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Painting from the Collection of the Sheldon Museum of Art

Painting from the Collection of the Sheldon Museum of Art
Author: Sheldon Museum of Art
Publisher: U of Nebraska Press
Total Pages: 0
Release: 2014-03-01
Genre: Art
ISBN: 0803248695
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In honor of the 50th birthday of the Sheldon Museum of Art’s Philip Johnson–designed building and the 125th anniversary of the Sheldon Art Association and the University of Nebraska–Lincoln art collection, Painting from the Collection of the Sheldon Museum of Art showcases the Sheldon’s impressive collection, featuring reproductions of 125 major works along with smart, engaging entries by a team of respected scholars. The catalog presents some of the museum’s most beloved and widely known canvases, including eighteenth- and nineteenth-century masterpieces by Albert Bierstadt, Thomas Eakins, John Singer Sargent, and Benjamin West; iconic pictures by twentieth-century artists such as Edward Hopper, Lee Krasner, Barnett Newman, Georgia O’Keeffe, Jackson Pollock, Mark Rothko, Frank Stella, and Andy Warhol; and works by both emerging artists and giants in the contemporary field, including Dan Christensen, Carmen Herrera, Hung Liu, Ed Ruscha, Patssi Valdez, and Philemona Williamson. This survey highlights the artistic, cultural, and geographic conflicts and concurrences that shaped more than two centuries of American painting and offers art enthusiasts and scholars alike a means to reconnect with old favorites while discovering new ones—all freshly interpreted based on recent discoveries and research.

The American Painting Collection of the Sheldon Memorial Art Gallery

The American Painting Collection of the Sheldon Memorial Art Gallery
Author: Sheldon Memorial Art Gallery
Publisher: University of Nebraska Press
Total Pages: 386
Release: 1988
Genre: Architecture
ISBN:
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The Sheldon Memorial Art Gallery houses one of the most highly regarded collections of twentieth-century American art anywhere, including paintings by Edward Hopper, Georgia O'Keeffe, Mark Rothko, Willem de Kooning, Marsden Hartley, Robert Motherwell, Robert Henri, Grant Wood, Frank Stella, and many more internationally renowned artists. Calling the Sheldon collection "exemplary," the art historian and critic Barbara Rose notes: "Because the collection does not reflect fashion, the misguided inspiration of much art collecting today, but is rather an effort of connoisseurship, and informed by an art historical viewpoint, it is certain to remain as durable and exciting tomorrow as it is today." The American Painting Collection of the Sheldon Memorial Art Gallery offers for the first time a full description of the collection, now numbering more than one thousand works, that has been nearly a century in the making. The first part of the book presents full-color reproductions of 101 of the most noteworthy paintings in the collection, each accompanied by a brief discussion of the artist and his or her work. The second part, or catalog, consists of a complete inventory of the collection, including for each painting its physical description, provenance, exhibition history, and publication history, as well as a black and white reproduction. Publication of the book coincides with a year-long celebration of the centennial of the Nebraska Art Association, the Sheldon Gallery's support group and one of the oldest continuous arts organizations in the country.

The American Painting Collection of the Sheldon Memorial Art Gallery

The American Painting Collection of the Sheldon Memorial Art Gallery
Author: Sheldon Memorial Art Gallery
Publisher: University of Nebraska Press
Total Pages: 386
Release: 1988
Genre: Architecture
ISBN:
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The Sheldon Memorial Art Gallery houses one of the most highly regarded collections of twentieth-century American art anywhere, including paintings by Edward Hopper, Georgia O'Keeffe, Mark Rothko, Willem de Kooning, Marsden Hartley, Robert Motherwell, Robert Henri, Grant Wood, Frank Stella, and many more internationally renowned artists. Calling the Sheldon collection "exemplary," the art historian and critic Barbara Rose notes: "Because the collection does not reflect fashion, the misguided inspiration of much art collecting today, but is rather an effort of connoisseurship, and informed by an art historical viewpoint, it is certain to remain as durable and exciting tomorrow as it is today." The American Painting Collection of the Sheldon Memorial Art Gallery offers for the first time a full description of the collection, now numbering more than one thousand works, that has been nearly a century in the making. The first part of the book presents full-color reproductions of 101 of the most noteworthy paintings in the collection, each accompanied by a brief discussion of the artist and his or her work. The second part, or catalog, consists of a complete inventory of the collection, including for each painting its physical description, provenance, exhibition history, and publication history, as well as a black and white reproduction. Publication of the book coincides with a year-long celebration of the centennial of the Nebraska Art Association, the Sheldon Gallery's support group and one of the oldest continuous arts organizations in the country.

Edward Hopper and the American Hotel

Edward Hopper and the American Hotel
Author: Leo G. Mazow
Publisher:
Total Pages: 0
Release: 2019
Genre: Art criticism
ISBN: 9780300246889
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Using recreated itineraries, travel along with Edward Hopper on his various road trips and encounter hotels, staff, and guests as seen through the artist's eyes The painter, draftsman, and illustrator Edward Hopper (1882-1967) is one of America's best-known and most frequently exhibited artists. Hotels, motels, and tourist homes are recurring motifs in his work, along with streets, lighthouses, and gas stations forming a visual vocabulary of transportation infrastructure. In ten essays, this fascinating volume explores Hopper's lifelong investigation of such spaces, shedding light on both his professional practice and far-reaching changes in transportation and communications, which affected not only work and leisure but also dynamics of race, class, and gender. Hopper's covers for the trade journal Hotel Management, in addition to other well-known works, invite reflection on the complicated roles of the nascent New Woman; the erasure of hotel work and workers; contemporary associations of the color white with cleanliness and purity; the watercolors Hopper made from hotel windows and rooftops in Mexico; and the broader context of transportation history. A final chapter then situates Hopper's contribution to the fascinating role that the hotel has played in the broader development of American art in the 20th century. As a unique feature, the book's backflap also holds two "TripTik"-like, removable maps that trace the journeys that Hopper and his wife, the artist Josephine "Jo" Nivison Hopper, took by car in the 1940s and 1950s; selected correspondence and quotations from Jo's own diaries join reproductions of postcards and ephemera illuminating their--and fellow Americans'--shifting travel habits. Distributed for the Virginia Museum of Fine Arts Exhibition Schedule: Virginia Museum of Fine Arts, Richmond (October 26, 2019-February 23, 2020) Indianapolis Museum of Art at Newfields (June 4, 2020-September 13, 2020)

