Notturno concertante
Author | : Johann Ladislaus Dussek |
Publisher | : |
Total Pages | : 54 |
Release | : 1972 |
Genre | : Trios (Piano, horn, violin) |
ISBN | : |
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Author | : Johann Ladislaus Dussek |
Publisher | : |
Total Pages | : 54 |
Release | : 1972 |
Genre | : Trios (Piano, horn, violin) |
ISBN | : |
Author | : Michelle S. Koth |
Publisher | : Scarecrow Press |
Total Pages | : 296 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780810852815 |
Uniform Titles for Music explains the concept and practice of uniform titles for musical works by a single composer and works of unknown or collective authorship. The book provides a step-by-step approach to establishing uniform titles.
Author | : James Duff Brown |
Publisher | : Paisley and London : A. Gardner |
Total Pages | : 674 |
Release | : 1886 |
Genre | : Music |
ISBN | : |
Author | : Waldo Selden Pratt |
Publisher | : |
Total Pages | : 1024 |
Release | : 1924 |
Genre | : Music |
ISBN | : |
Author | : Harold Reeves (Firm) |
Publisher | : |
Total Pages | : 618 |
Release | : 1919 |
Genre | : Music |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1470 |
Release | : 1978 |
Genre | : Copyright |
ISBN | : |
Author | : Douglas Hill |
Publisher | : Alfred Music Publishing |
Total Pages | : 222 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780757906855 |
Douglas Hill is professor of music and horn at the University of Wisconsin at Madison as well as a past President of the International Horn Society, and a respected teacher and clinician. The 27 chapters of Collected Thoughts cover topics ranging from getting started to preparing for college and professional auditions, and include other subjects such as composing and improvising. There are seven chapters on repertoire that include reviews of music and texts that are the most comprehensive of any horn (or other instrumental) text to date. The process of learning and teaching is extremely insightful for everyone, from the serious student to the most experienced instructor. This book is a must for anyone interested in the horn. It is invaluable!!
Author | : Tully Potter |
Publisher | : Boydell & Brewer |
Total Pages | : 1444 |
Release | : 2024-04-02 |
Genre | : Biography & Autobiography |
ISBN | : 0907689787 |
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.
Author | : Calkin and Budd |
Publisher | : |
Total Pages | : 218 |
Release | : 1844 |
Genre | : |
ISBN | : |
Author | : Mr Michael Kassler |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 813 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409493792 |
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.