Obscene Gestures for Women
Author | : Janet Kauffman |
Publisher | : Vintage |
Total Pages | : 132 |
Release | : 1990 |
Genre | : Fiction |
ISBN | : 9780679730552 |
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Author | : Janet Kauffman |
Publisher | : Vintage |
Total Pages | : 132 |
Release | : 1990 |
Genre | : Fiction |
ISBN | : 9780679730552 |
Author | : Patrick Lawrence |
Publisher | : Fordham University Press |
Total Pages | : 152 |
Release | : 2022-06-07 |
Genre | : Literary Criticism |
ISBN | : 1531500102 |
Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.
Author | : Mona Eltahawy |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 255 |
Release | : 2015-04-21 |
Genre | : Religion |
ISBN | : 0374710651 |
A passionate manifesto decrying misogyny in the Arab world, by an Egyptian American journalist and activist When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled "Why Do They Hate Us?" it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake: one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the "toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend." A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.
Author | : C. Gupta |
Publisher | : Springer |
Total Pages | : 405 |
Release | : 2002-05-30 |
Genre | : Social Science |
ISBN | : 0230108199 |
Through analysis of an impressive array of 'low' and 'high' Hindu literatures, particularly pamphlets, tracts, newspapers, and archival data, Gupta explores the emerging discourse of gender and sexuality, which was essential to the development of notions of Hindu communitality and nationalism in the colonial period. The book offers an exceptionally nuanced account of Hindi gender politics.
Author | : Romana Lefevre |
Publisher | : Chronicle Books |
Total Pages | : 130 |
Release | : 2011-10-21 |
Genre | : Foreign Language Study |
ISBN | : 1452110174 |
With this illustrated guide, discover what hand gestures can offend others around the world—and whether you avoid making them or not is up to you. A hand gesture is arguably the most effective form of expression, whether you’re defaming a friend’s mother or telling a perfect stranger to get lost. Learn how to go beyond just flipping the bird with this illustrated guide to rude hand gestures all around the world, from asking for sex in the Middle East to calling someone crazy in Italy. Detailed photographs of hand models and subtle tips for proper usage make Rude Hand Gestures of the World the perfect companion for globe-trotters looking to offend. “If you’ve resolved to make the most of your travels, a copy of Rude Hand Gestures of the World to know what gestures you should avoid while abroad. Better safe than sorry!” —Buzzfeed
Author | : Patrick Scott Lawrence |
Publisher | : |
Total Pages | : 307 |
Release | : 2016 |
Genre | : |
ISBN | : |
Author | : Amy Sohn |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 252 |
Release | : 2021-07-06 |
Genre | : History |
ISBN | : 1250174821 |
Smithsonian Magazine, 10 Best History Books of 2021 • "Fascinating . . . Purity is in the mind of the beholder, but beware the man who vows to protect yours.” —Margaret Talbot, The New Yorker Anthony Comstock, special agent to the U.S. Post Office, was one of the most important men in the lives of nineteenth-century women. His eponymous law, passed in 1873, penalized the mailing of contraception and obscenity with long sentences and steep fines. The word Comstockery came to connote repression and prudery. Between 1873 and Comstock’s death in 1915, eight remarkable women were charged with violating state and federal Comstock laws. These “sex radicals” supported contraception, sexual education, gender equality, and women’s right to pleasure. They took on the fearsome censor in explicit, personal writing, seeking to redefine work, family, marriage, and love for a bold new era. In The Man Who Hated Women, Amy Sohn tells the overlooked story of their valiant attempts to fight Comstock in court and in the press. They were publishers, writers, and doctors, and they included the first woman presidential candidate, Victoria C. Woodhull; the virgin sexologist Ida C. Craddock; and the anarchist Emma Goldman. In their willingness to oppose a monomaniac who viewed reproductive rights as a threat to the American family, the sex radicals paved the way for second-wave feminism. Risking imprisonment and death, they redefined birth control access as a civil liberty. The Man Who Hated Women brings these women’s stories to vivid life, recounting their personal and romantic travails alongside their political battles. Without them, there would be no Pill, no Planned Parenthood, no Roe v. Wade. This is the forgotten history of the women who waged war to control their bodies.
Author | : |
Publisher | : |
Total Pages | : 1096 |
Release | : 1994 |
Genre | : Short stories |
ISBN | : |
Author | : Kathleen Nadeau |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 301 |
Release | : 2019-11-08 |
Genre | : Social Science |
ISBN | : 1440862249 |
This important and timely reference work examines violence against women and gender-based discrimination around the world, providing a global perspective on why this kind of oppression is still occurring in the 21st century. Within the past decade, the attention that has been paid to violence against women by international government organizations such as the United Nations and World Health Organization has grown. Yet silences around the violent treatment of women remains across the world, particularly in those countries where women's rights are not protected and statistics are not available. Women and Violence encompasses a global perspective of the history, causes, and complex underpinnings of gender and violence from a multidimensional and cross-disciplinary perspective. Chapters focus on a specific world region, including North America, Latin America and the Caribbean, Europe, North Africa and the Middle East, Sub-Saharan Africa, Central and East Asia, South and Southeast Asia, and Oceania. Each chapter begins with a general discussion on its world region, then focuses on particular forms of violence against women in the more specific contexts of particular countries and in relation to the wider region. Readers will be able to make cross-cultural comparisons, learning how to view gender-based violence and women's advocacy against discrimination that is occurring around the world.
Author | : Richard L Epstein |
Publisher | : Advanced Reasoning Forum |
Total Pages | : 160 |
Release | : 2018-11-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 1938421256 |
Conventional gestures are those movements we make, such as waving hello and shaking hands, that are part of a learned, shared, symbolic system. In this book Richard L. Epstein working with the illustrator Alex Raffi examines how such gestures mean and how we can study them. Drawing on their collection of over 400 American gestures, available on the Advanced Reasoning Forum website, they examine problems of methodology and the nature of gestures in relation to the work of others who have studied and collected gestures from various cultures. An extensive annotated bibliography describes and comments on virtually all known collections of conventional gestures.