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Nietzsche, Aesthetics and Modernity

Nietzsche, Aesthetics and Modernity
Author: Matthew Rampley
Publisher: Cambridge University Press
Total Pages: 302
Release: 2000
Genre: Art
ISBN: 0521651557

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Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.


Nietzsche on Art and Life

Nietzsche on Art and Life
Author: Daniel Came
Publisher: OUP Oxford
Total Pages: 256
Release: 2014-04-24
Genre: Philosophy
ISBN: 0191662895

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Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. For he regarded the significance of art to lie not in l'art pour l'art, but in the role that it might play in enabling us positively to 'revalue' the world and human experience. This volume brings together a number of distinguished figures in contemporary Anglo-American Nietzsche scholarship to examine his views on art and the aesthetic in the context of this wider philosophical project. All of the major themes of Nietzsche's aesthetics are discussed: art and the affirmation of life, the relationship between art and truth, music, tragedy, the nature of aesthetic experience, the role of art in Nietzsche's positive ethics, his critique of romanticism, and his ambivalent attitude towards Richard Wagner.


Aesthetics and subjectivity

Aesthetics and subjectivity
Author: Andrew Bowie
Publisher: Manchester University Press
Total Pages: 358
Release: 2013-07-19
Genre: History
ISBN: 1847795129

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. New, completely revised and re-written edition. Offers a detailed, but asccesible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Ficthe and Holderlin, the early Romantis, Schelling, Hegel, Scleimacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensible read


Nietzsche and Schiller

Nietzsche and Schiller
Author: Nicholas Martin
Publisher: Oxford University Press
Total Pages: 240
Release: 1996
Genre: Literary Criticism
ISBN: 9780198159131

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This book, the first to attempt a thorough comparison of Nietzsche's and Schiller's thought, examines their programmes to reform the individual through aesthetic experience, with reference primarily to Nietzsche's Die Geburt der Tragodie and Schiller's Asthetische Briefe. It counters the prejudice that Nietzsche and Schiller represent a black-and-white contrast, draws a convincing picture of their shared cultural heritage and assumptions, and assesses the nature and implications of their claims for the 'untimeliness' of aesthetic experience and of their proposed reforms to man and society.


Aesthetic Transformations

Aesthetic Transformations
Author: Thomas Jovanovski
Publisher: Peter Lang
Total Pages: 206
Release: 2008
Genre: Literary Criticism
ISBN: 9780820420028

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In this provocative work, Thomas Jovanovski presents a contrasting interpretation to the postmodernist and feminist reading of Nietzsche. As Jovanovski maintains, Nietzsche's written thought is above all a sustained endeavor aimed at negating and superseding the (primarily) Socratic principles of Western ontology with a new table of aesthetic ethics - ethics that originate from the Dionysian insight of Aeschylean tragedy. Just as the Platonic Socrates perceived a pressing need for, and succeeded in establishing, a new world-historical ethic and aesthetic direction grounded in reason, science, and optimism, so does Nietzsche regard the rebirth of an old tragic mythos as the vehicle toward a cultural, political, and religious metamorphosis of the West. However, Jovanovski contends that Nietzsche does not advocate such a radical social turning as an end in itself, but as only the most consequential prerequisite to realizing the culminating object of his «historical philosophizing» - the phenomenal appearance of the Übermensch.


Nietzsche on Art and Life

Nietzsche on Art and Life
Author: Daniel Came
Publisher: Oxford University Press
Total Pages: 266
Release: 2014-04
Genre: Philosophy
ISBN: 0199545960

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Nietzsche had a particular interest in the relationship between art and life, and in art's contribution to his philosophical aims—to identify the conditions of the affirmation of life, cultural renewal, and exemplary human living. These new essays demonstrate that understanding his engagement with art is essential for understanding his philosophy.


Nietzsche's Corps/e

Nietzsche's Corps/e
Author: Geoff Waite
Publisher: Duke University Press
Total Pages: 580
Release: 1996
Genre: Literary Criticism
ISBN: 9780822317197

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Appearing between two historical touchstones--the alleged end of communism and the 100th anniversary of Nietzsche's death--this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his argument by bringing Marxist--especially Gramscian and Althusserian--theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche's published and unpublished texts, Nietzsche's Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche--in however distorted a form and in a way that compromises all of our best interests. Controversial in its "decelebration" of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche's corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.


Nietzsche and Modern German Thought

Nietzsche and Modern German Thought
Author: Keith Ansell-Pearson
Publisher: Routledge
Total Pages: 295
Release: 2012-10-12
Genre: Philosophy
ISBN: 1134949936

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Nietzsche is no longer a marginal figure in the study of philosophy. This collection of specially commissioned essays reflects the emergence of a serious interest amongst philosophers, sociologists and political theorists. By considering Nietzsche's ideas in the context of the modern philosophical tradition from which it emerged, his importance in contemporary thought is refined and reaffirmed. Modern German thought begins with Kant and has rarely escaped his influence. It is with respect to this Kantian heritage that this volume examines Nietzsche. These essays critically consider Nietzsche's relation to Kant and the post-Kantian tradition. In broad terms it is his relation to the domains of knowledge, ethics and aesthetics, that is through the three Kantian critiques, that Nietzsche's thought is illuminated. This allows a surprising variety of areas and questions, both about Nietzsche and about philosophy to be investigated.


Nietzsche and the Fate of Art

Nietzsche and the Fate of Art
Author: Philip Pothen
Publisher: Routledge
Total Pages: 243
Release: 2017-08-03
Genre: Philosophy
ISBN: 1351585037

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This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.


The German Aesthetic Tradition

The German Aesthetic Tradition
Author: Kai Hammermeister
Publisher: Cambridge University Press
Total Pages: 284
Release: 2002-10-17
Genre: Philosophy
ISBN: 9780521785549

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