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Our Husband Has Gone Mad Again

Our Husband Has Gone Mad Again
Author: Ola Rotimi
Publisher: University Press Plc Nigeria
Total Pages: 106
Release: 1977
Genre: Drama
ISBN:

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The award-winning noted playwright here takes a comic swipe at ideological misfits and opportunists who strut the ever-accommodating political landscape of contemporary Africa. A former military Major, takes to politics. His motives have far more to do with vanity than patriotism, and his attempts to adapt to a situation he hardly comprehends produce highly comic results. His predicament is complicated by the unexpected arrival of his American wife who discovers two more marriages contracted without her knowledge and her husband beset by political problems.


The Gods are Not to Blame

The Gods are Not to Blame
Author: Ola Rotimi
Publisher:
Total Pages: 72
Release: 2015
Genre: Nigeria
ISBN: 9789780306441

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Holding Talks

Holding Talks
Author: Ola Rotimi
Publisher:
Total Pages: 56
Release: 1979
Genre: Nigeria
ISBN:

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Hopes of the Living Dead

Hopes of the Living Dead
Author: Ola Rotimi
Publisher: Createspace Independent Publishing Platform
Total Pages: 136
Release: 2017-11-28
Genre:
ISBN: 9781981244898

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Hopes of the Living Dead: A drama of struggle and hope by society's rejects. A true story of courage and resilience based on the life of Harcourt Whyte. Afflicted with leprosy at an early age and condemned to life as a beggar and an outcast, Harcourt broke the shackles of his existence by writing over two hundred popular church hymns. These became the standard in churches across Southeastern Nigeria and the trendsetter for all future Christian music in the region for decades to come. As a leader, Harcourt led the Lepers' Rebellion of 1928-32. The success of the revolt resulted in the creation of the self-sustaining Uzuakoli Leper Colony and Research Center where Harcourt and his counterparts, as human guinea pigs, helped in the discovery of cures for leprosy. Cured of the disease in 1949, Harcourt formed a choir made up of other Uzuakoli patients. This choir, known for their sonorous voices (for they did not have the appendages necessary for stringed instruments), performed in churches and entertained both the commoner and dignitaries across the land for decades.


Our Wife Has Gone Mad

Our Wife Has Gone Mad
Author: Bode Ojoniyi
Publisher: African Books Collective
Total Pages: 57
Release: 2021-01-01
Genre: Drama
ISBN: 9785916480

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In Our Wife Has Gone Mad, a play which in its unpublished form won the 2017 Society of Nigeria Theatre Artists (SONTA)/Olu-ObafemiAward for playwriting, the Author takes the fight for feminist equality to the seeming realm of the ludicrous. Women who are married to more than one man in a lifetime, it is normally after a divorce or death of the husband. In the case of Daniela in this play, she appropriates the same liberty or privilege given to men and marries several husbands. She does not cheat on the first husband; she merely legally gets married to the other two men and keeps them in their different cities - after all, some men do this too...


Our Husband Has Gone Mad Again

Our Husband Has Gone Mad Again
Author: Ola Rotimi
Publisher:
Total Pages: 0
Release: 2002
Genre: African drama
ISBN:

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African Cultures, Visual Arts, and the Museum

African Cultures, Visual Arts, and the Museum
Author: Tobias Döring
Publisher: Rodopi
Total Pages: 308
Release: 2002
Genre: Art
ISBN: 9789042013100

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From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.


The African Palimpsest

The African Palimpsest
Author: Chantal Zabus
Publisher: BRILL
Total Pages: 281
Release: 2007-01-01
Genre: Literary Criticism
ISBN: 9401204551

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Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro–Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo, Maninka, Yoruba, Wolof and other African languages, the book also clarifies the vital interface between Europhone African writing and the new outlets for African artistic expression in (auto-)translation, broadcast television, radio and film.