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| Author | : Donna Pierce |
| Publisher | : University of Texas Press |
| Total Pages | : 338 |
| Release | : 2004-05-01 |
| Genre | : Art |
| ISBN | : 0914738496 |
"The little-known story of viceregal Mexico is told by an international team of scholars whose work was previously available only piecemeal or not at all in English. Much of their research was undertaken especially for this volume."--BOOK JACKET.
| Author | : Douglas Fogle |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : |
What becomes clear is that painting's traditional function as a window on the world has been circumvented, or rather that someone has left the window open and a number of things have crawled in. As Yve-Alain Bois so eloquently paraphrases Robert Musil: "If some painting is still to come, if painters are still to come, they will not come from where we expect them to." Painting at the Edge of the World looks beyond our expectations and provides a broad context for understanding painterly practice today."--BOOK JACKET.
| Author | : Michael Duncan |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2021-07-06 |
| Genre | : |
| ISBN | : 9781942884873 |
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
| Author | : Tony Foster |
| Publisher | : Royal Institution of Cornwall |
| Total Pages | : 324 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9780295988177 |
In Grand Canyon on the icy flanks of Mount Everest, deep in rainforests and deserts, underwater and at the mouths of live volcanoes - Tony Foster paints at the edges of the world. Presented here with accounts of his journeys, these watercolors are a testament to the power of art and the richness and fragility of our planet.
| Author | : Timothy Hyman |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-02-03 |
| Genre | : Figurative painting |
| ISBN | : 9780500296530 |
A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective 'Resistance' who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, 'All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.'
| Author | : Trevor J. Fairbrother |
| Publisher | : Yale University Press |
| Total Pages | : 148 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 0300116926 |
An insightful and beautiful look at how New England's summers have inspired American artists for decades With its stunning coastlines, mountains, lakes, forests, and scenic villages, New England has been an inspiration for American artists since the 19th century. This lively book considers the ways in which painters have responded to the region's summer beauty as well as to its social and cultural preoccupations and characteristics. Works by such artists as Fitz Henry Lane, John Singer Sargent, Winslow Homer, Maurice Prendergast, Marsden Hartley, Edward Hopper, Hans Hofmann, Andrew Wyeth, Alex Katz, and Yvonne Jacquette depict subjects as wide ranging as the bucolic delights of farms and fields to the atmospheric light of New England's rugged coasts to the ethnic and social diversity of urban street life. Painting Summer in New England highlights the various styles and influences revealed in these works, including photographic realism, Impressionism, Expressionism, and abstraction. In addition, Trevor Fairbrother discusses the tremendous array of works covered by the concept of "painting" and the remarkable richness of thematic imagery that can be seen and understood as "New England." This engaging book is a delightful and invaluable resource for those who live in or are admirers of New England and American art.
| Author | : Michele Cassou |
| Publisher | : |
| Total Pages | : 363 |
| Release | : 2020-04-21 |
| Genre | : |
| ISBN | : 9781650986944 |
Michele Cassou's New Book, "Painting Between Worlds", Special Illustrated 363 Page Edition features 75 full-color paintings and 43 personal photos. A large book 7" x 10".Printed in US, Canada, Japan, UK, Italy, France, Germany, Spain.Follow the extraordinary life journey of passionate painter Michele Cassou, who discovered a revolutionary approach to intuitive painting that opens doorways into the mystery of existence and its spiritual dimensions.From her childhood in the midst of World War ll France to her profound experiences there, in Canada, and in the United States, Michele exposes the ins and outs of an intense life of creativity- the hidden, the forgotten, and the sacred- in this moving, poetic collection of stories. These stories illuminate the birth and evolution of her passionate painting process and her teaching discoveries.Michele's paintings are beautiful and intense, ancient and modern, bright and shadowed, solemn and celebratory. Michele has painted thousands of paintings and has taught as many students the world over. She is the author of many books and is known internationally for her groundbreaking work in exploring the many dimensions of the creative process.Painting Between Worlds is beautiful, transcendent, and loving while remaining grounded in this world. It is a true inspiration for artists, explorers, seekers, and everyone else!
| Author | : Miles J. Unger |
| Publisher | : Simon & Schuster |
| Total Pages | : 480 |
| Release | : 2019-03-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476794227 |
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
| Author | : Ben Lewis |
| Publisher | : Ballantine Books |
| Total Pages | : 384 |
| Release | : 2019-06-25 |
| Genre | : Art |
| ISBN | : 1984819267 |
An epic quest exposes hidden truths about Leonardo da Vinci’s Salvator Mundi, the recently discovered masterpiece that sold for $450 million—and might not be the real thing. In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings, and sheikhs. Ben Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Amsterdam, Moscow, and New Orleans; to the galleries, salerooms, and restorer’s workshop as the painting slowly, painstakingly emerged from obscurity. The vicissitudes of the highly secretive art market are charted across six centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, in which we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth. Praise for The Last Leonardo “The story of the world’s most expensive painting is narrated with great gusto and formidably researched detail in Ben Lewis’s book. . . . Lewis’s probings of the Salvator’s backstory raise questions about its historical status and visibility, and these lead in turn to the fundamental question of whether the painting is really an autograph work by Leonardo.”—Charles Nicholl, The Guardian “As the art historian and critic Ben Lewis shows in his forensically detailed and gripping investigation into the history, discovery and sales of the painting, establishing the truth is like nailing down jelly.”— Michael Prodger, The Sunday Times
| Author | : James Elkins |
| Publisher | : Psychology Press |
| Total Pages | : 284 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780415921138 |
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
