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| Author | : Alessandra Campana |
| Publisher | : Cambridge University Press |
| Total Pages | : 223 |
| Release | : 2015-01-22 |
| Genre | : Music |
| ISBN | : 1107051894 |
Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
| Author | : Alessandra Campana |
| Publisher | : Cambridge University Press |
| Total Pages | : 223 |
| Release | : 2015-01-22 |
| Genre | : Music |
| ISBN | : 1316194868 |
At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of the First World War.
| Author | : Roberta Montemorra Marvin |
| Publisher | : Cambridge University Press |
| Total Pages | : 303 |
| Release | : 2010-02-11 |
| Genre | : Music |
| ISBN | : 0521889987 |
Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.
| Author | : Axel Körner |
| Publisher | : Cambridge University Press |
| Total Pages | : 341 |
| Release | : 2022-03-24 |
| Genre | : Music |
| ISBN | : 1108843867 |
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
| Author | : Rachel N. Becker |
| Publisher | : Taylor & Francis |
| Total Pages | : 209 |
| Release | : 2024-03-29 |
| Genre | : Music |
| ISBN | : 1003854567 |
This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
| Author | : Katharine Mitchell |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2021-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000457486 |
This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
| Author | : Karen Henson |
| Publisher | : Cambridge University Press |
| Total Pages | : 281 |
| Release | : 2015-01-15 |
| Genre | : Music |
| ISBN | : 1107004268 |
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
| Author | : Simon Maguire |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2018-11-05 |
| Genre | : History |
| ISBN | : 0429773196 |
First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto. Many of the writers considered are unfamiliar today, but they express the accepted views on music, opera, and singing that dominated a particularly insular tradition. This title will be of interest to students of Italian and Music History.
| Author | : Francesca Vella |
| Publisher | : University of Chicago Press |
| Total Pages | : 262 |
| Release | : 2022-01-26 |
| Genre | : History |
| ISBN | : 0226815706 |
Stagecrafting the City -- Florence, Opera, and Technological Modernity -- Funeral Entrainments -- Errico Petrella's Jone and the Band -- Global Voices -- Adelina Patti, Multilingualism, and Bel Canto (as) Listening -- "Ito per Ferrovia" -- Opera Productions on the Tracks -- Aida, Media, and Temporal Politics circa 1871-72.
| Author | : |
| Publisher | : |
| Total Pages | : 252 |
| Release | : |
| Genre | : |
| ISBN | : 0520276256 |
