On Rhythm Science
Author | : H. Medison |
Publisher | : |
Total Pages | : 26 |
Release | : 1918 |
Genre | : |
ISBN | : |
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Author | : H. Medison |
Publisher | : |
Total Pages | : 26 |
Release | : 1918 |
Genre | : |
ISBN | : |
Author | : Paul D. Miller |
Publisher | : MIT Press |
Total Pages | : 140 |
Release | : 2004-03-19 |
Genre | : Music |
ISBN | : 9780262632874 |
The art of the mix creates a new language of creativity. "Once you get into the flow of things, you're always haunted by the way that things could have turned out. This outcome, that conclusion. You get my drift. The uncertainty is what holds the story together, and that's what I'm going to talk about."—Rhythm Science The conceptual artist Paul Miller, also known as Dj Spooky that Subliminal Kid, delivers a manifesto for rhythm science—the creation of art from the flow of patterns in sound and culture, "the changing same." Taking the Dj's mix as template, he describes how the artist, navigating the innumerable ways to arrange the mix of cultural ideas and objects that bombard us, uses technology and art to create something new and expressive and endlessly variable. Technology provides the method and model; information on the web, like the elements of a mix, doesn't stay in one place. And technology is the medium, bridging the artist's consciousness and the outside world. Miller constructed his Dj Spooky persona ("spooky" from the eerie sounds of hip-hop, techno, ambient, and the other music that he plays) as a conceptual art project, but then came to see it as the opportunity for "coding a generative syntax for new languages of creativity." For example: "Start with the inspiration of George Herriman's Krazy Kat comic strip. Make a track invoking his absurd landscapes...What do tons and tons of air pressure moving in the atmosphere sound like? Make music that acts a metaphor for that kind of immersion or density." Or, for an online "remix" of two works by Marcel Duchamp: "I took a lot of his material written on music and flipped it into a DJ mix of his visual material—with him rhyming!" Tracing the genealogy of rhythm science, Miller cites sources and influences as varied as Ralph Waldo Emerson ("all minds quote"), Grandmaster Flash, W. E. B Dubois, James Joyce, and Eminem. "The story unfolds while the fragments coalesce," he writes. Miller's textual provocations are designed for maximum visual and tactile seduction by the international studio COMA (Cornelia Blatter and Marcel Hermans). They sustain the book's motifs of recontextualizing and relayering, texts and images bleed through from page to page, creating what amount to 2.5 dimensional vectors. From its remarkable velvet flesh cover, to the die cut hole through the center of the book, which reveals the colored nub holding in place the included audio CD, Rhythm Science: Excerpts and Allegories from the Sub Rosa Archives, this pamphlet truly lives up to Editorial Director Peter Lunenfeld's claim that the Mediawork Pamphlets are "theoretical fetish objects...'zines for grown-ups."
Author | : K. Sendo |
Publisher | : Рипол Классик |
Total Pages | : 18 |
Release | : |
Genre | : History |
ISBN | : 1176904566 |
Author | : John Lamb |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2014-05-05 |
Genre | : |
ISBN | : 9781500667542 |
Rhythm changes us. Literally. In A Matter of Time: the science of rhythm and the groove, Lamb looks at those physiological changes and defines rhythm by its effect on us. But he doesn't stop there, he compares the body's physiological changes with what top musicians say about rhythm and finds striking similarities. This approach suggests a simple theory of how rhythm works and explains, for example, words like swing and groove are commonly used to describe music. "When I read this book it was like having a grand unification of all of the moving parts. Everything fell into place... For me personally this book is one of the few that have made a profound difference in my awareness of and how I approach music." - Mike Tarrani, Amazon Top 50 Reviewer
Author | : William Arthur Sethares |
Publisher | : Springer Science & Business Media |
Total Pages | : 341 |
Release | : 2007-08-06 |
Genre | : Technology & Engineering |
ISBN | : 1846286409 |
Rhythm and Transforms is a book that explores rhythm in music, its structure and how we perceive it. The book will be bought by engineers interested in acoustic signal processing as well as musicians, composers and computer scientists. Anyone interested in the scientific basis of music from psychologists to the designers of electronic musical instruments will be interested in this book.
Author | : Michael Golston |
Publisher | : Columbia University Press |
Total Pages | : 300 |
Release | : 2007-12-21 |
Genre | : Literary Criticism |
ISBN | : 9780231512336 |
In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.