Donald Sultan

Donald Sultan
Author: Alison Hearst
Publisher: Prestel
Total Pages: 0
Release: 2016
Genre: Disasters in art
ISBN: 9783791355740
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A critically important series in the oeuvre of American painter, sculptor, and printmaker Donald Sultan, The Disaster Paintings were created between 1984 and 1990. These works feature imposing, man-made structures, whose industrial qualities are reinforced by Sultan's preferred media, Masonite tiles and tar. The paintings' resulting sense of robust permanence is offset by the catastrophes Sultan includes therein, which provoke a jarring sense of fragility, impermanence, and transience. Such unexpected juxtapositions are privileged by the artist's process itself, which merges the industrial materials of Minimalism with representational painting, stylistically combining figuration and abstraction and making simultaneous reference to high and low culture. Painted on a large scale (the majority of the works in this series measure 8' x 8'), The Disaster Paintings embody great physicality in their process, subject matter, and finished form. They also reify the modern experience of industrialized societies with images of fire, accidents, and industrial mishaps, daring us to forget that calamities and adversity are woven into the very fabric of our existence. It is a timely moment in history to reconsider and reassess The Disaster Paintings. - Published to accompany the exhibition of the same name held at Lowe Art Museum, Coral Gables, Florida, 29th September-23rd December 2016; Modern Art Museum of Fort Worth, Texas, February-April 2017; and the Smithsonian American Art Museum, Washington, DC, May 26-September 4, 2017.

Charity and Sylvia

Charity and Sylvia
Author: Rachel Hope Cleves
Publisher: Oxford University Press
Total Pages: 296
Release: 2014-05-01
Genre: History
ISBN: 0199335451
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Conventional wisdom holds that same-sex marriage is a purely modern innovation, a concept born of an overtly modern lifestyle that was unheard of in nineteenth century America. But as Rachel Hope Cleves demonstrates in this eye-opening book, same-sex marriage is hardly new. Born in 1777, Charity Bryant was raised in Massachusetts. A brilliant and strong-willed woman with a clear attraction for her own sex, Charity found herself banished from her family home at age twenty. She spent the next decade of her life traveling throughout Massachusetts, working as a teacher, making intimate female friends, and becoming the subject of gossip wherever she lived. At age twenty-nine, still defiantly single, Charity visited friends in Weybridge, Vermont. There she met a pious and studious young woman named Sylvia Drake. The two soon became so inseparable that Charity decided to rent rooms in Weybridge. In 1809, they moved into their own home together, and over the years, came to be recognized, essentially, as a married couple. Revered by their community, Charity and Sylvia operated a tailor shop employing many local women, served as guiding lights within their church, and participated in raising their many nieces and nephews. Charity and Sylvia is the intimate history of their extraordinary forty-four year union. Drawing on an array of original documents including diaries, letters, and poetry, Cleves traces their lives in sharp detail. Providing an illuminating glimpse into a relationship that turns conventional notions of same-sex marriage on their head, and reveals early America to be a place both more diverse and more accommodating than modern society might imagine, Charity and Sylvia is a significant contribution to our limited knowledge of LGBT history in early America.

Works on Paper from the Collection of the Sheldon Museum of Art

Works on Paper from the Collection of the Sheldon Museum of Art
Author: Sheldon Museum of Art
Publisher: American Transnationalism: Per
Total Pages: 0
Release: 2016
Genre: Art
ISBN: 9780803278837
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As the first serious study and presentation of the Sheldon Museum of Art's collection of works on paper, this catalog introduces students and art lovers alike to the largest, most international area of the museum's holdings, which includes prints and drawings from the European Renaissance to the present. Like the other collection catalogs in the American Transnationalism series, this publication draws together a team of distinguished scholars and features some of the museum's most iconic works. These include rarely seen yet important objects such as medieval manuscript illuminations and Renaissance prints; nineteenth-century drawings and prints by such artists as Mary Cassatt, Winslow Homer, and James McNeill Whistler; twentieth-century works by Peggy Bacon, George Bellows, Charles Demuth, Marjorie Organ Henri, John Marin, Georgia O'Keeffe, Diego Rivera, and Charles White; and contemporary works by Robert Colescott, Vija Celmins, Roy Lichtenstein, Judy Pfaff, and Kara Walker.

Between Worlds

Between Worlds
Author: Leslie Umberger
Publisher: Princeton University Press
Total Pages: 444
Release: 2018-10-02
Genre: Art
ISBN: 0691182671
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"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--

The Isabella Stewart Gardner Museum

The Isabella Stewart Gardner Museum
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
Total Pages: 170
Release: 1995-01-01
Genre: Art
ISBN: 9780300063417
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"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.

The Civil War and American Art

The Civil War and American Art
Author: Eleanor Jones Harvey
Publisher: Yale University Press
Total Pages: 353
Release: 2012-12-03
Genre: Art
ISBN: 0300187335
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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.