Notes and Queries
Author | : |
Publisher | : |
Total Pages | : 532 |
Release | : 1928 |
Genre | : Electronic journals |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 532 |
Release | : 1928 |
Genre | : Electronic journals |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 660 |
Release | : 1855 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 608 |
Release | : 1891 |
Genre | : Scotland |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 516 |
Release | : 1890 |
Genre | : Cambridgeshire (England) |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 682 |
Release | : 2023-04-22 |
Genre | : Fiction |
ISBN | : 3382315653 |
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author | : William White |
Publisher | : BoD – Books on Demand |
Total Pages | : 558 |
Release | : 2022-05-08 |
Genre | : Fiction |
ISBN | : 3375017103 |
Reprint of the original, first published in 1862.
Author | : Nicholas Belfield Dennys |
Publisher | : |
Total Pages | : 314 |
Release | : 1900 |
Genre | : China |
ISBN | : |
Author | : John George Garson |
Publisher | : Literary Licensing, LLC |
Total Pages | : 260 |
Release | : 2014-08-07 |
Genre | : |
ISBN | : 9781498193733 |
This Is A New Release Of The Original 1892 Edition.
Author | : William Henry Egle |
Publisher | : |
Total Pages | : 408 |
Release | : 1895 |
Genre | : |
ISBN | : |
Author | : Kofi Agawu |
Publisher | : Routledge |
Total Pages | : 289 |
Release | : 2014-04-23 |
Genre | : Music |
ISBN | : 1317794060 |
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.