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| Author | : Tom McGreevey |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1997 |
| Genre | : Performing Arts |
| ISBN | : 9780813524313 |
Introduces the world of film preservation, looking at its history and techniques
| Author | : Yeck |
| Publisher | : |
| Total Pages | : |
| Release | : 1996-08-01 |
| Genre | : |
| ISBN | : 9780471144090 |
| Author | : L. Enticknap |
| Publisher | : Springer |
| Total Pages | : 244 |
| Release | : 2013-11-13 |
| Genre | : Performing Arts |
| ISBN | : 113732872X |
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
| Author | : Amber O'Neal Johnston |
| Publisher | : Penguin |
| Total Pages | : 305 |
| Release | : 2022-05-17 |
| Genre | : Family & Relationships |
| ISBN | : 059342185X |
A guide for families of all backgrounds to celebrate cultural heritage and embrace inclusivity in the home and beyond. Gone are the days when socially conscious parents felt comfortable teaching their children to merely tolerate others. Instead, they are looking for a way to authentically embrace the fullness of their diverse communities. A Place to Belong offers a path forward for families to honor their cultural heritage and champion diversity in the context of daily family life by: • Fostering open dialogue around discrimination, race, gender, disability, and class • Teaching “hard history” in an age-appropriate way • Curating a diverse selection of books and media choices in which children see themselves and people who are different • Celebrating cultural heritage through art, music, and poetry • Modeling activism and engaging in community service projects as a family Amber O’Neal Johnston, a homeschooling mother of four, shows parents of all backgrounds how to create a home environment where children feel secure in their own personhood and culture, enabling them to better understand and appreciate people who are racially and culturally different. A Place to Belong gives parents the tools to empower children to embrace their unique identities while feeling beautifully tethered to their global community.
| Author | : David Pirie |
| Publisher | : London : Gordon Fraser |
| Total Pages | : 208 |
| Release | : 1973 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Tom Shales |
| Publisher | : |
| Total Pages | : 198 |
| Release | : 1972 |
| Genre | : Performing Arts |
| ISBN | : |
Publishers of this collection of essays and 182 photos, the American Film Institute, was established in 1967 by the National Endowment for the Arts. Film Institute associates, plus Tom Shales, Leonard Maltin, Kevin Brownlow and others, provide dozens of interesting articles on specific motion pictures, prominent (and some nearly-forgotten) film makers, studios and genres. All of these are enriched by many unique illustrations, photos and in some cases, celluloid enlargements. The Foreword is by Gregory Peck.
| Author | : Janna Jones |
| Publisher | : University Press of Florida |
| Total Pages | : 210 |
| Release | : 2012-07-01 |
| Genre | : Performing Arts |
| ISBN | : 0813043662 |
Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture
| Author | : Walter Mirisch |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 502 |
| Release | : 2008-04-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0299226433 |
This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association
| Author | : Michael Binder |
| Publisher | : Lulu.com |
| Total Pages | : 334 |
| Release | : 2015-07 |
| Genre | : Motion picture film |
| ISBN | : 1326002724 |
A history of film preservation and restoration, telling the story from the earliest days of the cinema to the modern days of digital restorations. The cinema was invented in the Victorian era, but for the first four decades of its existence almost no effort was made to preserve the millions of feet of celluloid which rolled through the cameras and projectors of the world. As a result, thousands of movies were lost forever. In the 1930s, the first concerted attempts at film preservation were begun by pioneering individuals such as Iris Barry at New York's Museum of Modern Art; Ernest Lindgren at the British Film Institute, and the indomitable Henri Langlois at the Cinémathèque française, a man who performed heroics in occupied France to save the world's cinematic heritage from destruction by the Nazis. The 1980s video boom encouraged the studios finally to instigate asset protection programmes and in the digital age new methods of producing, exhibiting and restoring motion pictures emerged.
| Author | : Paolo Cherchi Usai |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 144 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718737 |
Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressures from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, the author brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.
