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| Author | : Andrea Fasolo |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : |
"Palaces of Venice" presents 62 great buildings from the 13th to the 19th century. Hundreds of full-colour photographs show the exteriors and the interiors of the palazzi and the text relates the fascinating history of each architectural masterpiece.
| Author | : Peter Lauritzen |
| Publisher | : Thames & Hudson |
| Total Pages | : 260 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
Focusing on 45 of the most outstanding examples of Venetian architecture, the author explains the stages of their construction and gives an account of the history of each, based on legend, anecdote and research.
| Author | : Alvise Zorzi |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 0 |
| Release | : 1990 |
| Genre | : Dwellings |
| ISBN | : 9780847812004 |
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 422 |
| Release | : |
| Genre | : Architecture |
| ISBN | : 9780271048369 |
The medieval palaces of Venice are unlike those from anywhere else and they also survive in this equally unique city in far greater numbers. This well-presented study argues, however, that contrary to other opinions, the architecture of Venice was developed from that of northern and western Europe and not from that of Byzantium and Late Antiquity.
| Author | : Margaret F. MacDonald |
| Publisher | : Univ of California Press |
| Total Pages | : 172 |
| Release | : 2001 |
| Genre | : Venice (Italy) |
| ISBN | : 9780520230491 |
In "Palaces in the Night", MacDonald looks at a key period in James Whistler's career, examining his unique vision of Venice and his development of the medium of etching. 120 illustrations.
| Author | : Umberto Franzoi |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 1991 |
| Genre | : Travel |
| ISBN | : |
| Author | : Thomas Okey |
| Publisher | : |
| Total Pages | : 498 |
| Release | : 1907 |
| Genre | : Palaces |
| ISBN | : |
| Author | : G. Paolo Marton |
| Publisher | : |
| Total Pages | : 532 |
| Release | : 1990 |
| Genre | : Architecture |
| ISBN | : 9788870570885 |
| Author | : Patricia Fortini Brown |
| Publisher | : Yale University Press |
| Total Pages | : 344 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102364 |
"As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as "gentlemen in fact" as well as "gentlemen in name." The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture."--BOOK JACKET.
| Author | : Filippo Pedrocco |
| Publisher | : Vendome Press |
| Total Pages | : 0 |
| Release | : 2009-09-01 |
| Genre | : Art |
| ISBN | : 9780865651999 |
visual narration of literary tales. In addition to these renowned artists, the book reveals the extraordinary achievements of many lesser-known painters, among them Giambattista Zelorri, Giovanni Antonio Fasolo, and Ludovico Pozzoserrato in the sixteenth century; Luca Ferrari da Reggio, Giovanni Antonio Pellegrini, and Nicolo Bambini in the seventeenth; and ]acopo Guarana, Antonio Balestra, and Giambattista Crosato in the eighteenth." "Distinguished Venetian art historians Filippo Pedrocco, Massimo Favilla, and Ruggero Rugolo skillfully interweave the explanation of the frescoes' iconography with a lively account of the families who commissioned these monumental art works. The Venetian nobility was inordinately proud of its distinguished lineage and frequently directed the artists to paint subject matter that exalted the family name, such as key episodes from Roman mythology, or alternatively incorporate sly visual digs at particular members of the family. Memorably, the patrons --
