The Craft of Old-Master Drawings
Author | : James Watrous |
Publisher | : |
Total Pages | : 170 |
Release | : 1967 |
Genre | : |
ISBN | : |
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Author | : James Watrous |
Publisher | : |
Total Pages | : 170 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : James Spero |
Publisher | : Courier Corporation |
Total Pages | : 50 |
Release | : 1990-01-01 |
Genre | : Art |
ISBN | : 0486263649 |
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
Author | : Carlo James |
Publisher | : Amsterdam University Press |
Total Pages | : 502 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9789053562437 |
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.
Author | : Charles De Tolnay |
Publisher | : Conran Octopus |
Total Pages | : 296 |
Release | : 1972 |
Genre | : Drawing |
ISBN | : |
Author | : James Spero |
Publisher | : Courier Corporation |
Total Pages | : 52 |
Release | : 1992-01-01 |
Genre | : Art |
ISBN | : 9780486269474 |
Masterly works, in a variety of media, by Dürer, Rembrandt, Titian, Rubens, Lorrain, van Ruisdael, Watteau, Gainsborough, Fragonard, Turner, Constable, Corot and many more. High-quality, inexpensive edition.
Author | : Catherine Whistler |
Publisher | : Ashmolean Museum Oxford |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art, High Renaissance |
ISBN | : 9781910807156 |
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
Author | : James Spero |
Publisher | : Courier Corporation |
Total Pages | : 50 |
Release | : 2012-10-30 |
Genre | : Art |
ISBN | : 0486137228 |
Reproduced from rare portfolios, these 44 masterpieces date from the 15th through 19th centuries. Featured artists include Michelangelo, Rembrandt, Rubens, Tintoretto, Titian, Raphael, Ingres, and many others.
Author | : Virginie D'haene |
Publisher | : Lannoo Publishers |
Total Pages | : 304 |
Release | : 2019 |
Genre | : Drawing |
ISBN | : 9789401459341 |
This catalogue features a selection of fifty exquisite European drawings dating from the 16th to the early 18th century in the Print Room of Musea Brugge. It brings together the most relevant findings of recent research, including new attributions and significant new insights into the drawing and workshop practices of the period. The selection includes drawings by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as by Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard. In addition to these well-known names, significant works by lesser-known draughtsmen like Jan van Mieris, Johan van Lintelo and Louis de Deyster are represented. AUTHOR: Virginie D'haene is Assistant Curator Prints and Drawings, Museum Plantin Moretus/Prentenkabinet, Musea Antwerpen in Antwerp, Belgium. SELLING POINTS: * Recent scholarly research yields new insights into European Old Master drawing practices * Includes drawings in the collection of the Musea Brugge by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard 120 colour, 100 b/w images
Author | : National Gallery of Art (U.S.) |
Publisher | : |
Total Pages | : 132 |
Release | : 1978 |
Genre | : Design |
ISBN | : |
Author | : James Watrous |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 170 |
Release | : 1957 |
Genre | : Art |
ISBN | : 9780299014254 |
A comprehensive study of the techniques of drawing, this is both a historical work, covering the period from the late Middle Ages to the present, and a useful manual for contemporary artists. It presents the old masters' techniques by means of a thorough study of the historical and written evidence of the tools and materials used. The author also includes a series of workshop procedures he has developed with which the contemporary artist may produce the equivalents of the techniques of earlier draughtsmen. This book comprises a body of knowledge that is essential to students of art history, curators, collectors and artists, and is a significant addition to the literature on drawing. In addition to his scholarly investigation of earlier practices, the author identifies materials and processes used by such important artists as Rembrandt, Van Gogh, Romney, Picasso, Michelangelo, Watteau, Holbein, Tiepolo, and Delacroix. For the artist interested in reproducing the effects achieved by these and many other acknowledged masters, there are full discussions and specific directions concerning the making of inks, styluses, reed and quill pens, fabricated chalks, and instructions for preparing grounds for metalpoint drawings. At every step, the discussion is supplemented with illustrations from laboratory experiments and from drawings by both old and contemporary artists. Of the more than sixty illustrations included, thirty-six are reproductions of master works, and among the others there are microphotographic enlargements of detail showing the differences in density and texture produced by various tools on different papers or grounds. Thus, as a collection of master drawings, the book is worthy of the art lover's library; as a technical study, it is an indispensable aid to the art student and practicing artist.