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| Author | : Robert Donington |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1990 |
| Genre | : Opera |
| ISBN | : |
| Author | : Robert Donington |
| Publisher | : Yale University Press |
| Total Pages | : 260 |
| Release | : 1990-01-01 |
| Genre | : Music |
| ISBN | : 9780300056617 |
Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
| Author | : Robert Donington |
| Publisher | : Hassell Street Press |
| Total Pages | : 336 |
| Release | : 2021-09-10 |
| Genre | : |
| ISBN | : 9781015111615 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Mitchell Cohen |
| Publisher | : Princeton University Press |
| Total Pages | : 510 |
| Release | : 2020-12-08 |
| Genre | : Music |
| ISBN | : 0691211515 |
A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
| Author | : William Ashbrook |
| Publisher | : Princeton University Press |
| Total Pages | : 204 |
| Release | : 2014-12-25 |
| Genre | : Music |
| ISBN | : 1400866677 |
Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.
| Author | : Richard Begam |
| Publisher | : JHU Press |
| Total Pages | : 391 |
| Release | : 2016-11 |
| Genre | : Literary Criticism |
| ISBN | : 1421420627 |
A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
| Author | : Antony Ransome |
| Publisher | : |
| Total Pages | : |
| Release | : 2016-05-31 |
| Genre | : Dramatic music |
| ISBN | : 9780646937274 |
This book harnesses cultural history to the interpretation of nine representative operas, which are studied, like dreams, to uncover the Jungian archetypal implications of the characters and their relationships and situations for an identifying audience member, opera director, singer or student.
| Author | : Matilde Battistini |
| Publisher | : Getty Publications |
| Total Pages | : 384 |
| Release | : 2005 |
| Genre | : Allegories |
| ISBN | : 9780892368181 |
"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.
| Author | : Jens Hesselager |
| Publisher | : Routledge |
| Total Pages | : 267 |
| Release | : 2017-12-14 |
| Genre | : Music |
| ISBN | : 1315466430 |
Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.
| Author | : Roger Scruton |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 307 |
| Release | : 2015-06-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1472927850 |
Roger Scruton is Britain's best known intellectual dissident, who has defended English traditions and English identity against an official culture of denigration. Although his writings on philosophical aesthetics have shown him to be a leading authority in the field, his defence of political conservatism has marked him out in academic circles as public enemy number one. Whether it is Scruton's opinions that get up the nose of his critics, or the wit and erudition with which he expresses them, there is no doubt that their noses are vastly distended by his presence, and constantly on the verge of a collective sneeze. Contrary to orthodox opinion, however, Roger Scruton is a human being, and Gentle Regrets contains the proof of it - a quiet, witty but also serious and moving account of the ways in which life brought him to think what he thinks, and to be what he is. His moving vignettes of his childhood and later influences illuminate this book. Love him or hate him, he will engage you in an argument that is both intellectually stimulating and informed by humour.
