Paintings and Drawings by Roger de la Fresnaye (1885-1925)
Author | : Roger de La Fresnaye |
Publisher | : |
Total Pages | : |
Release | : 1931 |
Genre | : |
ISBN | : |
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Author | : Roger de La Fresnaye |
Publisher | : |
Total Pages | : |
Release | : 1931 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
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The folder may include clippings, announcements, small exhibition catalogs, and other ephemeral items.
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2002 |
Genre | : Drawing |
ISBN | : 1588390004 |
Author | : Phillips Collection |
Publisher | : |
Total Pages | : 444 |
Release | : 1952 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 472 |
Release | : 1994 |
Genre | : Art |
ISBN | : 0870997106 |
Updated to include new acquisitions, attributions, and reevaluations. Copyright © Libri GmbH. All rights reserved.
Author | : Barbara Burn |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 322 |
Release | : 1997 |
Genre | : Art |
ISBN | : 0870998498 |
Each reproduction is accompanied by a text that includes pertinent information about the work.
Author | : Albright-Knox Art Gallery |
Publisher | : |
Total Pages | : 584 |
Release | : 1979 |
Genre | : Painting |
ISBN | : |
Author | : Ian Chilvers |
Publisher | : Oxford University Press |
Total Pages | : 1264 |
Release | : 2017-09-27 |
Genre | : Art |
ISBN | : 0191024171 |
Covering Western art from the ancient Greeks to the present day, this best-selling and authoritative dictionary is more wide-ranging than any comparable reference work. It contains over 2,500 clear and concise entries on styles and movements, materials and techniques, and museums and galleries. It also includes biographical entries for artists, critics, collectors, dealers, and patrons, with places and full dates of birth and death (in many instances correcting misinformation that has found its way into other sources). For this new edition, entries have been thoroughly revised and updated, and more than fifty new entries have been added, for example Tracey Emin and Jack Vettriano. Browsers and readers with an interest in a particular area will benefit from the classified list of all the entries in the book - an invaluable innovation that makes it easy to see immediately which collectors, for example, or 18th-century French artists, or printmaking terms, are included in the dictionary. Written in an engaging manner with many entries enlivened by quotations from artists and critics, this dictionary is a pleasure to browse, whilst its A-Z structure and classified list makes it perfect for quick reference. Previously entitled The Concise Oxford Dictionary of Art and Artists, this major new edition is essential for students and teachers of art, design, art theory, and art history, and it is ideal for artists, visitors to art exhibitions and galleries, and anyone with an interest in art.
Author | : Jenny Haviland |
Publisher | : |
Total Pages | : 332 |
Release | : 1985 |
Genre | : Art |
ISBN | : 9780861367115 |
"This book provides the reader with a comprehensive reference of the great works of western painting, architecture and sculpture. The book is divided into ten sections - Prehistoric Art, The Ancient World, The Greek World, The Roman World and The Early Middle Ages, The Late Middle Ages, The Italian Renaissance, The Renaissance outside Italy, Europe and America 1600-1800, Europe and America 1800-1900, and Europe and America since 1900. Also included are biographies of all the artists."--BOOK JACKET.
Author | : Bernard Smith |
Publisher | : Yale University Press |
Total Pages | : 396 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 9780300073928 |
The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.