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| Release | : 1953 |
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| Release | : 1952 |
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| Release | : 1953 |
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| Author | : United States. Congress. House |
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| Total Pages | : 2986 |
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| Genre | : United States |
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| Author | : United States. Congress. House. Committee on the Judiciary |
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| Total Pages | : 4 |
| Release | : 1952 |
| Genre | : Bills, Private |
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| Author | : United States. Congress. Senate. Committee on the Judiciary |
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| Total Pages | : 4 |
| Release | : 1953 |
| Genre | : Bills, Private |
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| Author | : Maria H. Loh |
| Publisher | : Getty Publications |
| Total Pages | : 220 |
| Release | : 2007 |
| Genre | : Imitation in art |
| ISBN | : 9780892368730 |
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
| Author | : Alessandro Portelli |
| Publisher | : Springer |
| Total Pages | : 412 |
| Release | : 2017-09-27 |
| Genre | : History |
| ISBN | : 3319508989 |
A pioneering work in oral history, this book tells the story of the rise and fall of the industrial revolution and the apogee and crisis of the labor movement through an oral history of Terni, a steel town in Central Italy and the seat of the first large industrial enterprise in Italy. This story is told through a combination of stories, songs, myths and memories from over 200 voices of five generations, woven with a wealth of archival material.
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| Total Pages | : 36 |
| Release | : 1972 |
| Genre | : Agricultural credit |
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Report for May 1963 contains revised estimates of farm-mortgage debt for the period 1950-62.
| Author | : Emilie L. Bergmann |
| Publisher | : Univ of California Press |
| Total Pages | : 283 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : 0520065530 |
“This collection, because of its exceptional theoretical coherence and sophistication, is qualitatively superior to the most frequently consulted anthologies on Latin American women’s history and literature . . . [and] represents a new, more theoretically rigorous stage in the feminist debate on Latin American women.”—Elizabeth Garrels, Massachusetts Institute of Technology
