Oral Biblical Criticism
| Author | : Casey Wayne Davis |
| Publisher | : |
| Total Pages | : 199 |
| Release | : 1999 |
| Genre | : Bible |
| ISBN | : 9780850759723 |
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Oral Biblical Criticism
| Author | : Casey W. Davis |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 202 |
| Release | : 1999-06-01 |
| Genre | : Religion |
| ISBN | : 0567629066 |
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The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul's Epistle to the Philippians in light of recent study of oral principles of composition and interpretation.
From Orality to Orality
| Author | : James A. Maxey |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 249 |
| Release | : 2009-09-15 |
| Genre | : Religion |
| ISBN | : 1630871230 |
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In this groundbreaking work, Bible translation is presented as an expression of contextualization that explores the neglected riches of the verbal arts in the New Testament. Going beyond a historical study of media in antiquity, this book explores a renewed interest in oral performance that informs methods and goals of Bible translation today. Such exploration is concretized in the New Testament translation work in central Africa among the Vute people of Cameroon. This study of contextualization appreciates the agency of local communities--particularly in Africa--who seek to express their Christian faith in response to anthropological pauperization. An extended analysis of African theologians demonstrates the ultimate goals of contextualization: liberation and identity. Oral performance exploits all the senses in experiencing communication while performer, text, and audience negotiate meaning. Performance not only expresses but also shapes identity as communities express their faith in varied contexts. This book contends that the New Testament compositions were initially performed and not restricted to individualized, silent reading. This understanding encourages a reexamination of how Bible translation can be done. Performance is not a product but a process that infuses biblical studies with new insights, methods, and expressions.
Oral Tradition and Old Testament Studies
| Author | : Robert C. Culley |
| Publisher | : |
| Total Pages | : 163 |
| Release | : 1976 |
| Genre | : Bible |
| ISBN | : 9780317357219 |
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Translating Scripture for Sound and Performance
| Author | : James A. Maxey |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 229 |
| Release | : 2012-11-01 |
| Genre | : Religion |
| ISBN | : 1620322978 |
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The various studies presented in this anthology underscore the foundational matter of translation in biblical studies as understood from the specific perspective of Biblical Performance Criticism. If the assumption for the biblical messages being received is not individual silent reading, then the question becomes, how does this public performative mode of communication affect the translation of this biblical material? Rather than respond to this in general theoretical terms, most in this collection of articles offer specific applications to particular Hebrew and Greek passages of Scripture. Almost all the authors have firsthand experience with the translation of biblical materials into non-European languages in communities who maintain a vibrant oral tradition. The premise is that the original Scriptures, which were composed in and for performance, are being prepared again for live audiences who will receive these sacred texts, not primarily in printed form, but first and foremost in community by means of oral and visual media. This volume is an invitation for others to join us in researching more intensely this intersection of sound, performance, and translation in a contemporary communication of the Word.
Holy Writ as Oral Lit
| Author | : Alan Dundes |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 141 |
| Release | : 2000-01-01 |
| Genre | : Social Science |
| ISBN | : 058516584X |
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This book helps us resolve some of the mysteries and contradictions that evolved during the Bible's pre-written legacy and that persist in the Great Book today. Most biblical scholars acknowledge that both the Old and New Testaments were orally transmitted for decades before appearing in written form. With great reverence for the Bible, Dundes offers a new and exciting way to understand its variant texts. He uses the analytical framework of folklore to unearth and contrast the multiple versions of nearly every major biblical event, including the creation of woman, the flood, the ten commandments (there were once as many as eleven or twelve), the names of the twelve tribes, the naming of the disciples, the Sermon on the Mount, the Lord's Prayer, and the words inscribed on the Cross, among many others.
The Oral and the Written Gospel
| Author | : Werner H. Kelber |
| Publisher | : Indiana University Press |
| Total Pages | : 292 |
| Release | : 1997-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 9780253210975 |
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Spoken words process knowledge differently from writing. What happens when speech turns into text? In reappraising literary scholars' propensity to trace Jesus' sayings back to the assumed original version, the author argues that in the oral medium each rendition of a saying is the original. Orality works with multiple originals, rather than with single originality. In what may be the most extraordinary thesis of the book, Kelber argues that the written gospel is related less by evolutionary progression than by contradiction to what preceded it.
To Each Its Own Meaning
| Author | : Stephen R. Haynes |
| Publisher | : Westminster John Knox Press |
| Total Pages | : 270 |
| Release | : 1993 |
| Genre | : Religion |
| ISBN | : |
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This single volume introduces the reader to the most important methods of Biblical criticism by covering both traditional and more current methods, giving special attention to the way in which methods of criticism are applied to specific texts. The contributors, from a diverse background, demonstrate how their own method is applied.
Oral Performance and the Veil of Text
| Author | : Ben F. van Veen |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 284 |
| Release | : 2024-01-26 |
| Genre | : Religion |
| ISBN | : 1666762970 |
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It is common opinion in biblical scholarship that the biblical documents functioned in a sociocultural context dominated by the spoken word. Detextification is the result of addressing the complex relation between this formally acknowledged functioning in its original oral delivery and the daily praxis of biblical scholarship in which these documents function as autonomous texts in an ever-expanding universe of texts. The argument in this book is that in addition to acknowledging the difference in media (oral performance there and then versus reading text here and now), it is crucial to differentiate and explicate the mindsets behind these media. A literate reader in the present structures thought, vis-a-vis text, differently from someone intensively formed by oral-aural communication, in the moment of exposure to a performing orator. The latter perspective was Paul's in the process of his letter composition. Therefore, this is a leading question in detextification: How can a contemporary biblical scholar relate to the text of Paul's letters in such a way as to understand how the apostle envisioned his original addressees structuring their thoughts during the event of a letter's oral-aural delivery? Two test cases are provided from the Letter to the Galatians (Gal 2-3).
Empirical Models Challenging Biblical Criticism
| Author | : Raymond F. Person |
| Publisher | : SBL Press |
| Total Pages | : 430 |
| Release | : 2016-09-21 |
| Genre | : Religion |
| ISBN | : 0884141497 |
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Cutting edge reflections on biblical text formation Empirical models based on ancient Near Eastern literature and variations between different textual traditions have been used to lend credibility to the identification of the sources behind biblical literature and the different editorial layers. In this volume, empirical models are used to critique the exaggerated results of identifying sources and editorial layers by demonstrating that, even though much of ancient literature had such complex literary histories, our methods are often inadequate for the task of precisely identifying sources and editorial layers. The contributors are Maxine L. Grossman, Bénédicte Lemmelijn, Alan Lenzi, Sara J. Milstein, Raymond F. Person Jr., Robert Rezetko, Stefan Schorch, Julio Trebolle Barrera, Ian Young, and Joseph A. Weaks. Features: Evidence that many ancient texts are composite texts with complex literary histories Ten essays and an introduction cover texts from Mesopotamia, the Hebrew Bible, the New Testament, and the Dead Sea Scrolls
