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| Author | : Chris Ackerley |
| Publisher | : Edinburgh University Press |
| Total Pages | : 278 |
| Release | : 2010-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 0748686568 |
Obscure Locks offers a detailed annotation of Samuel Beckett's most enigmatic novel, Watt. It provides a page by page account of the demented details (literary, philosophical, theological, biographical and other) that went into the making of this encyclop
| Author | : Chris Ackerley |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 2005 |
| Genre | : |
| ISBN | : 9781892770042 |
| Author | : Samuel Beckett |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 225 |
| Release | : 2009-06-16 |
| Genre | : Fiction |
| ISBN | : 080219835X |
In prose possessed of the radically stripped-down beauty and ferocious wit that characterize his work, this early novel by Nobel Prize winner Samuel Beckett recounts the grotesque and improbable adventures of a fantastically logical Irish servant and his master. Watt is a beautifully executed black comedy that, at its core, is rooted in the powerful and terrifying vision that made Beckett one of the most influential writers of the twentieth century.
| Author | : |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 2006 |
| Genre | : |
| ISBN | : |
| Author | : Hugh Kenner |
| Publisher | : Univ of California Press |
| Total Pages | : 232 |
| Release | : 1968 |
| Genre | : Literary Criticism |
| ISBN | : 9780520006416 |
| Author | : Naas Michael Naas |
| Publisher | : Edinburgh University Press |
| Total Pages | : 128 |
| Release | : 2019-08-06 |
| Genre | : Electronic books |
| ISBN | : 1474471234 |
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell.
| Author | : Matthew Feldman |
| Publisher | : Columbia University Press |
| Total Pages | : 250 |
| Release | : 2014-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 3838267060 |
The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett's early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century's leading artists, this collection is of interest to all students of Beckett's writing as well as ' historicist' scholars and critics of modernism more generally.
| Author | : Matthew Feldman |
| Publisher | : Columbia University Press |
| Total Pages | : 344 |
| Release | : 2014-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 383826701X |
This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney
| Author | : Tim Lawrence |
| Publisher | : Springer |
| Total Pages | : 240 |
| Release | : 2018-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 3319753991 |
This book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.
| Author | : John Robert Keller |
| Publisher | : Manchester University Press |
| Total Pages | : 313 |
| Release | : 2013-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 1847795560 |
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This study is about the central place of the emotional world in Beckett's writing. Stating that Beckett is ‘primarily about love’, it makes a re-assessment of his influence and immense popularity. The book examines numerous Beckettian texts, arguing that they embody a struggle to remain in contact with a primal sense of internal goodness, one founded on early experience with the mother. Writing itself becomes an internal dialogue, in which the reader is engaged, between a ‘narrative-self’ and a mother.
