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North Carolina’s Free People of Color, 1715–1885

North Carolina’s Free People of Color, 1715–1885
Author: Warren Eugene Milteer Jr.
Publisher: LSU Press
Total Pages: 294
Release: 2020-07-01
Genre: History
ISBN: 0807173789

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In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.


A History of African Americans in North Carolina

A History of African Americans in North Carolina
Author: Jeffrey J. Crow
Publisher: North Carolina Division of Archives & History
Total Pages: 0
Release: 2011
Genre: Biography & Autobiography
ISBN: 9780865263512

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"First published in 1992, it traced the story of black North Carolinians from the colonial period into the 1990s. A revised edition issued in 2002 that included a new chapter examining the expanding political influence of North Carolina's African Americans and the rise of effective black politicians. This new, second revised edition brings the discussion through the historic presidential election of Barack Obama in 2008"--Page 4 of cover


Visualizing Equality

Visualizing Equality
Author: Aston Gonzalez
Publisher: UNC Press Books
Total Pages: 324
Release: 2020-07-20
Genre: Social Science
ISBN: 1469659972

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The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.


Self-Taught

Self-Taught
Author: Heather Andrea Williams
Publisher: ReadHowYouWant.com
Total Pages: 322
Release: 2009-06-03
Genre:
ISBN: 1442995408

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North Carolina African American History & Culture

North Carolina African American History & Culture
Author:
Publisher:
Total Pages: 150
Release: 2012
Genre: African Americans
ISBN:

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Traces the history and culture of African Americans in North Carolina from 1712 to 2011.


African Americans in Early North Carolina

African Americans in Early North Carolina
Author: Alan D. Watson
Publisher: Colonial Records of North Caro
Total Pages: 0
Release: 2005
Genre: History
ISBN: 9780865263130

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Draws upon 17th- and 18th-century sources to trace the history of African Americans, slave and free, in North Carolina through 1800. The documents are used to outline the arrival of Africans, mechanisms for maintaining the yoke of slavery, slave resistance, manumission, and the challenges facing free blacks. This book presents in an accessible format a variety of primary sources, which are suitable for classroom use and have appeal for historians, genealogists, and anyone curious about the lives of black North Carolinians during the earliest years of the state's history.


Slavery in North Carolina, 1748-1775

Slavery in North Carolina, 1748-1775
Author: Marvin L. Michael Kay
Publisher: Univ of North Carolina Press
Total Pages: 421
Release: 2000-11-09
Genre: Social Science
ISBN: 080786238X

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Michael Kay and Lorin Cary illuminate new aspects of slavery in colonial America by focusing on North Carolina, which has largely been ignored by scholars in favor of the more mature slave systems in the Chesapeake and South Carolina. Kay and Cary demonstrate that North Carolina's fast-growing slave population, increasingly bound on large plantations, included many slaves born in Africa who continued to stress their African pasts to make sense of their new world. The authors illustrate this process by analyzing slave languages, naming practices, family structures, religion, and patterns of resistance. Kay and Cary clearly demonstrate that slaveowners erected a Draconian code of criminal justice for slaves. This system played a central role in the masters' attempt to achieve legal, political, and physical hegemony over their slaves, but it impeded a coherent attempt at acculturation. In fact, say Kay and Cary, slaveowners often withheld white culture from slaves rather than work to convert them to it. As a result, slaves retained significant elements of their African heritage and therefore enjoyed a degree of cultural autonomy that freed them from reliance on a worldview and value system determined by whites.


Upbuilding Black Durham

Upbuilding Black Durham
Author: Leslie Brown
Publisher: Univ of North Carolina Press
Total Pages: 468
Release: 2009-11-17
Genre: Social Science
ISBN: 0807877530

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In the 1910s, both W. E. B. Du Bois and Booker T. Washington praised the black community in Durham, North Carolina, for its exceptional race progress. Migration, urbanization, and industrialization had turned black Durham from a post-Civil War liberation community into the "capital of the black middle class." African Americans owned and operated mills, factories, churches, schools, and an array of retail services, shops, community organizations, and race institutions. Using interviews, narratives, and family stories, Leslie Brown animates the history of this remarkable city from emancipation to the civil rights era, as freedpeople and their descendants struggled among themselves and with whites to give meaning to black freedom. Brown paints Durham in the Jim Crow era as a place of dynamic change where despite common aspirations, gender and class conflicts emerged. Placing African American women at the center of the story, Brown describes how black Durham's multiple constituencies experienced a range of social conditions. Shifting the historical perspective away from seeing solidarity as essential to effective struggle or viewing dissent as a measure of weakness, Brown demonstrates that friction among African Americans generated rather than depleted energy, sparking many activist initiatives on behalf of the black community.