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Objets d'art et de curiosité, objets de vitrine, orfèvrerie, chatelaines, objets variés, étoffes ayant figuré en partie au Musée centennal à l'Exposition de 1900 et appartenant à M. X...

Objets d'art et de curiosité, objets de vitrine, orfèvrerie, chatelaines, objets variés, étoffes ayant figuré en partie au Musée centennal à l'Exposition de 1900 et appartenant à M. X...
Author: Charles Mannheim
Publisher:
Total Pages: 12
Release: 1901
Genre:
ISBN:

Download Objets d'art et de curiosité, objets de vitrine, orfèvrerie, chatelaines, objets variés, étoffes ayant figuré en partie au Musée centennal à l'Exposition de 1900 et appartenant à M. X... Book in PDF, ePub and Kindle


Objets de Curiosités

Objets de Curiosités
Author: Jacob Neilson
Publisher:
Total Pages:
Release: 1786*
Genre:
ISBN:

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Objets de Curiosités

Objets de Curiosités
Author: Gostling
Publisher:
Total Pages:
Release: 1777*
Genre:
ISBN:

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Objets de curiosité

Objets de curiosité
Author: Hôtel Drouot
Publisher:
Total Pages:
Release: 1972
Genre:
ISBN:

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Art and Auctions

Art and Auctions
Author:
Publisher:
Total Pages: 312
Release: 1969
Genre: Art
ISBN:

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"Sculptors and Design Reform in France, 1848 to 1895 "

Author: Claire Jones
Publisher: Routledge
Total Pages: 245
Release: 2017-07-05
Genre: Art
ISBN: 1351549707

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Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.


French Rococo Ébénisterie in the J. Paul Getty Museum

French Rococo Ébénisterie in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: J. Paul Getty Museum
Total Pages: 0
Release: 2021-03-30
Genre: Design
ISBN: 9781606066300

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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.