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Music and Orientalism in the British Empire, 1780s-1940s

Music and Orientalism in the British Empire, 1780s-1940s
Author: Bennett Zon
Publisher: Routledge
Total Pages: 368
Release: 2017-07-05
Genre: Music
ISBN: 1351557599

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Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.


Comparative Musicology and Anthropology of Music

Comparative Musicology and Anthropology of Music
Author: Bruno Nettl
Publisher: University of Chicago Press
Total Pages: 397
Release: 1991-03-26
Genre: Music
ISBN: 0226574091

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Non-Aboriginal; based on papers presented at Ideas, Concepts and Personalities in the History of Ethnomusicology conference, Urbana, Illinois, April 1988.


Music and the New Global Culture

Music and the New Global Culture
Author: Harry Liebersohn
Publisher: University of Chicago Press
Total Pages: 352
Release: 2019-09-27
Genre: Music
ISBN: 022664927X

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Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.


The Psychophysical Ear

The Psychophysical Ear
Author: Alexandra Hui
Publisher: MIT Press
Total Pages: 257
Release: 2012-11-02
Genre: Science
ISBN: 0262018381

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An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.


Representing Non-Western Music in Nineteenth-century Britain

Representing Non-Western Music in Nineteenth-century Britain
Author: Bennett Zon
Publisher: University Rochester Press
Total Pages: 380
Release: 2007
Genre: History
ISBN: 9781580462594

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Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.


Things Japanese: Being Notes on Various Subjects Connected with Japan for the Use of Travellers and Others

Things Japanese: Being Notes on Various Subjects Connected with Japan for the Use of Travellers and Others
Author: Basil Hall Chamberlain
Publisher: Library of Alexandria
Total Pages: 591
Release: 2020-09-28
Genre: Japan
ISBN: 1465600582

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To have lived through the transition stage of modern Japan makes a man feel preternaturally old; for here he is in modern times, with the air full of talk about bicycles and bacilli and "spheres of influence" and yet he can himself distinctly remember the Middle Ages. The dear old Samurai who first initiated the present writer into the mysteries of the Japanese language, wore a queue and two swords. This relic of feudalism now sleeps in Nirvana. His modern successor, fairly fluent in English, and dressed in a serviceable suit of dittos, might almost be a European, save for a certain obliqueness of the eyes and scantiness of beard. Old things pass away between a night and a morning. The Japanese boast that they have done in thirty or forty years what it took Europe half as many centuries to accomplish. Some even go further, and twit us Westerns with falling behind in the race. It is waste of time to go to Germany to study philosophy, said a Japanese savant recently returned from Berlin:—the lectures there are elementary, the subject is better taught at Tōkyō. Thus does it come about that, having arrived in Japan in 1873, we ourselves feel well-nigh four hundred years old, and assume without more ado the two well-known privileges of old age,—garrulity and an authoritative air. We are perpetually being asked questions about Japan. Here then are the answers, put into the shape of a dictionary, not of words but of things,—or shall we rather say a guide-book, less to places than to subjects?—not an encyclopædia, mind you, not the vain attempt by one man to treat exhaustively of all things, but only sketches of many things. The old and the new will be found cheek by jowl. What will not be found is padding: for padding is unpardonable in any book on Japan, where the material is so plentiful that the chief difficulty is to know what to omit. In order to enable the reader to supply deficiencies and to form his own opinions, if haply he should be of so unusual a turn of mind as to desire so to do, we have, at the end of almost every article, indicated the names of trustworthy works bearing on the subject treated in that article. For the rest, this book explains itself. Any reader who detects errors or omissions in it will render the author an invaluable service by writing to him to point them out. As a little encouragement in this direction, we will ourselves lead the way by presuming to give each reader, especially each globe-trotting reader, a small piece of advice.


Shiva Onstage

Shiva Onstage
Author: Diana Brenscheidt gen. Jost
Publisher: LIT Verlag Münster
Total Pages: 317
Release: 2011
Genre: Music
ISBN: 3643901089

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When Uday Shanker and his company launched their inaugural world tour in Paris in 1931, European and American audiences received the ensemble enthusiastically. How could this group of foreigners have been so successful on Western stages? This book explores why.


The Traditional Music of Thailand

The Traditional Music of Thailand
Author: David Morton
Publisher: Univ of California Press
Total Pages: 409
Release: 2023-11-10
Genre:
ISBN: 0520321332

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