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Oral Performance and Its Context

Oral Performance and Its Context
Author: Chris Mackie
Publisher: BRILL
Total Pages: 224
Release: 2017-07-31
Genre: Literary Criticism
ISBN: 9047412605

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This volume is concerned with aspects of orality and literacy in the ancient world. It arises from the tremendous contemporary interest among scholars in questions of how literacy and orality co-exist and interact in the ancient world. The contents of the book are refereed papers originally presented at the fifth biennial 'Orality and Literacy in ancient Greece' held at The University of Melbourne in 2002. Papers are offered by scholars from Britain, the USA, Canada and Australia which deal with a range of periods and genres in antiquity, from Homer through to Roman literature. The book will be of great interest to students and scholars of the ancient world.


Oral Performance and the Veil of Text

Oral Performance and the Veil of Text
Author: Ben F. van Veen
Publisher: Wipf and Stock Publishers
Total Pages: 284
Release: 2024-01-26
Genre: Religion
ISBN: 1666762970

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It is common opinion in biblical scholarship that the biblical documents functioned in a sociocultural context dominated by the spoken word. Detextification is the result of addressing the complex relation between this formally acknowledged functioning in its original oral delivery and the daily praxis of biblical scholarship in which these documents function as autonomous texts in an ever-expanding universe of texts. The argument in this book is that in addition to acknowledging the difference in media (oral performance there and then versus reading text here and now), it is crucial to differentiate and explicate the mindsets behind these media. A literate reader in the present structures thought, vis-a-vis text, differently from someone intensively formed by oral-aural communication, in the moment of exposure to a performing orator. The latter perspective was Paul's in the process of his letter composition. Therefore, this is a leading question in detextification: How can a contemporary biblical scholar relate to the text of Paul's letters in such a way as to understand how the apostle envisioned his original addressees structuring their thoughts during the event of a letter's oral-aural delivery? Two test cases are provided from the Letter to the Galatians (Gal 2-3).


The Pitchman in Print

The Pitchman in Print
Author: Joseph Ugoretz
Publisher:
Total Pages: 340
Release: 2000
Genre:
ISBN:

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Story, Performance, and Event

Story, Performance, and Event
Author: Richard Bauman
Publisher: Cambridge University Press
Total Pages: 152
Release: 1986-09-26
Genre: Language Arts & Disciplines
ISBN: 9780521311113

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An analysis of Texan oral narratives that focuses on the significance of their social context. Although the tales are all from Texas, they are considered representative of oral storytelling traditions in their relationships between story, performance and event.


Oral Literary Performance in Africa

Oral Literary Performance in Africa
Author: Nduka Otiono
Publisher: Routledge
Total Pages: 213
Release: 2021-05-31
Genre: Performing Arts
ISBN: 100039753X

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This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.


The Oral Epic

The Oral Epic
Author: Karl Reichl
Publisher: Routledge
Total Pages: 257
Release: 2021-07-26
Genre: Literary Criticism
ISBN: 1000409201

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This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.


Oral Literature in Africa

Oral Literature in Africa
Author: Ruth Finnegan
Publisher: Open Book Publishers
Total Pages: 614
Release: 2012-09
Genre: Social Science
ISBN: 1906924708

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Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.


Oral Performance, Popular Tradition, and Hidden Transcript in Q

Oral Performance, Popular Tradition, and Hidden Transcript in Q
Author: Richard A. Horsley
Publisher: Society of Biblical Lit
Total Pages: 242
Release: 2006
Genre: Language Arts & Disciplines
ISBN: 1589832485

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This collection of essays pursues two new approaches to Q, the speeches of Jesus paralleled in the Gospels of Matthew and Luke. The essays in Part One suggest that recent work in ethnopoetics, the ethnography of performance, and theory of verbal art (especially that of John Miles Foley) both complements and challenges standard approaches to the teaching of Jesus. They explore how Q speeches might be appreciated as oral performance that resonates with listeners in a community context by referencing Israelite popular tradition. The essays in Part Two examine how the work of anthropologist and political scientist James C. Scott on popular tradition, "the moral economy of the peasant," and "hidden transcripts" may illuminate the social context and political implications of Q speeches. --From publisher's description.


Medieval Oral Literature

Medieval Oral Literature
Author: Karl Reichl
Publisher: Walter de Gruyter
Total Pages: 768
Release: 2011-11-30
Genre: Literary Criticism
ISBN: 3110241129

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Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.