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Nigerian Arts Revisited

Nigerian Arts Revisited
Author: Nigel Barley
Publisher: Somogy Art Publishing
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9782757209851

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The Barbier-Mueller Museum invited the anthropologist Nigel Barley, a former curator at the British Museum, to take a look at the museum's Nigerian collection, which came into being over more than a hundred years, thanks to the personal and informed "eye" of the collectors Josef Mueller and Jean Paul Barbier-Mueller. Without aspiring to cover exhaustively the cultural production of Nigeria across the two millennia of its history, the Barbier-Mueller collection is very rich in several respects. Faithful to chronological continuity, it provides a sample of the production of the major cultural centers of Nigeria, shedding light on archaeological pieces from Nok, Katsina, and Sokoto, works from Ife and the kingdom of Benin, and Yoruba, Ijo, and Igbo objects, as well as items from the Cross River and the Benue Valley. By virtue of their rarity, certain pieces in the collection constitute "monuments" of African art. Others, by their emblematic force, are among its great "classics." The exhibition sets out to present these objects, including several displayed here for the first time, highlighting their aesthetic quality even while explaining, by means of the catalogue, the ethnographic context of their production and use. Nigel Barley provides new angles of approach for considering, understanding, and perhaps even better appreciating the art of Nigeria.


Central Nigerian Art Revisited Hb

Central Nigerian Art Revisited Hb
Author: Jan Strybol
Publisher: Stichting Kunstboak
Total Pages: 0
Release: 2023-04-10
Genre: Art, Nigerian
ISBN: 9789058567031

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- Jan Strybol examines the sculptural traditions of a number of peoples in central Nigeria. In addition to wood sculptures, he also pays attention to objects in bronze, iron, terracotta and other materials; art forms that have been very underexposed and have almost vanished In previous studies, Jan Strybol pointed out that - contrary to popular belief - sculpture flourished in northern Nigeria. Wood sculptures could be found just about everywhere, with the exception of part of the Far North. In this study, the author first examines the sculptural traditions of a number of peoples in central Nigeria, more specifically from the Jos Plateau and from the Middle Benue Valley to the source area of the Taraba River. These peoples can be described as non-centralized communities where art was mainly produced in perishable materials by part-time artists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialist sculptors created complex artefacts in durable materials (stone, bronze, iron). Perhaps the most familiar ethnic group in the Central Benue region to lovers of African art are the Mumuye. Since the end of the last century, as a result of the advance of world religions, the traditional rites of the Mumuye have rapidly disappeared and with them the Mumuye sculptural tradition so much admired in Europe and America. In addition to wood sculptures, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. These art forms have been very underexposed until now and have almost completely vanished. Finally, the author also delves into the artistic achievements of some little-known remnant groups within the Mumuye territory, which can boast of a rich art tradition.


Nigerian Scams Revisited

Nigerian Scams Revisited
Author: Gary Baines
Publisher: Nova Publishers
Total Pages: 136
Release: 2003
Genre: Law
ISBN: 9781590334874

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If America can be called the land of the scam, then international con artists from Nigeria are hard at work trying to catch up. Although their pitches appear flagrantly false, they take advantage of several weaknesses in human nature like pity for the poor and also an arrogance that no Nigerian could pull one over on a sophisticated American. This new book presents representative and genuine examples of the initial scam approaches, which seem to be rousing victims from the millions of targets of this vast campaign that has been going on for years while gaining in sophistication and cunning. The cases are divided into sections by type and target of the scam.


Masterpieces of Nigerian Art

Masterpieces of Nigerian Art
Author: Ekpo Eyo
Publisher: Chinazor Onianwah
Total Pages: 246
Release: 2014-07-21
Genre: Art
ISBN:

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The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist viewpoint that once dominated the Western perception of African art and recalls the efforts of certain more open-minded individuals from Nigeria's colonial past who, in their efforts to collect, preserve, and present important sculptures and other artworks, were instrumental in founding the country's first museums. Their successor, today's National Commission for Museums and Monuments, has collected many additional works from their original settings, placing them in the limelight of the world through publications and museum exhibitions, to which the author has contributed much throughout his career. Eyo therefore discusses Nigerian art in the broader context of the world's art history, arguing that the art of Nigeria is fundamentally a testament to universal human creativity. From Shrines to Showcases: Masterpieces of Nigerian Art includes examples selected from all major regions of the country, spanning the distant past to the modern age, which are to be considered amongst the greatest artistic achievements of humanity.


Artists of Nigeria

Artists of Nigeria
Author: Onyema Offoedu-Okeke
Publisher: 5Continents
Total Pages: 720
Release: 2012-07-01
Genre: Art
ISBN: 9788874395477

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Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.


Truth, Dare or Promise

Truth, Dare or Promise
Author: Jill Daniels
Publisher: Cambridge Scholars Publishing
Total Pages: 215
Release: 2013-10-03
Genre: Art
ISBN: 1443853267

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Truth, Dare or Promise: Art and Documentary Revisited reflects on the ways that artists and filmmakers address the innovations and limitations of producing and exhibiting their work. Ranging from community collaboration to individual interpretation, and from gallery installation to cinematic screening, exploring the differences and overlaps between definitions and methodologies. With an international reach, including contributors who are both practitioners and theorists, this book maps out developments in art and documentary, covering themes that include explorations of personal experience and representations of the past, while examining interactive galleries and the cinematic space.


Nigerian Art

Nigerian Art
Author: Cornelius Oyeleke Adepegba
Publisher:
Total Pages: 192
Release: 1995
Genre: Art
ISBN:

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Postcolonial Modernism

Postcolonial Modernism
Author: Chika Okeke-Agulu
Publisher: Duke University Press
Total Pages: 439
Release: 2015-04-06
Genre: Art
ISBN: 082237630X

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Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.