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Pacific Possessions

Pacific Possessions
Author: Chris J. Thomas
Publisher: University of Alabama Press
Total Pages: 184
Release: 2021-05-25
Genre: Literary Criticism
ISBN: 0817320946

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"Reframes Polynesia and Melanesia through analysis of nineteenth-century travel writing"--


Territories and Possessions

Territories and Possessions
Author: Thomas G. Aylesworth
Publisher: Chelsea House
Total Pages: 70
Release: 1988
Genre: History
ISBN:

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Discusses the geographical, historical, and cultural aspects of Guam, Puerto Rico, U.S. Virgin Islands, American Samoa, and the North Mariana Islands. Includes maps, illustrated fact spreads, and other illustrated materials.


Isles of Empire

Isles of Empire
Author: Peter C. Stuart
Publisher:
Total Pages: 534
Release: 1999
Genre: History
ISBN:

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A look at the economic, social, and political histories (and current prospects) of the US's four most important territorial possessions: Puerto Rico, American Samoa, Guam, and the Northern Mariana Islands, and the United States Virgin Islands. The wide-ranging discussion, touching upon education, settlement patterns, political expressions of discontent, and other topics, is presented as an effort to determine whether the administration of these possessions is proper. In the final analysis, the author determines, the intangible benefits of dispossession would be better for both rulers and ruled. Annotation copyrighted by Book News, Inc., Portland, OR


U.S. Territories and Possessions

U.S. Territories and Possessions
Author: John F. Grabowski
Publisher: Chelsea House
Total Pages: 68
Release: 1992
Genre: History
ISBN: 9780791010532

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Discusses the geographical, historical, and cultural aspects of American Samoa, Guam, North Mariana Islands, Puerto Rico, and the U.S. Virgin Islands.


Otherwise Worlds

Otherwise Worlds
Author: Tiffany Lethabo King
Publisher: Duke University Press
Total Pages: 250
Release: 2020-05-18
Genre: Social Science
ISBN: 1478012021

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The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds. Contributors Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson


Mothers' Darlings of the South Pacific

Mothers' Darlings of the South Pacific
Author: Judith A. Bennett
Publisher: University of Hawaii Press
Total Pages: 405
Release: 2016-03-31
Genre: History
ISBN: 0824858298

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Over the course of World War II, two million American military personnel occupied bases throughout the South Pacific, leaving behind a human legacy of at least 4,000 children born to indigenous mothers. Based on interviews conducted with many of these American-indigenous children and several of the surviving mothers, Mothers’ Darlings of the South Pacific explores the intimate relationships that existed between untold numbers of U.S. servicemen and indigenous women during the war and considers the fate of their mixed-race children. These relationships developed in the major U.S. bases of the South Pacific Command, from Bora Bora in the east across to Solomon Islands in the west, and from the Gilbert Islands in the north to New Zealand, in the southernmost region of the Pacific. The American military command carefully managed interpersonal encounters between the sexes, applying race-based U.S. immigration law on Pacific peoples to prevent marriage “across the color line.” For indigenous women and their American servicemen sweethearts, legal marriage was impossible; giving rise to a generation of fatherless children, most of whom grew up wanting to know more about their American lineage. Mothers’ Darlings of the South Pacific traces these children’s stories of loss, emotion, longing, and identity—and of lives lived in the shadow of global war. Each chapter discusses the context of the particular island societies and shows how this often determined the ways intimate relationships developed and were accommodated during the war years and beyond. Oral histories reveal what the records of colonial governments and the military have largely ignored, providing a perspective on the effects of the U.S. occupation that until now has been disregarded by Pacific war historians. The richness of this book will appeal to those interested the Pacific, World War II, as well as intimacy, family, race relations, colonialism, identity, and the legal structures of U.S. immigration.


Inalienable Possessions

Inalienable Possessions
Author: Annette B. Weiner
Publisher: Univ of California Press
Total Pages: 268
Release: 1992-05-13
Genre: Social Science
ISBN: 9780520911802

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Inalienable Possessions tests anthropology's traditional assumptions about kinship, economics, power, and gender in an exciting challenge to accepted theories of reciprocity and marriage exchange. Focusing on Oceania societies from Polynesia to Papua New Guinea and including Australian Aborigine groups, Annette Weiner investigates the category of possessions that must not be given or, if they are circulated, must return finally to the giver. Reciprocity, she says, is only the superficial aspect of exchange, which overlays much more politically powerful strategies of "keeping-while-giving." The idea of keeping-while-giving places women at the heart of the political process, however much that process may vary in different societies, for women possess a wealth of their own that gives them power. Power is intimately involved in cultural reproduction, and Weiner describes the location of power in each society, showing how the degree of control over the production and distribution of cloth wealth coincides with women's rank and the development of hierarchy in the community. Other inalienable possessions, whether material objects, landed property, ancestral myths, or sacred knowledge, bestow social identity and rank as well. Calling attention to their presence in Western history, Weiner points out that her formulations are not limited to Oceania. The paradox of keeping-while-giving is a concept certain to influence future developments in ethnography and the theoretical study of gender and exchange.


Possessions

Possessions
Author: Nicholas Thomas
Publisher: Thames & Hudson
Total Pages: 471
Release: 2022-09-01
Genre: Art
ISBN: 0500778019

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The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.