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| Author | : Manuel Carlos de Brito |
| Publisher | : Cambridge University Press |
| Total Pages | : 276 |
| Release | : 2007-05-31 |
| Genre | : Music |
| ISBN | : 9780521036436 |
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.
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| Publisher | : |
| Total Pages | : 520 |
| Release | : 1986 |
| Genre | : |
| ISBN | : |
| Author | : John Dowling |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
| Author | : Manuel Carlos de Brito |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 1989 |
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| ISBN | : |
| Author | : Anthony R. DelDonna |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2009-06-25 |
| Genre | : Music |
| ISBN | : 1139828177 |
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
| Author | : Anthony R. DelDonna |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2009-06-25 |
| Genre | : Music |
| ISBN | : 0521873584 |
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
| Author | : David Wyn Jones |
| Publisher | : Routledge |
| Total Pages | : 333 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351557416 |
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2023-12-21 |
| Genre | : Music |
| ISBN | : 9781009011754 |
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
| Author | : Malcolm Boyd |
| Publisher | : Cambridge University Press |
| Total Pages | : 286 |
| Release | : 1998-11-26 |
| Genre | : Music |
| ISBN | : 9780521481397 |
Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.
| Author | : Charles Dill |
| Publisher | : Routledge |
| Total Pages | : 530 |
| Release | : 2017-07-05 |
| Genre | : History |
| ISBN | : 1351555731 |
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
