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Now on the Big Screen

Now on the Big Screen
Author: Charles Norton
Publisher:
Total Pages: 0
Release: 2013
Genre: Doctor Who (Television program : 1963-1989)
ISBN: 9781845830847

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The Big Screen

The Big Screen
Author: David Thomson
Publisher: Macmillan + ORM
Total Pages: 1008
Release: 2012-10-16
Genre: Performing Arts
ISBN: 1466827718

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The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen—smaller now, but ever more ubiquitous—as important as the images it carries. The Big Screen is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media—moving from Eadweard Muybridge to Steve Jobs, from Sunrise to I Love Lucy, from John Wayne to George Clooney, from television commercials to streaming video—to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life—the stories, the stars, the look—and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room. Does the big screen take us out into the world, or merely mesmerize us? That is Thomson's question in this grand adventure of a book. Books about the movies are often aimed at film buffs, but this passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens—the age that, more than ever, we are living in.


Faith, Film and Philosophy

Faith, Film and Philosophy
Author: R. Douglas Geivett
Publisher: InterVarsity Press
Total Pages: 320
Release: 2009-09-20
Genre: Religion
ISBN: 0830875182

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"Those who tell stories rule society." Plato So who today are our principal storytellers? Not philosophers, but filmmakers. For those who know both the enormous entertainment potential and the culture-shaping power of film, this book will stir mind and imagination. For great stories freight world-sized ideas, ideas worthy of contemplation and conversation. Great cinema inspires wonder. But another philosopher, Aristotle, reminds us that wonder is the true source of philosophy. So perhaps Plato or Aristotle might have a shot at ruling society, even today--if they took an interest in film. These fourteen essays consider classic and current films together with several major philosophical themes, all within the context of Christian faith: (1) the human condition, (2) the human mind and the nature of knowing, (3) the moral life, and (4) faith and religion. Citizen Kane, Big Fish and Pretty Woman contribute to an in-depth consideration of the human condition. The Truman Show, The Matrix, Being John Malkovich and It's a Wonderful Life, among others, illuminate reflection on the human mind and the nature of knowing. Looking at the moral life, contributors interact with such notable films as Pleasantville, Bowling for Columbine, Mystic River and The Silence of the Lambs. The final section pursues the theme of faith and religion traced through a number of Hong Kong martial arts films, Contact, 2001: A Space Odyssey and U2's music documentary Rattle and Hum. A veritable film festival for all those who want to nurture the wonder of philosophical inquiry and the love of Christian theology through an engagement with the big ideas on the big screen.


Film, Environment, Comedy

Film, Environment, Comedy
Author: Robin L. Murray
Publisher: Routledge
Total Pages: 168
Release: 2022-05-23
Genre: Social Science
ISBN: 1000588629

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This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues. This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmental Nostalgia, Fuel, and the Carnivalesque. Examining everything from Hollywood classics, Oscar winners, and animation to independent and international films, Murray and Heumann exemplify how the use of comedy can expose and amplify environmental issues to a wider audience than more traditional ecocinema genres and can help provide a path towards positive action and change. Ideal for students and scholars of film studies, ecocriticism, and environmental studies, especially those with a particular interest in ecocinema and/or ecocritical readings of popular films.


Gangsters and G-Men on Screen

Gangsters and G-Men on Screen
Author: Gene D. Phillips
Publisher: Rowman & Littlefield
Total Pages: 205
Release: 2014-09-26
Genre: Performing Arts
ISBN: 1442230762

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While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.


Big Picture, Small Screen

Big Picture, Small Screen
Author: John Hill
Publisher: Indiana University Press
Total Pages: 284
Release: 1996
Genre: Art
ISBN: 9781860200052

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This work features contributions from academics and media professionals who ask: what is the history of involvement between film and television in the US, Europe, Britain and Ireland; what are the sources of television finance for film; and what are the consequences for the type of film made?


Best. Movie. Year. Ever.

Best. Movie. Year. Ever.
Author: Brian Raftery
Publisher: Simon & Schuster
Total Pages: 416
Release: 2020-03-31
Genre: Performing Arts
ISBN: 1501175394

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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).


The Case for Heaven

The Case for Heaven
Author: Lee Strobel
Publisher: Zondervan
Total Pages: 321
Release: 2021-09-14
Genre: Religion
ISBN: 0310358434

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Bestselling and award-winning author Lee Strobel interviews experts about the evidence for the afterlife and offers credible answers to the most provocative questions about what happens when we die, near-death experiences, heaven, and hell. We all want to know what awaits us on the other side of death, but is there any reliable evidence that there is life after death? Investigative author Lee Strobel offers a lively and compelling study into one of the most provocative topics of our day. Through fascinating conversations with respected scholars and experts--a neuroscientist from Cambridge University, a researcher who analyzed a thousand accounts of near-death experiences, and an atheist-turned-Christian-philosopher--Strobel offers compelling reasons for why death is not the end of our existence but a transition to an exciting world to come. Looking at biblical accounts, Strobel unfolds what awaits us after we take our last breath and answers questions like: Is there an afterlife? What is heaven like? How will we spend our time there? And what does it mean to see God face to face? With a balanced approach, Strobel examines the alternative of Hell and the logic of damnation, and gives a careful look at reincarnation, universalism, the exclusivity claims of Christ, and other issues related to the topic of life after death. With vulnerability, Strobel shares the experience of how he nearly died years ago and how the reality of death can shape our lives and faith. Follow Strobel on this journey of discovery of the entirely credible, believable, and exhilarating life to come.


Year at the Movies: One Man's Filmgoing Odyssey

Year at the Movies: One Man's Filmgoing Odyssey
Author: Kevin Murphy
Publisher: Turtleback Books
Total Pages:
Release: 2002-09-01
Genre: Performing Arts
ISBN: 9781417702145

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Known as the voice of Tom Servo on "Mystery Science Theater 3000, " Murphy hilariously chronicles his adventure of attending one movie per day for one year, which took him from the local multiplex to the Cannes film festival. Murphy watched movies in as many venues as possible, in six countries spanning four continents.


Now in Theaters Everywhere

Now in Theaters Everywhere
Author: Kenneth Turan
Publisher: PublicAffairs
Total Pages: 0
Release: 2007-10-09
Genre: Performing Arts
ISBN: 9781586485061

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In his popular Never Coming to a Theater Near You, Kenneth Turan celebrated the great films that you may have missed because they never got the screen time they deserved in a blockbuster-dominated culture. Now Turan tells fans of these smaller, lesser-known films what big studio successes they shouldn't neglect. Now in Theaters Everywhere collects Turan's illuminating reviews of the smart and satisfying films you may have underestimated precisely because they dominated the box office. As independent films like Sideways and Brokeback Mountain become increasingly mainstream, sophisticated moviegoers tend to dismiss everything Hollywood produces as merely blockbusters or crowd pleasers. True, not every blockbuster is worth your while. But the studios produce more than cinematic fast food, and Turan will turn you on to big-budget movies that supply real sustenance. His collection of close to 150 reviews defends these cinematic pleasures, pointing readers to the thought-provoking bigger films they may have skipped. Most importantly, he shows readers what makes these films so great, and tells us why we may have to venture no farther than the megaplex for a movie that's worth seeing.