinary research project carried out over more than 20 years led to in-depth studies, preservation and model-like conservation of the temples and their artworks.
| Author | : Simon Unwin |
| Publisher | : Routledge |
| Total Pages | : 240 |
| Release | : 2010-02-25 |
| Genre | : Architecture |
| ISBN | : 1136955054 |
Have you ever wondered how the ideas behind the world’s greatest architectural designs came about? What process does an architect go through to design buildings which become world-renowned for their excellence? This book reveals the secrets behind these buildings. He asks you to ‘read’ the building and understand its starting point by analyzing its final form. Through the gradual revelations made by an understanding of the thinking behind the form, you learn a unique methodology which can be used every time you look at any building.
| Author | : Laurence Austine Waddell |
| Publisher | : |
| Total Pages | : 480 |
| Release | : 1899 |
| Genre | : Himalaya Mountains |
| ISBN | : |
| Author | : Masanori Nagaoka |
| Publisher | : Springer Nature |
| Total Pages | : 368 |
| Release | : 2020-12-07 |
| Genre | : Social Science |
| ISBN | : 3030513165 |
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
| Author | : Ekai Kawaguchi |
| Publisher | : anboco |
| Total Pages | : 755 |
| Release | : 2016-09-28 |
| Genre | : Fiction |
| ISBN | : 3736417098 |
I was lately reading the Holy Text of the Saḍḍharma-Puṇdarīka (the Aphorisms of the White Lotus of the Wonderful or True Law) in a Samskṛṭ manuscript under a Boḍhi-tree near Mṛga-Ḍāva (Sāranāṭh), Benares. Here our Blessed Lord Buḍḍha Shākya-Muni taught His Holy Ḍharma just after the accomplishment of His Buḍḍhahood at Buḍḍhagayā. Whilst doing so, I was reminded of the time, eighteen years ago, when I had read the same text in Chinese at a great Monastery named Ohbakusang at Kyoto in Japan, a reading which determined me to undertake a visit to Tibet. It was in March, 1891, that I gave up the Rectorship of the Monastery of Gohyakurakan in Tokyo, and left for Kyoto, where I remained living as a hermit for about three years, totally absorbed in the study of a large collection of Buḍḍhist books in the Chinese language. My object in doing so was to fulfil a long-felt desire to translate the texts into Japanese in an easy style from the difficult and unintelligible Chinese. But I afterwards found that it was not a wise thing to rely upon the Chinese texts alone, without comparing them with Tibetan translations as well as with the original Samskṛṭ texts which are contained in Mahāyāna Buḍḍhism. The Buḍḍhist Samskṛṭ texts were to be found in Tibet and Nepāl. Of course, many of them had been discovered by European Orientalists in Nepāl and a few in other parts of India and Japan. But those texts had not yet been found which included the most important manuscripts of which Buḍḍhist scholars were in great want. Then again, the Tibetan texts were famous for being[vi] more accurate translations than the Chinese. Now I do not say that the Tibetan translations are superior to the Chinese. As literal translations, I think that they are superior; but, for their general meaning, the Chinese are far better than the Tibetan.
