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Ovid and His Influence

Ovid and His Influence
Author: Edward Kennard Rand
Publisher:
Total Pages: 212
Release: 1925
Genre:
ISBN:

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Ovid in English

Ovid in English
Author: Ovid
Publisher: Penguin Classics
Total Pages: 468
Release: 1998
Genre: Poetry
ISBN:

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Witty, erotic, sceptical and subversive, Ovid (c. 43BC-AD17) has been a seminal presence in English literature from the time of Chaucer and Caxton to Ted Hughes and Seamus Heaney. This superb selection brings together complete elegies from the Amores, Heroides and poems of exile as well as many self-contained episodes from the longer works, vividly revealing both the sheer variety of Ovid's genius and the range of his impact on the English imagination.


Ovid

Ovid
Author: Sara Mack
Publisher: Yale University Press
Total Pages: 200
Release: 1968-01-01
Genre: Poetry
ISBN: 9780300166514

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Of all the poets of ancient Rome Ovid had perhaps the most influence on the art and literature of Medieval and Renaissance Europe. Even today he is probably the most accessible of all classical poets to the non-specialist, both in his subject matter and in his style. Ovid is no less fascinated than we are by the human psyche and by the ways men and women relate to each other, and many of his views on these questions seem centuries ahead of his time. Ovid’s interest in narrative technique is so much like ours that modern critical terms such as “reader-response” could have been coined for his experiments with story telling. In the creation of different personae and points of view his ingenuity is endless. For the Amores he invented a posing poet-lover; for the Art of Love, his narrator is a cynical professor of seduction who is convinced, quite wrongly, that he has love down to a science. In the Heroides, a series of verse-letters from the famous women of legend to their lovers, he brilliantly recreated great moments of heroic mythology from the feminine point of view. The longest and most enchanting of his works, the Metamorphoses, an epic-length poem on the infinite changes of mythology and history, afforded him the richest opportunities of all to experiment with narrative techniques. In this book Sara Mack introduces Ovid to the general reader. After considering Ovid’s modernity, Mack surveys his poetry chronologically. Next she examines his most influential poems: the Amores, Heroides, Art of Love, and Metamorphoses. Finally she explores Ovidian wit, concluding with a look at Ovid’s influence on the arts.


Ovid Renewed

Ovid Renewed
Author: Charles Martindale
Publisher: CUP Archive
Total Pages: 340
Release: 1990-07-27
Genre: Literary Criticism
ISBN: 9780521397452

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This book is a study of Ovid and his poetry as a cultural phenomenon, conceived in the belief that such a study of tradition also casts fresh light on Ovid himself. Its main concern is with exploring the influence of Ovid on literature, especially English literature, but it also takes a wider perspective, including, for example, the visual arts. The book takes the form of a series of studies by specialists in their fields, including a number of scholars of international renown. The essays cover the period from the twelfth century, when there was an upsurge of interest in Ovid, through to the decline in his fortunes in the nineteenth and twentieth centuries. They are critical and comparative in approach and collectively give a detailed sense of Ovid's importance in Western culture. Topics covered include Ovid's influence on Chaucer, Spenser, Shakespeare and his contemporaries, Dryden, T. S. Eliot, the myths of Daedalus and Icarus and Pygmalion, and the influence of Ovid's poetry on art.


Milton and the Metamorphosis of Ovid

Milton and the Metamorphosis of Ovid
Author: Maggie Kilgour
Publisher: Oxford University Press
Total Pages: 398
Release: 2012-02-02
Genre: History
ISBN: 0199589437

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Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.


Tales from Ovid

Tales from Ovid
Author: Ted Hughes
Publisher: Farrar, Straus and Giroux
Total Pages: 272
Release: 1999-03-30
Genre: Poetry
ISBN: 9780374525873

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A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.


Ovid: Ars Amatoria, Book III

Ovid: Ars Amatoria, Book III
Author: Ovid
Publisher: Cambridge University Press
Total Pages: 8
Release: 2003
Genre: History
ISBN: 9780521813709

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This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.


Works

Works
Author: Ovid
Publisher:
Total Pages: 620
Release: 1861
Genre:
ISBN:

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Metamorphosis

Metamorphosis
Author: David Gallagher
Publisher: BRILL
Total Pages: 470
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 9042027096

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The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid’s Metamorphoses, grouped roughly on an ‘ascending evolutionary scale’ (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid’s Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society’s moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf’s Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka’s Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann’s Der goldne Topf (1814), Hermann Hesse’s Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr’s Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.