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Osogbo

Osogbo
Author: Ócha'ni Lele
Publisher: Simon and Schuster
Total Pages: 240
Release: 2014-03-21
Genre: Body, Mind & Spirit
ISBN: 1620553449

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By understanding osogbo, the spirits of misfortune, we can better overcome them and return to health and balance in our lives • Explains how misfortune works in this world as living spirits that plague humanity but are also a catalyst for self-development and conscious evolution • Shows that we can overcome osogbo through ebó, sacrifice, and hard work as prescribed by consulting the orishas through the casting of the diloggún • Shares more than 40 ancient African sacred stories about the spirits of osogbo Beginning with the story of his goddaughter's battle with stage IV cancer, Lucumi priest Ócha'ni Lele explains the role of osogbo, or misfortune, in our lives. While everyone seeks blessings in life, undeserved blessings make us weak and lazy. It is tragedy that encourages us to grow and persevere. Exploring the Lucumí beliefs regarding osogbo, he shows that the Lucumí faith is neither fatalistic nor defeatist but healing and life affirming. He shares more than 40 patakís--stories stemming from the ancient Yoruba of West Africa--about the different spirits of osogbo, who like the orishas once walked the earth in human bodies. He explains the place of these spirits within the 256 odu of the diloggún, the divination system used in Santería to receive guidance from the orishas. Lele shows that the spirits of osogbo are not only concepts but also real deities and that we can, if we understand their nature, fight them through ebó, sacrifice, and hard work. He reveals how the osogbos see themselves as entities of misfortune who stand against life and all that is good in the world, but in truth it is misfortune that strengthens us, misfortune that motivates us, and misfortune that brings great evolution to the world. As the author shows, “Without bitterness, one could not know sweetness.” Likewise, without misfortune in our lives, we would never know blessings or what it means to be blessed.


The Diloggún

The Diloggún
Author: Ócha'ni Lele
Publisher: Inner Traditions / Bear & Co
Total Pages: 636
Release: 2003-07-28
Genre: Body, Mind & Spirit
ISBN: 9780892819126

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The first book on Santer�s holiest divination system, the Diloggun. Explores the lore surrounding this mysterious oracle, the living Bible of one of the world's fastest growing faiths. Examines each family of " odu" and how their actions affect the spiritual development of the individual. An indispensable guide to the mysteries of the orishas.


Osogbo and the Art of Heritage

Osogbo and the Art of Heritage
Author: Peter Probst
Publisher: Indiana University Press
Total Pages: 225
Release: 2011
Genre: Art
ISBN: 0253222958

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Why has the home of a Yoruba river goddess become a UNESCO World Heritage site and a global attraction? Every year, tens of thousands of people from around the world visit the sacred grove of Osun, Osogbo's guardian deity, to attend her festival. Peter Probst takes readers on a riveting journey to Osogbo. He explores the history of the Osogbo School, which helped introduce one style of African modern art to the West, and investigates its intimate connection with Osun, the role of art and religion in the changing world of Osogbo, and its prominence in the global arena.


Santería

Santería
Author: Migene Gonz?lez-Wippler
Publisher: Llewellyn Worldwide
Total Pages: 408
Release: 1994
Genre: Religion
ISBN: 9781567183290

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When the Yoruba of West Africa were brought to Cuba as slaves, they preserved their religious heritage by disguising their gods as Catholic saints and worshiping them in secret. The resulting religion is Santería, a blend of primitive magic and Catholicism now practiced by an estimated five million Hispanic Americans. Blending informed study with her personal experience, González-Wippler describes Santería¿s pantheon of gods ("orishas "); the priests ("santeros" ); the divining shells used to consult the gods (the "Diloggún" ) and the herbal potions prepared as medicinal cures and for magic ("Ewe ) "as well as controversial ceremonies-including animal sacrifice. She has obtained remarkable photographs and interviews with Santería leaders that highlight aspects of the religion rarely revealed to nonbelievers. This book satisfies the need for knowledge of this expanding religious force that links its devotees in America to a spiritual wisdom seemingly lost in modern society.


Movements, Borders, and Identities in Africa

Movements, Borders, and Identities in Africa
Author: Toyin Falola
Publisher: University Rochester Press
Total Pages: 334
Release: 2009
Genre: Business & Economics
ISBN: 1580462960

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A groundbreaking interrogation of the myriad causes and effects of African migration, from the pre-colonial to the modern era.


History of Osogbo

History of Osogbo
Author: Osogbo Cultural Heritage Council
Publisher:
Total Pages: 96
Release: 1994
Genre: Chiefdoms
ISBN:

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African Sacred Spaces

African Sacred Spaces
Author: 'BioDun J. Ogundayo
Publisher: Rowman & Littlefield
Total Pages: 268
Release: 2019-02-06
Genre: Political Science
ISBN: 1498567436

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This book focuses on space in African and Black religion and spirituality through the lenses of area studies, African and black diaspora studies, history and culture, cultural studies, ecotourism, environmentalism, and sustainability.


History of Yoruba Land

History of Yoruba Land
Author: Gbade Aladeojebi
Publisher: Partridge Africa
Total Pages: 694
Release: 2016-10-17
Genre: History
ISBN: 1482862484

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The name Nigeria was coined in Lokoja by Flora Shaw, the future wife of Baron Lugard, a British colonial administrator, while gazing out at the river Niger. So, British colonialism created Nigeria as a country, joining diverse peoples and regions in an artificial political entity along the Niger River. The territory known today as Nigeria is a very large country of multi-ethnic groups of about four hundred. The land mass is large enough to accommodate France, Belgium and Italy. The name Nigeria is derived from the River Niger which traverses the country from the North to the South. Nigeria is located on the coast of Western Africa. It has an area of 356,669 square miles (923,768 square km). At its greatest expanse, it measures about 1,200 kilometres (about 750 mi) from East to West and about 1,050 kilometres (about 650 mi) from North to South. It is bordered to the north by Niger, the east by Chad and Cameroon, the south by the Gulf of Guinea, and to the west by Benin. Niger River and the Benue, are its largest tributary, are the principal rivers in the country. The area that is now Nigeria was home to ethnically based kingdoms and tribal communities before it became a European colony. In spite of European contact that began in the 16th century, these kingdoms and communities maintains their autonomy until the 19th century. Federal Republic of Nigeria is a constitutional Federal Republic comprising 36 states and the Federal Capital Territory in Abuja. The principal groups in the Northern part are Hausa, Fulani, Kanuri, and Nupe. Other minority tribes also inhabits the Middle belt area, these include the Jukun, the Chamba and the Bata. In the region north of the upper Benue valley various ethnic groups such as Fali, Gabun, Gude, Gudu, Higi, Hona Mbula, Mumuye and Tika also inhabits the area. In the Southwest we have the Yoruba, another principal ethnic group and in the Southeast we have the Igbo people which form the third principal ethnic group. In the South-south we have the group of minorities such as Annang, Efik, Ibibio, Ijaw, Itsekiri, Isoko Uhrobo and Ukwiani. The entire ethnic group in Nigeria is over 500, parts of these are listed in appropriate section of this book.


A Companion to Modern African Art

A Companion to Modern African Art
Author: Gitti Salami
Publisher: John Wiley & Sons
Total Pages: 650
Release: 2013-12-24
Genre: Art
ISBN: 1444338374

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Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art