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| Author | : Felicity D. Scott |
| Publisher | : MIT Press |
| Total Pages | : 557 |
| Release | : 2016-04-15 |
| Genre | : Architecture |
| ISBN | : 1935408739 |
"Traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and 70s"--Dust jacket.
| Author | : Felicity D. Scott |
| Publisher | : Princeton University Press |
| Total Pages | : 560 |
| Release | : 2016-05-20 |
| Genre | : Architecture |
| ISBN | : 1935408798 |
Outlaw Territories: Environments of Insecurity/Architectures of Counterinsurgency traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and ’70s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Outlaw Territories revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. Felicity D. Scott demonstrates how architecture engaged the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and at the same time how it responded to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the US–led war in Vietnam and Cambodia, and ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation on account of its inherent normativity but also became heavily imbricated within military, legal, and humanitarian apparatuses, and scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its conventional role did not remain unchallenged but shifted at times toward providing strategic expertise for institutions responding to transformations born of neoliberal capitalism. Outlaw Territories interrogates this nexus, and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within shifting geopolitical frameworks of this time.
| Author | : Felicity D. Scott |
| Publisher | : MIT Press |
| Total Pages | : 557 |
| Release | : 2016-04-15 |
| Genre | : Architecture |
| ISBN | : 1935408801 |
Revisiting an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. In Outlaw Territories, Felicity Scott traces the relation of architecture and urbanism to human unsettlement and territorial insecurity during the 1960s and 1970s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Scott revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. She describes architecture's response to the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and she traces architecture's relationship to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the U.S.-led war in Vietnam and Cambodia, with ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation because of its inherent normativity but also became heavily enmeshed with military, legal, and humanitarian apparatuses, participating in scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its role shifted at times toward providing strategic expertise for institutions born of neoliberal capitalism. Scott investigates this nexus and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within the shifting geopolitical frameworks at this time.
| Author | : Joshua Dysart |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011-03-08 |
| Genre | : Graphic novels |
| ISBN | : 9781607063216 |
Explore more of the dark and gritty history of America known as the Wild West! Outlaw Territory continues to bring together some of the best and brightest creators in comics as they weave their own brand of tales about the Old West.
| Author | : Sarah Harlan-Haughey |
| Publisher | : Routledge |
| Total Pages | : 241 |
| Release | : 2016-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1317034686 |
Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.
| Author | : Helen Phillips |
| Publisher | : |
| Total Pages | : 312 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
While everyone is familiar with the legend of Robin Hood, few can speak as knowledgably about other British outlaws and their traditions. Uncovering a popular history that dates back to Anglo-Saxon times, Bandit Territories takes as its main subject English, Welsh, and Scottish outlaws and considers their traditions in light of their unique landscapes, cultural histories, and adaptations into ballet, theatre, film and children's literature. Introducing figures such as Little John and William Wallace--the character portrayed by Mel Gibson in Braveheart--this volume explores the figure of the bandit, who lives between civil society and the wilderness, and offers an engaging portrait of his iconic masculinity and nationalist propaganda.
| Author | : Charles Rice |
| Publisher | : MIT Press |
| Total Pages | : 218 |
| Release | : 2023-10-17 |
| Genre | : Architecture |
| ISBN | : 0262048337 |
How the rise of the large-scale atrium space in the 1970s and ’80s changed the way buildings could be designed, constructed, regulated, and occupied. In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium’s appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
| Author | : McCarthy Conor McCarthy |
| Publisher | : Edinburgh University Press |
| Total Pages | : 336 |
| Release | : 2020-03-18 |
| Genre | : Law |
| ISBN | : 1474455964 |
By reading two bodies of literature not normally read together - the outlaw literature and espionage literature - Conor McCarthy shows how these genres represent and critique the longstanding use of legal exclusion as a means of supporting state power. Texts discussed range from the medieval Robin Hood ballads, Shakespeare's history plays, and versions of the Ned Kelly story to contemporary writing by John le Carre, Don DeLillo, Ciaran Carson and William Gibson.
| Author | : Maxwell Patterson |
| Publisher | : |
| Total Pages | : 295 |
| Release | : 2013-07-09 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781607067504 |
Join us one last time as the critically acclaimed anthology Outlaw Territory returns with its largest volume ever, showcasing thirty-five tales of the Old West from some of the biggest and brightest talent in the industry today.
| Author | : Damian A. Carpenter |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2017-10-20 |
| Genre | : History |
| ISBN | : 1317107071 |
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
