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| Author | : R. Barton Palmer |
| Publisher | : |
| Total Pages | : 262 |
| Release | : 2007 |
| Genre | : American fiction |
| ISBN | : 9780511274435 |
An up-to-date illustrated survey of the important films based on, or inspired by, nineteenth-century American fiction.
| Author | : R. Barton Palmer |
| Publisher | : Cambridge University Press |
| Total Pages | : 238 |
| Release | : 2007-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 1139461869 |
The process of translating works of literature to the silver screen is a rich field of study for both students and scholars of literature and cinema. The fourteen essays collected in this 2007 volume provide a survey of the important films based on, or inspired by, nineteenth-century American fiction, from James Fenimore Cooper's The Last of the Mohicans to Owen Wister's The Virginian. Many of the major works of the American canon are included, including The Scarlet Letter, Moby Dick and Sister Carrie. The starting point of each essay is the literary text itself, moving on to describe specific aspects of the adaptation process, including details of production and reception. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on twentieth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
| Author | : R. Barton Palmer |
| Publisher | : Cambridge University Press |
| Total Pages | : 235 |
| Release | : 2007-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 1139461680 |
The essays in this collection analyse major film adaptations of twentieth-century American fiction, from F. Scott Fitzgerald's The Last Tycoon to Toni Morrison's Beloved. During the century, films based on American literature came to play a central role in the history of the American cinema. Combining cinematic and literary approaches, this volume explores the adaptation process from conception through production and reception. The contributors explore the ways political and historical contexts have shaped the transfer from book to screen, and the new perspectives that films bring to literary works. In particular, they examine how the twentieth-century literary modes of realism, modernism, and postmodernism have influenced the forms of modern cinema. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on nineteenth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
| Author | : Barbara Tepa Lupack |
| Publisher | : Popular Press |
| Total Pages | : 352 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : 9780879728052 |
Eleven essays analyze the adaptations of novels by eight popular writers such as Jane Austen and Harriet Beecher Stowe, and examine the ways in which those writers' themes are reinterpreted, updated and often misconstrued by the filmmakers who bring them to the screen. No index. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Deborah Cartmell |
| Publisher | : Cambridge University Press |
| Total Pages | : 389 |
| Release | : 2007-05-10 |
| Genre | : Literary Criticism |
| ISBN | : 1139827553 |
This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.
| Author | : Linda Badley |
| Publisher | : Rutgers University Press |
| Total Pages | : 294 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : 9780813538747 |
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.
| Author | : Oana-Celia Gheorghiu |
| Publisher | : Anchor Academic Publishing |
| Total Pages | : 257 |
| Release | : 2015-08 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3954894602 |
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problema
| Author | : David Seed |
| Publisher | : Liverpool University Press |
| Total Pages | : 327 |
| Release | : 2012-01-01 |
| Genre | : Performing Arts |
| ISBN | : 1846318122 |
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
| Author | : Robert Stam |
| Publisher | : John Wiley & Sons |
| Total Pages | : 480 |
| Release | : 2008-04-15 |
| Genre | : Performing Arts |
| ISBN | : 047099911X |
A Companion to Literature in Film provides state-of-the-art research on world literature, film, and the complex theoretical relationship between them. 25 essays by international experts cover the most important topics in the study of literature and film adaptations. Covers a wide variety of topics, including cultural, thematic, theoretical, and genre issues Discusses film adaptations from the birth of cinema to the present day Explores a diverse range of titles and genres, including film noir, biblical epics, and Italian and Chinese cinema
| Author | : Robert Mayer |
| Publisher | : Cambridge University Press |
| Total Pages | : 244 |
| Release | : 2002-09-26 |
| Genre | : Literary Criticism |
| ISBN | : 9780521529105 |
Eighteenth-Century Fiction on Screen offers an extensive introduction to cinematic representations of the eighteenth century, mostly derived from classic fiction of that period, and sheds light on the process of making prose fiction into film. The contributors provide a variety of theoretical and critical approaches to the process of bringing literary works to the screen. They consider a broad range of film and television adaptations, including several versions of Robinson Crusoe; three films of Moll Flanders; American, British, and French television adaptations of Gulliver's Travels, Clarissa, Tom Jones, and Jacques le fataliste; Wim Wender's film version of Goethe's Wilhelm Meister's Apprentice Years; the controversial film of Diderot's La Religieuese; and French and Anglo-American motion pictures based on Les Liaisons dangereuses among others. This book will appeal to students and scholars of literature and film alike.
