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Olmec Art at Dumbarton Oaks

Olmec Art at Dumbarton Oaks
Author: Karl A. Taube
Publisher: Dumbarton Oaks
Total Pages: 260
Release: 2004
Genre: Art
ISBN: 9780884022756

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Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the New World. This volume is the second in a series of catalogues that will treat objects in the Bliss Pre-Columbian Collection. The majority of the Olmec objects in the collection are made of jade, the most precious material for the peoples of ancient Mesoamerica from early times through the sixteenth century. Various items such as masks, statuettes, jewelry, and replicas of weapons and tools were used for ceremonial purposes and served as offerings. Karl Taube brings his expertise on the lifeways and beliefs of ancient Mesoamerican peoples to his study of the Olmec objects in teh Bliss collection. His understanding of jade covers a broad range of knowledge from chemical compositions to geological sources to craft technology to the symbolic power of the green stone. Throughout the book the author emphasizes the role of jade as a powerful symbol of water, fertility, and particularly, of the maize plant which was the fundamental source of life and sustenance for the Olmec. The shiny green of the stone was analogous to the green growth of maize. This fundamental concept was elaborated in specific religious beliefs, many of which were continued and elaborated by later Mesoamerican peoples, such as the Maya. Karl Taube employs his substantial knowledge of Pre-Columbian cultures to explore and explicate Olmec symbolism in this catalogue.


Olmec Art at Dumbarton Oaks

Olmec Art at Dumbarton Oaks
Author: Karl A. Taube
Publisher:
Total Pages: 0
Release: 2010
Genre: Art
ISBN:

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A Study of Olmec Iconography

A Study of Olmec Iconography
Author: Peter David Joralemon
Publisher:
Total Pages: 104
Release: 1971
Genre: Indian art
ISBN:

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The Place of Stone Monuments

The Place of Stone Monuments
Author: Julia Guernsey
Publisher: Harvard University Press
Total Pages: 388
Release: 2010
Genre: Indian sculpture
ISBN: 9780884023647

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This volume considers the significance of stone monuments in Preclassic Mesoamerica. By placing sculptures in their cultural, historical, social, political, religious, and cognitive contexts, the seventeen contributors utilize archaeological and art historical methods to understand the origins, growth, and spread of civilization in Middle America.


The Art of Urbanism

The Art of Urbanism
Author: William Leonard Fash
Publisher: Harvard University Press
Total Pages: 496
Release: 2009
Genre: Architecture
ISBN: 9780884023449

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The Art of Urbanism explores how the royal courts of powerful Mesoamerican centers represented their kingdoms in architectural, iconographic, and cosmological terms. Through an investigation of the ecological contexts and environmental opportunities of urban centers, the contributors consider how ancient Mesoamerican cities defined themselves and reflected upon their physicalâe"and metaphysicalâe"place via their built environment. Themes in the volume include the ways in which a kingdomâe(tm)s public monuments were fashioned to reflect geographic space, patron gods, and mythology, and how the Olmec, Maya, Mexica, Zapotecs, and others sought to center their world through architectural monuments and public art. This collection of papers addresses how communities leveraged their environment and built upon their cultural and historical roots as well as the ways that the performance of calendrical rituals and other public events tied individuals and communities to both urban centers and hinterlands. Twenty-three scholars from archaeology, anthropology, art history, and religious studies contribute new data and new perspectives to the understanding of ancient Mesoamericansâe(tm) own view of their spectacular urban and ritual centers.


The Olmec & Their Neighbors

The Olmec & Their Neighbors
Author: Matthew Williams Stirling
Publisher: Dumbarton Oaks
Total Pages: 368
Release: 1981
Genre: History
ISBN: 9780884020981

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Twenty-one papers on the Olmec were written for this volume in tribute to Matthew W. Stirling, "pioneer archaeologist, ethnologist, and the discoverer of the Olmec civilization."


An Olmec Figure at Dumbarton Oaks

An Olmec Figure at Dumbarton Oaks
Author: Elizabeth P. Benson
Publisher: Genealogical Publishing Company
Total Pages: 52
Release: 1971
Genre: Art
ISBN:

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Golden Kingdoms

Golden Kingdoms
Author: Joanne Pillsbury
Publisher: Getty Publications
Total Pages: 331
Release: 2017-09-26
Genre: Art
ISBN: 1606065483

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This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.