Author | : H. Medison |
Publisher | : Forgotten Books |
Total Pages | : 30 |
Release | : 2016-10-19 |
Genre | : Philosophy |
ISBN | : 9781333998516 |
Excerpt from On Rhythm Science The Rhythm science shows an originality in its mode of elucidation, too. Hitherto all philosophy, after the manner of science, has collected various kinds of experience inductively, and deduced therefrom a princi ple to elucidate things by. But this new philosophy, quite contrary to that, first establishes an all-ex plaining principle, and boldly proceeds in deductive manner. This way of philosophizing is quite new now-a-days. But, let us ask, which way is the right one Induction is based upon well-known experiental facts, so it has the advantage of being easily believed in by the people. Not only this, but, in arriving at a general law, even if it meets with some uncongenial matters, it can patch up better. On the other hand, deductive method is rather stiff, and, in meeting with such dangers, cannot well dispose of them. More over, it finds some difficulty in convincing people by joining itself to experiental facts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Michael Thaut |
Publisher | : Taylor & Francis |
Total Pages | : 272 |
Release | : 2013-01-11 |
Genre | : Music |
ISBN | : 1136762876 |
With the advent of modern cognitive neuroscience and new tools of studying the human brain "live," music as a highly complex, temporally ordered and rule-based sensory language quickly became a fascinating topic of study. The question of "how" music moves us, stimulates our thoughts, feelings, and kinesthetic sense, and how it can reach the human experience in profound ways is now measured with the advent of modern cognitive neuroscience. The goal of Rhythm, Music and the Brain is an attempt to bring the knowledge of the arts and the sciences and review our current state of study about the brain and music, specifically rhythm. The author provides a thorough examination of the current state of research, including the biomedical applications of neurological music therapy in sensorimotor speech and cognitive rehabilitation. This book will be of interest for the lay and professional reader in the sciences and arts as well as the professionals in the fields of neuroscientific research, medicine, and rehabilitation.
Author | : Paul D. Miller |
Publisher | : MIT Press |
Total Pages | : 136 |
Release | : 2004-03-19 |
Genre | : Music |
ISBN | : 0262261006 |
The art of the mix creates a new language of creativity. "Once you get into the flow of things, you're always haunted by the way that things could have turned out. This outcome, that conclusion. You get my drift. The uncertainty is what holds the story together, and that's what I'm going to talk about."—Rhythm Science The conceptual artist Paul Miller, also known as Dj Spooky that Subliminal Kid, delivers a manifesto for rhythm science—the creation of art from the flow of patterns in sound and culture, "the changing same." Taking the Dj's mix as template, he describes how the artist, navigating the innumerable ways to arrange the mix of cultural ideas and objects that bombard us, uses technology and art to create something new and expressive and endlessly variable. Technology provides the method and model; information on the web, like the elements of a mix, doesn't stay in one place. And technology is the medium, bridging the artist's consciousness and the outside world. Miller constructed his Dj Spooky persona ("spooky" from the eerie sounds of hip-hop, techno, ambient, and the other music that he plays) as a conceptual art project, but then came to see it as the opportunity for "coding a generative syntax for new languages of creativity." For example: "Start with the inspiration of George Herriman's Krazy Kat comic strip. Make a track invoking his absurd landscapes...What do tons and tons of air pressure moving in the atmosphere sound like? Make music that acts a metaphor for that kind of immersion or density." Or, for an online "remix" of two works by Marcel Duchamp: "I took a lot of his material written on music and flipped it into a DJ mix of his visual material—with him rhyming!" Tracing the genealogy of rhythm science, Miller cites sources and influences as varied as Ralph Waldo Emerson ("all minds quote"), Grandmaster Flash, W. E. B Dubois, James Joyce, and Eminem. "The story unfolds while the fragments coalesce," he writes. Miller's textual provocations are designed for maximum visual and tactile seduction by the international studio COMA (Cornelia Blatter and Marcel Hermans). They sustain the book's motifs of recontextualizing and relayering, texts and images bleed through from page to page, creating what amount to 2.5 dimensional vectors. From its remarkable velvet flesh cover, to the die cut hole through the center of the book, which reveals the colored nub holding in place the included audio CD, Rhythm Science: Excerpts and Allegories from the Sub Rosa Archives, this pamphlet truly lives up to Editorial Director Peter Lunenfeld's claim that the Mediawork Pamphlets are "theoretical fetish objects...'zines for grown-ups."
Author | : W. Martin |
Publisher | : Springer |
Total Pages | : 223 |
Release | : 2012-10-15 |
Genre | : Literary Criticism |
ISBN | : 1137309458 |
This book situates Joyce's critical writings within the context of an emerging discourse on the psychology of rhythm, suggesting that A Portrait of the Artist dramatizes the experience of rhythm as the subject matter of the modernist novel. Including comparative analyses of the lyrical prose of Virginia Woolf and the 'cadences' of the Imagists, Martin outlines a new concept of the 'modern period' that describes the interaction between poetry and prose in the literature of the early twentieth century.