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| Author | : Johann Sebastian Bach |
| Publisher | : |
| Total Pages | : 106 |
| Release | : 1945 |
| Genre | : Concerti grossi, Arranged |
| ISBN | : |
| Author | : Frederick Herman Martens |
| Publisher | : |
| Total Pages | : 40 |
| Release | : 1922 |
| Genre | : |
| ISBN | : |
| Author | : Ashton Jonson |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 262 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 3955079295 |
Jonson's book consists of an account of each Chopin composition, its place among the composer's work, its distinguishing features, notes of any special point of interest attaching to it and an epitome of comments and criticisms that have been made upon it. It is supplemented by biographical details and socio-historical information. The author gives a very detailed overwiew of the composer's life and work which deserves special attention in the field of Chopin studies. Reprint of the original edition from 1905.
| Author | : M. Bribitzer-Stull |
| Publisher | : Springer |
| Total Pages | : 228 |
| Release | : 2007-09-17 |
| Genre | : Music |
| ISBN | : 0230607179 |
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. A central concern of this study is the relationship between Wagner the artist and Wagner the social phenomenon. Many of the essays within explore the most difficult yet most crucial issue in Wagner studies: the impact of the composer's problematic world view and complex personal life on his musical/dramatic creations.
| Author | : Ning Zhang |
| Publisher | : Fulton Books, Inc. |
| Total Pages | : 139 |
| Release | : 2024-05-17 |
| Genre | : Music |
| ISBN | : 1639851291 |
This is a monograph on Western classical music written by a Chinese American. It contains the results of the author's years of work, i.e., more than two hundred thousand words of Beethoven-themed essays in the form of poems, essays, prose, and reviews. The book covers all aspects of the great composer Beethoven's life and career from his birth experience to his emotional life, from the background of the times to his ideology, from the review of his works to the analysis of music appreciation. The book is rich in historical information, rigorous in argumentation, incisive in commentary, and fluent in sentiment and reason. As a nonacademic scholar of Beethoven, this book is characterized by a distinctive personality, free from the constraints of traditional rules and regulations. Based on a comprehensive and profound understanding of the historical figure and his works, the author presents his original arguments and opinions on some important professional topics and fields.
| Author | : Frédéric Chopin |
| Publisher | : Alfred Music |
| Total Pages | : 78 |
| Release | : 2000-05-09 |
| Genre | : Music |
| ISBN | : 1457469286 |
Chopin's 24 Preludes, Op. 28, are a set of short pieces for piano, one in each of the twenty-four keys, originally published in 1839. The Prelude in C-sharp minor, Op. 45 (sometimes listed as Prelude No. 25), was composed in 1841. Although the term "prelude" is generally used to describe an introductory piece, Chopin's preludes stand as self-contained units, each conveying a specific idea or emotion. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
| Author | : |
| Publisher | : |
| Total Pages | : 1272 |
| Release | : 1895 |
| Genre | : Canadian periodicals |
| ISBN | : |
| Author | : Mary Sue Morrow |
| Publisher | : Indiana University Press |
| Total Pages | : 946 |
| Release | : 2024-03-29 |
| Genre | : Music |
| ISBN | : 025307214X |
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
| Author | : Dorene Groocock |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 247 |
| Release | : 2003-02-28 |
| Genre | : Social Science |
| ISBN | : 0313052425 |
Eminently readable despite the complexity of its subject, Fugal Composition: A Guide to the Study of Bach's 48 guides the reader in studying the 48 fugues of the composer's Well-Tempered Clavier. Author Joseph Groocock analyzes each of the fugues individually, both verbally and diagrammatically, and includes such elements as overall structure, episodes, stretto, subsidiary subjects, and countersubjects. The appendices and index furnish a ready reference for the scholar or researcher seeking information or guidance on specific points. Meanwhile, the volume's editor supplies comparative analyses using current and previous scholarship on every fugue-illustrating where the author supports or challenges other viewpoints. In all, the analyses contained in Fugal Composition establish the extraordinary diversity of Bach's fugal style, in such a way that readers gain a new understanding of these significant and beautiful works of music.
| Author | : Robert S. Hatten |
| Publisher | : Indiana University Press |
| Total Pages | : 251 |
| Release | : 2018-09-06 |
| Genre | : Music |
| ISBN | : 0253038014 |
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
