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| Author | : Delmer Dalzell Rogers |
| Publisher | : |
| Total Pages | : 450 |
| Release | : 1980 |
| Genre | : Music |
| ISBN | : |
| Author | : Delmer Dalzell Rogers |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 1976 |
| Genre | : Music |
| ISBN | : |
| Author | : Katherine K. Preston |
| Publisher | : University of Illinois Press |
| Total Pages | : 294 |
| Release | : 2020-11-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 0252052307 |
As American classical music struggled for recognition in the mid-nineteenth century, George Frederick Bristow emerged as one of its most energetic champions and practitioners. Katherine K. Preston explores the life and works of a figure admired in his own time and credited today with producing the first American grand opera and composing important works that ranged from oratorios to symphonies to chamber music. Preston reveals Bristow's passion for creating and promoting music, his skills as a businessman and educator, the respect paid him by contemporaries and students, and his tireless work as both a composer and in-demand performer. As she examines Bristow against the backdrop of the music scene in New York City, Preston illuminates the little-known creative and performance culture that he helped define and create. Vivid and richly detailed, George Frederick Bristow enriches our perceptions of musical life in nineteenth-century America.
| Author | : N. Lee Orr |
| Publisher | : Scarecrow Press |
| Total Pages | : 156 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 9780810836648 |
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
| Author | : Howard E. Smither |
| Publisher | : UNC Press Books |
| Total Pages | : 900 |
| Release | : 1977 |
| Genre | : Music |
| ISBN | : 9780807825112 |
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored th
| Author | : John Spitzer |
| Publisher | : University of Chicago Press |
| Total Pages | : 504 |
| Release | : 2012-04-09 |
| Genre | : History |
| ISBN | : 0226769763 |
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
| Author | : George F. Bristow |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 466 |
| Release | : 1999-01-01 |
| Genre | : Music |
| ISBN | : 0895794438 |
| Author | : Brian Hart |
| Publisher | : Indiana University Press |
| Total Pages | : 1039 |
| Release | : 2024-01-02 |
| Genre | : History |
| ISBN | : 0253067545 |
Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges. In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony in Europe from its origins into the 20th century. In Volume V, Brown's former students and colleagues continue his vision by turning to the symphony in the Western Hemisphere. It examines the work of numerous symphonists active from the early 1800s to the present day and the unique challenges they faced in contributing to the European symphonic tradition. The research adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This much-anticipated fifth volume of The Symphonic Repertoire: The Symphony in the Americas offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.
| Author | : Denise Von Glahn |
| Publisher | : University of Illinois Press |
| Total Pages | : 569 |
| Release | : 2021-09-14 |
| Genre | : Music |
| ISBN | : 0252052951 |
Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
| Author | : Douglas W. Shadle |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 345 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0199358648 |
During the 19th century, nearly 100 symphonies were written by over 50 composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In 'Orchestrating the Nation', author Douglas W. Shadle explores the stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream.
