Overture To Joseph For String Orchestra Score PDF Download

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Overture to Joseph for String Orchestra - Score

Overture to Joseph for String Orchestra - Score
Author:
Publisher:
Total Pages: 8
Release: 2010-09-01
Genre:
ISBN: 9781429120166

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Grade 3 A beautiful E-minor Andante with ornaments and dotted rhythms leads to an Allegro with scale-passage work for everyone. A rather disjunctive theme in the Allegro teaches good bowing skills and offers a wonderful opportunity for a Baroque style lesson. Upper strings will shift to third position and lower strings to fourth.


Overture to Joseph for String Orchestra

Overture to Joseph for String Orchestra
Author:
Publisher:
Total Pages:
Release: 2010-09-01
Genre:
ISBN: 9781429120081

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Grade 3 A beautiful E-minor Andante with ornaments and dotted rhythms leads to an Allegro with scale-passage work for everyone. A rather disjunctive theme in the Allegro teaches good bowing skills and offers a wonderful opportunity for a Baroque style lesson. Upper strings will shift to third position and lower strings to fourth.


Overture to the Oratorio Samson

Overture to the Oratorio Samson
Author:
Publisher:
Total Pages: 11
Release: 2021-05
Genre:
ISBN: 9781581069600

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(Southern Music). In the key of G Major, the work begins with a Moderato where dotted rhythms are abundant. A brief Adagio intervenes and we continue with a slightly fugal, crisply rhythmic Allegro, with 16th note passage work for the upper strings. After another brief Adagio, Handel finishes with a lyric Minuet. All sections are active throughout. This Overture is a wonderful introduction to the Baroque period and the bowing and ornamental styles that go with it.


Orchestral "Pops" Music

Orchestral
Author: Lucy Manning
Publisher: Scarecrow Press
Total Pages: 472
Release: 2013-10-10
Genre: Music
ISBN: 0810884232

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In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.


Library of Congress Catalog

Library of Congress Catalog
Author: Library of Congress
Publisher:
Total Pages: 520
Release: 1973
Genre: Audio-visual materials
ISBN:

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A cumulative list of works represented by Library of Congress printed cards.


Strong on Music

Strong on Music
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
Total Pages: 892
Release: 1995-12-18
Genre: Biography & Autobiography
ISBN: 9780226470115

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In this second volume of Strong on Music, Vera Brodsky Lawrence carries into the 1850s her landmark account of the nineteenth-century New York music scene. Using music entries from George Templeton Strong's famous journals—most published here for the first time—as a point of departure, Lawrence provides a vivid portrait of a vibrant musical culture. Each chapter presents one year in the musical life of New York City, with Lawrence's extensive commentary enriched both by excerpts from Strong's diaries and a lavish selection of little-known music criticism and comment from the period. The reviews, written by an often truculent, sometimes venal tribe of music journalists, cover the entire world of music—from opera to barrel organ, salon to saloon. In this New York, operas performed by renowned artists are parodied by blackface minstrels; performances of the Philharmonic Society are drowned by the raucous chatter of flirtatious adolescents, who turn concerts into a noisy singles' hangout; and irate critics trash the first performances of Verdi operas, calling the plots indecent and the scores noisy and unmelodic. In this volatile atmosphere, a native musical culture is born; its whose first faltering efforts are dubiously received, and the first American composers begin to emerge.


Music Criticism in Nineteenth-Century France

Music Criticism in Nineteenth-Century France
Author: Katharine Ellis
Publisher: Cambridge University Press
Total Pages: 18
Release: 1995-09-14
Genre: Music
ISBN: 9780521454438

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In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements.