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| Author | : James J. Winchester |
| Publisher | : State University of New York Press |
| Total Pages | : 236 |
| Release | : 1994-11-04 |
| Genre | : Philosophy |
| ISBN | : 9781438424200 |
This clearly written book, intended for both specialists and nonspecialists, focuses on Nietzsche's later writings, where he appears unsystematic and indifferent to questions of truth.
| Author | : Timothy J. Freeman |
| Publisher | : |
| Total Pages | : 478 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
| Author | : Nikolas Kompridis |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 320 |
| Release | : 2014-04-10 |
| Genre | : Political Science |
| ISBN | : 1441196692 |
The growing exploration of political life from an aesthetic perspective has become so prominent that we must now speak of an “aesthetic turn” in political thought. But what does it mean and what makes it an aesthetic turn? Why now? This diverse and path-breaking collection of essays answers these questions, provoking new ways to think about the possibilities and debilities of democratic politics. Beginning from the premise that politics is already “aesthetic in principle,” the contributions to The Aesthetic Turn in Political Thought from some of the world's leading political theorists and philosophers, disclose a distinct set of political problems: the aesthetic problems of modern politics. The aesthetic turn in political thought not only recognizes that these problems are different in kind from the standard problems of politics, it also recognizes that they call for a different kind of theorizing – a theorizing that is itself aesthetic. A major contribution to contemporary theoretical debates, The Aesthetic Turn in Political Thought will be essential reading to anyone interested in the interdisciplinary crossroads of aesthetic and politics.
| Author | : Thomas Jovanovski |
| Publisher | : Peter Lang |
| Total Pages | : 206 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 9780820420028 |
In this provocative work, Thomas Jovanovski presents a contrasting interpretation to the postmodernist and feminist reading of Nietzsche. As Jovanovski maintains, Nietzsche's written thought is above all a sustained endeavor aimed at negating and superseding the (primarily) Socratic principles of Western ontology with a new table of aesthetic ethics - ethics that originate from the Dionysian insight of Aeschylean tragedy. Just as the Platonic Socrates perceived a pressing need for, and succeeded in establishing, a new world-historical ethic and aesthetic direction grounded in reason, science, and optimism, so does Nietzsche regard the rebirth of an old tragic mythos as the vehicle toward a cultural, political, and religious metamorphosis of the West. However, Jovanovski contends that Nietzsche does not advocate such a radical social turning as an end in itself, but as only the most consequential prerequisite to realizing the culminating object of his «historical philosophizing» - the phenomenal appearance of the Übermensch.
| Author | : Daniel Came |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 2014-04 |
| Genre | : Philosophy |
| ISBN | : 0199545960 |
Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.
| Author | : Julian Young |
| Publisher | : Cambridge University Press |
| Total Pages | : 196 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : 9780521455756 |
This is a clear and lucid account of Nietzsche's philosophy of art.
| Author | : Matthew Rampley |
| Publisher | : Cambridge University Press |
| Total Pages | : 302 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 0521651557 |
Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.
| Author | : Nicholas Martin |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780198159131 |
This book, the first to attempt a thorough comparison of Nietzsche's and Schiller's thought, examines their programmes to reform the individual through aesthetic experience, with reference primarily to Nietzsche's Die Geburt der Tragodie and Schiller's Asthetische Briefe. It counters the prejudice that Nietzsche and Schiller represent a black-and-white contrast, draws a convincing picture of their shared cultural heritage and assumptions, and assesses the nature and implications of their claims for the 'untimeliness' of aesthetic experience and of their proposed reforms to man and society.
| Author | : Philip Pothen |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2017-08-03 |
| Genre | : Philosophy |
| ISBN | : 1351585037 |
This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.
| Author | : Eva Geulen |
| Publisher | : Stanford University Press |
| Total Pages | : 220 |
| Release | : 2006 |
| Genre | : Philosophy |
| ISBN | : 9780804744249 |
Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.
