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Observations on the Castrati in Britain

Observations on the Castrati in Britain
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
Total Pages: 208
Release: 2022-12-08
Genre: Social Science
ISBN: 1527590828

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This book highlights the experiences of castrato singers in Britain during the long eighteenth-century. These singers stood apart from traditional cultural and sexual norms of the period by nature of their altered bodies. The work investigates the fears surrounding the possibility of Catholic influence in the nation, and the ability of sensual Italian operatic music to feminize the male population and weaken the country’s leaders. The castrato as a possible romantic rival to “normal” men is also discussed, while the contributions of the castrati to cultural leadership in the areas of teaching, concert direction and social influence are examined. This book will appeal to music historians and those interested in cultural and gender studies.


Surgery and Selfhood in Early Modern England

Surgery and Selfhood in Early Modern England
Author: Alanna Skuse
Publisher: Cambridge University Press
Total Pages: 211
Release: 2021-02-18
Genre: History
ISBN: 1108843611

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Implements stories of surgical alteration to consider how early modern individuals conceived the relationship between body, mind, and self.


Remaking English Society

Remaking English Society
Author: Alexandra Shepard
Publisher: Boydell & Brewer Ltd
Total Pages: 396
Release: 2015
Genre: Business & Economics
ISBN: 1783270179

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Written by leading authorities, the volume can be considered a standard work on seventeenth-century English social history. A tribute to the work of Keith Wrightson, Remaking English Society re-examines the relationship between enduring structures and social change in early modern England. Collectively, the essays in the volume reconstruct the fissures and connections that developed both within and between social groups during the sixteenth, seventeenth and eighteenth centuries. Focusing on the experience of rapid economic and demographic growth and on related processesof cultural diversification, the contributors address fundamental questions about the character of English society during a period of decisive change. Prefaced by a substantial introduction which traces the evolution of early modern social history over the last fifty years, these essays (each of them written by a leading authority) not only offer state-of-the-art assessments of the historiography but also represent the latest research on a variety of topics that have been at the heart of the development of 'the new social history' and its cultural turn: gender relations and sexuality; governance and litigation; class and deference; labouring relations, neighbourliness and reciprocity; and social status and consumption. STEVE HINDLE is W. M. Keck Foundation Director of Research at the Huntington Library, San Marino, California. ALEXANDRA SHEPARD is Reader in History, University of Glasgow. JOHN WALTER is Professor of History, University of Essex. Contributors: Helen Berry, Adam Fox, H. R. French, Malcolm Gaskill, Paul Griffiths, Steve Hindle, Craig Muldrew, Lindsay O'Neill, Alexandra Shepard, Tim Stretton, Naomi Tadmor, John Walter, Phil Withington, Andy Wood


The Modern Castrato

The Modern Castrato
Author: Patricia Howard
Publisher: Oxford University Press
Total Pages: 256
Release: 2014-05-01
Genre: Music
ISBN: 019937970X

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The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Through a coincidence of time and place, Gaetano Guadagni was on the forefront of the heroic opera reform, and many forward-thinking composers of the age created roles for him. Author Patricia Howard reveals that Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing. The first full-length biography of this outstanding singer, The Modern Castrato illuminates the everyday lives of eighteenth-century singers while spotlighting the historic high points of the century. Most famous for his creation of the role of Orpheus in Gluck's Orfeo ed Euridice, his career ranged widely and brought him into contact with many progressives theorists and composers such as Traetta, Jommelli, and Bertoni. Howard's focus on the development of Guadagni's career pauses on essential, related topics along the way, such as the castrato in society, the eighteenth-century revolution in acting, and the remarkable evidence for Guadagni's marionette theater. Howard also assesses Guadagni's surviving compositions, which give new insight into the quality and character of his voice as well as his technical and expressive abilities. The Modern Castrato is an engaging narrative that will prove essential reading for opera lovers and scholars of eighteenth-century music.


London Opera Observed 1711-1844

London Opera Observed 1711-1844
Author: Michael Burden
Publisher: Taylor & Francis
Total Pages: 1819
Release: 2024-07-31
Genre: Music
ISBN: 1040156118

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The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.


The Castrato

The Castrato
Author: Martha Feldman
Publisher: Univ of California Press
Total Pages: 496
Release: 2016-08-02
Genre: History
ISBN: 0520292448

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The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.


Venanzio Rauzzini in Britain

Venanzio Rauzzini in Britain
Author: Paul Francis Rice
Publisher: Boydell & Brewer
Total Pages: 416
Release: 2015
Genre: Biography & Autobiography
ISBN: 1580465323

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The remarkable career of Venanzio Rauzzini (1746-1810) sheds new light on changing musical tastes in late eighteenth-century Britain. Rauzzini was a leading soprano castrato who sang in the premiere of Mozart's Lucio Silla in 1772. Mozart was so pleased with the singer that he composed the famous motet Exsultate Jubilate for him. This book examines Rauzzini's career in Britain, starting with his three seasons as a principal singer at the King's Theatre in London (1774-77). Rauzzini was the first castrato to make Britain his home, and he enjoyed a multifaceted career there as a singer, concert director, composer (operas, chamber music, and songs), and voice teacher. Rauzzini's leadership of the Bath subscription concerts from 1780-1810 reveals the degree to which shifts in the social demographics of Bath over this period caused him to reevaluate his compositional choices, especially in light of the patriotic fervor that swept the nation during the protracted war with France. Furthermore, the recovery of much of the repertory performed during these concerts provides specific insights into issues of concert management at the time. Paul F. Rice, Professor of Musicology in the School of Music, Memorial University of Newfoundland, is the author of four previous books and has edited scores for CD recordings on the Naxos, Dorian, and Centaur labels.


The British Encyclopedia

The British Encyclopedia
Author: William Nicholson
Publisher:
Total Pages: 702
Release: 1809
Genre: Natural history
ISBN:

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Soul Mate Biology

Soul Mate Biology
Author: Gregor Majdic
Publisher: Springer Nature
Total Pages: 224
Release: 2021-02-26
Genre: Science
ISBN: 3030672123

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Love, one of the most profound of human emotions, love that accompanies us from puberty to old age, love that follows us from ancient times to modern, from ancient writings, through the Bible and the texts of medieval scribes to modern day books and movies. Through the millennia love has lost none of its secrecy, charm, attractiveness, craziness, even in this digital age, when we are overwhelmed by information. But what is love? Where does this emotion originate? Are we humans the only living beings feeling this emotion? Can love be explained by some chemical reactions in our brains? Is love just a trick of nature or is love some kind of higher feeling? We do not have definite answers to any of these questions, nevertheless, neuroscience, behavioral science and others have provided us with some, at least partial answers. We know today a great deal more than ever before about what is happening in the brain when we are madly in love. We understand why our hearts beat faster when we see the person we love, we know why we sweat and why we feel anxious when the loved one is away from us, and we have some ideas about how feelings of attachment form in the brain. This book guides you through the complicated labyrinth of genes, molecules and brain cells that are involved in the feelings of love, attachment, affection, and also simple sexual reproduction.