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New Worlds and the Italian Renaissance

New Worlds and the Italian Renaissance
Author: Andrea Moudarres
Publisher: BRILL
Total Pages: 352
Release: 2012-08-17
Genre: History
ISBN: 9004224300

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This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in shaping the modern Western worldview.


The Scientific Revolution: A Very Short Introduction

The Scientific Revolution: A Very Short Introduction
Author: Lawrence Principe
Publisher: Oxford University Press
Total Pages: 169
Release: 2011-04-28
Genre: Science
ISBN: 0199567417

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Lawrence M. Principe takes a fresh approach to the story of the scientific revolution, emphasising the historical context of the society and its world view at the time. From astronomy to alchemy and medicine to geology, he tells this fascinating story from the perspective of the historical characters involved.


The Intellectual World of the Italian Renaissance

The Intellectual World of the Italian Renaissance
Author: Christopher S. Celenza
Publisher: Cambridge University Press
Total Pages: 455
Release: 2018
Genre: History
ISBN: 1107003628

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This book offers a new view of Italian Renaissance intellectual life, linking philosophy and literature as expressed in both Latin and Italian.


New Worlds, Ancient Texts

New Worlds, Ancient Texts
Author: Anthony Grafton
Publisher: Harvard University Press
Total Pages: 300
Release: 1995-03-15
Genre: History
ISBN: 0674254120

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Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.


The Enemy in Italian Renaissance Epic

The Enemy in Italian Renaissance Epic
Author: Andrea Moudarres
Publisher: University of Delaware Press
Total Pages: 0
Release: 2019-05-01
Genre: Literary Criticism
ISBN: 9781644530009

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In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante’s Divina Commedia, Luigi Pulci’s Morgante, Ludovico Ariosto’s Orlando Furioso, and Torquato Tasso’s Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.


The New World in Early Modern Italy, 1492–1750

The New World in Early Modern Italy, 1492–1750
Author: Elizabeth Horodowich
Publisher: Cambridge University Press
Total Pages: 371
Release: 2017-11-16
Genre: History
ISBN: 1108509231

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Italians became fascinated by the New World in the early modern period. While Atlantic World scholarship has traditionally tended to focus on the acts of conquest and the politics of colonialism, these essays consider the reception of ideas, images and goods from the Americas in the non-colonial states of Italy. Italians began to venerate images of the Peruvian Virgin of Copacabana, plant tomatoes, potatoes, and maize, and publish costume books showcasing the clothing of the kings and queens of Florida, revealing the powerful hold that the Americas had on the Italian imagination. By considering a variety of cases illuminating the presence of the Americas in Italy, this volume demonstrates how early modern Italian culture developed as much from multicultural contact - with Mexico, Peru, Brazil, and the Caribbean - as it did from the rediscovery of classical antiquity.


Worldly Consumers

Worldly Consumers
Author: Genevieve Carlton
Publisher: University of Chicago Press
Total Pages: 244
Release: 2015-06-22
Genre: History
ISBN: 022625531X

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This book focuses on how inexpensive maps, produced for the masses, accrued cultural value for everyday consumers in Renaissance Italy, who wanted to own and display maps in their homes as works of artnot for practical use, but for their cultural capital as commodities. Genevieve Carlton considers how and why maps took on this new identity, as coveted and revered material objects and symbols of status and power, which in turn elevated or reinforced the public personae of their owners. She reconstructs the market for maps by examining household inventories as well as the ways in which maps were displayed in the interiors of Renaissance homes. Her survey shows that consumers from every level of society owned and displayed maps and used them for personal gain, to reinforce a particular identity."


The Italian Renaissance

The Italian Renaissance
Author: J. N. Stephens
Publisher: Longman Publishing Group
Total Pages: 288
Release: 1990
Genre: Architecture
ISBN:

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In The Italian Renaissance John Stephens interprets the significance of the immense cultural change which took place in Italy from the time of Petrarch to the Reformation, and considers its wider contribution to Europe beyond the Alps. His important new study (which is designed for students and serious general readers of history as well as the specialist) is not a straight narrative history; rather, it is an examination of the humanists, artists and patrons who were the instruments of this change; the contemporary factors that favoured it; and the elements of ancient thought they revived. Dr. Stephens shows how, following Petrarch's example, the humanists discovered a novel point of view in ancient ethics. It was expressed in a set of assumptions about the scope of free will, the place of man in society, and the work of the intellectual and artist. From the same source they revived a method of induction by which such issues could be analysed. All this, as the book explains, had a powerful impact on political and religious thought in Italy, and on the theory and practice of fine art, as well as influencing classical scholarship and historiography. The book challenges the notion that the humanists were propagandists, or that works of art represented conspicuous consumption by the rich. Instead, by arming themselves with ancient morals and with the culture of antiquity as a whole, the scholars, artists and patrons of the Renaissance consciously used antiquity to enhance the moral and intellectual power of the contemporary lay world. The need of the Italian upper class to prove its fitness to govern made it anxious to show an appreciation of such moral and intellectual virtues, and in doingso it advanced its own education as well as the secular culture it patronised. In this, as Dr. Stephens concludes, the significance of the Italian Renaissance was not so much to 'reflect' society as to shape it. The Italian example was soon to be imitated elsewhere: by 1520 the new outlook and the new learning had spread from Italy far beyond the Alps. The reception of these ideas by the laity in Europe at large prepared society for a new 'world view' which was established in the Reformation. Dr. Stephens seeks to give some impression of this larger inheritance of Renaissance culture, as well as defining its achievement in Italy itself, in this powerful and impressive book.


A Companion to the Worlds of the Renaissance

A Companion to the Worlds of the Renaissance
Author: Guido Ruggiero
Publisher: John Wiley & Sons
Total Pages: 576
Release: 2008-04-15
Genre: History
ISBN: 0470751614

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This volume brings together some of the most exciting renaissance scholars to suggest new ways of thinking about the period and to set a new series of agendas for Renaissance scholarship. Overturns the idea that it was a period of European cultural triumph and highlights the negative as well as the positive. Looks at the Renaissance from a world, as opposed to just European, perspective. Views the Renaissance from perspectives other than just the cultural elite. Gender, sex, violence, and cultural history are integrated into the analysis.