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On Painting

On Painting
Author: Leon Battista Alberti
Publisher: Yale University Press
Total Pages: 148
Release: 1966-01-01
Genre: Art
ISBN: 9780300000016

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Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. John R. Spencer's translation of Della Pittura is based on all the known manuscripts and is edited with an Introduction and Notes.


Painters on Painting

Painters on Painting
Author: Eric Protter
Publisher: Courier Corporation
Total Pages: 322
Release: 1997-01-01
Genre: Art
ISBN: 9780486299419

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Famous artists discuss their aims, methods, techniques, other artists, and much more in unique compilation spanning 7 centuries of Western art. Michelangelo's account of painting the Sistine Chapel, Picasso's motivation for creating "Guernica," many other insights from da Vinci, Chagall, Rubens, Rembrandt, Hogarth, Manet, Degas, Cézanne, van Gogh, Matisse, and Pollock. 68 illustrations.


Gruppé on Painting

Gruppé on Painting
Author: Emile A. Gruppé
Publisher:
Total Pages: 176
Release: 1976
Genre: Art
ISBN:

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Dust jacket notes: "Vibrant, fresh, immediate! The direct oil painting technique is an intense reaction to nature, a race with time to capture the color, the light and shadow, the design and the spirit of a subject in a few short hours. And now, Emile Gruppe - master of the direct oil painting technique - shows how you can use the broad strokes and lively colors of this spontaneous approach to infuse your own paintings with vitality, vigor, and on-the-spot freshness. A firm believer in using the best materials for the best results, Gruppe begins with a quick review of his favorite brushes, colors, easels, and painting surfaces. Next, he covers the basics of good design, what to look for and how to orchestrate what you see: masses, lines, values, and relationships. Turning to color, a fundamental element of his painting technique, Gruppe discusses complements, color harmony, color vibration, local color, reflected color, and using color to create atmospheric perspective. He explains how color appears on various kinds of days - foggy, clear, cloudy - and under different lighting conditions - front lighting, backlighting, sidelighting. In subsequent chapters, the author focuses on composing seascapes and landscapes; he explains how to paint rocks, ocean, lighthouses, boats, piers, pilings, roads, trees, streams, snow, mountains, valleys. Then, in full-color step-by-step demonstrations, the author shows how he captures a subject in his unique, exuberant, on-the-spot style.


Leon Battista Alberti: On Painting

Leon Battista Alberti: On Painting
Author: Leon Battista Alberti
Publisher: Cambridge University Press
Total Pages: 231
Release: 2011-05-09
Genre: Art
ISBN: 1107000629

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In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text.


Leonardo on Painting

Leonardo on Painting
Author: Leonardo
Publisher: Yale University Press
Total Pages: 340
Release: 2001-01-01
Genre: Art
ISBN: 9780300090956

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This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.


The Lure and the Truth of Painting

The Lure and the Truth of Painting
Author: Yves Bonnefoy
Publisher: University of Chicago Press
Total Pages: 270
Release: 1995-11
Genre: Art
ISBN: 9780226064444

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Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.


Hawthorne on Painting

Hawthorne on Painting
Author: Charles W. Hawthorne
Publisher: Courier Corporation
Total Pages: 98
Release: 1960-06-01
Genre: Art
ISBN: 048620653X

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Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts


Hensche on Painting

Hensche on Painting
Author: John W. Robichaux
Publisher: Courier Corporation
Total Pages: 80
Release: 2013-06-10
Genre: Art
ISBN: 0486317617

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Hensche taught students to "see the light, not the object," says his biographer Robichaux, who in this book reveals the basic painting philosophy and methodology of a great teacher.


The Chinese Literati on Painting

The Chinese Literati on Painting
Author: Susan Bush
Publisher: Hong Kong University Press
Total Pages: 245
Release: 2012-11-01
Genre: Art
ISBN: 9888139703

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This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush’s investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush’s perspective on Sung scholars’ art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.


Foucault on Painting

Foucault on Painting
Author: Catherine M. Soussloff
Publisher: U of Minnesota Press
Total Pages: 269
Release: 2017-11-23
Genre: Philosophy
ISBN: 1452955050

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Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault’s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. Foucault’s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and ‘70s) as well as five individual artists: Velázquez, Manet, Magritte, Paul Reyberolle, and Gérard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. Using a comparative approach grounded in art history and aesthetics, Soussloff explores the meaning of painting for Foucault’s philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.