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| Author | : Ellen Rosand |
| Publisher | : Univ of California Press |
| Total Pages | : 712 |
| Release | : 2007-10-09 |
| Genre | : Music |
| ISBN | : 0520254260 |
Download Opera in Seventeenth-Century Venice Book in PDF, ePub and Kindle
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
| Author | : Wendy Heller |
| Publisher | : Univ of California Press |
| Total Pages | : 407 |
| Release | : 2004-01-12 |
| Genre | : Music |
| ISBN | : 0520919343 |
Download Emblems of Eloquence Book in PDF, ePub and Kindle
Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
| Author | : Ellen Rosand |
| Publisher | : Univ of California Press |
| Total Pages | : 508 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : |
Download Monteverdi's Last Operas Book in PDF, ePub and Kindle
"That Ellen Rosand's understanding of seventeenth-century Venetian opera is encyclopedic has long been recognized. By focusing her attention now on all three of the last operas of Claudio Monteverdi, however, she has met a formidable challenge: this book demonstrates how to put philology at the service of interpretation and interpretation at the service of philology. All those who care about these operas, fundamental to the development of the genre itself, and about scholarship in the Humanities, will profit from her masterful achievement."--Philip Gossett, the Robert W. Reneker Distinguished Service Professor at The University of Chicago and author of Divas and Scholars: Performing Italian Opera "Ellen Rosand's monumental study is so much more than a meticulous exploration and explanation of all the surviving material and its many literary and musical sources. She presents ingenious, utterly convincing solutions to the problems posed by this material, offering therefore countless new insights into Monteverdi's last two surviving operas, the great Poppea and Ulisse, while also reeling in to this forensic examination the tantalisingly lost score of Le nozze de Enea. Her feel for the music is inspiring, and her theatrical instinct exemplary. This is a book of phenomenal clarity and great passion, and an indispensable addition to our understanding of this great composer."--Jane Glover, Conductor and Music Director for Chicago's Music of the Baroque.
| Author | : Simon Towneley Worsthorne |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 1968 |
| Genre | : Dramatic music |
| ISBN | : |
Download Venetian Opera in the Seventeenth Century Book in PDF, ePub and Kindle
| Author | : Beth Glixon |
| Publisher | : Oxford University Press |
| Total Pages | : 425 |
| Release | : 2007-12 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0195342976 |
Download Inventing the Business of Opera Book in PDF, ePub and Kindle
Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production are highlighted, from the financial backing, to the libretto and the score, to the singers, dancers, the scenery, and the costumes.
| Author | : BethL. Glixon |
| Publisher | : Routledge |
| Total Pages | : 514 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351547631 |
Download Studies in Seventeenth-Century Opera Book in PDF, ePub and Kindle
The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.
| Author | : Eugene J. Johnson |
| Publisher | : Cambridge University Press |
| Total Pages | : 349 |
| Release | : 2018-05-17 |
| Genre | : Architecture |
| ISBN | : 1108421741 |
Download Inventing the Opera House Book in PDF, ePub and Kindle
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
| Author | : Eleanor Selfridge-Field |
| Publisher | : Stanford University Press |
| Total Pages | : 794 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9780804744379 |
Download A New Chronology of Venetian Opera and Related Genres, 1660-1760 Book in PDF, ePub and Kindle
From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.
| Author | : Emily Wilbourne |
| Publisher | : University of Chicago Press |
| Total Pages | : 240 |
| Release | : 2016-11-21 |
| Genre | : History |
| ISBN | : 022640157X |
Download Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte Book in PDF, ePub and Kindle
In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
| Author | : Ellen Rosand |
| Publisher | : Univ of California Press |
| Total Pages | : 508 |
| Release | : 2007-12-03 |
| Genre | : Music |
| ISBN | : 9780520933279 |
Download Monteverdi's Last Operas: A Venetian Trilogy Book in PDF, ePub and Kindle
Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
