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Women's Fiction

Women's Fiction
Author: Deborah Philips
Publisher: A&C Black
Total Pages: 220
Release: 2014-06-19
Genre: Literary Criticism
ISBN: 1441109048

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Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present. Examining key trends in popular writing for women in each decade, Women's Fiction offers case study readings of major British and American writers. Through these readings, the book explores how popular texts often neglected by feminist literary criticism have charted the shifting demands, aspirations and expectations of women in the 20th and 21st centuries.


Women's Fiction

Women's Fiction
Author: Rebecca Vnuk
Publisher: Bloomsbury Publishing USA
Total Pages: 252
Release: 2013-09-17
Genre: Language Arts & Disciplines
ISBN: 1610695380

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Offering a fresh perspective on women's fiction for a broad reading audience—fans as well as librarians—this book defines and maps the genre, and describes hundreds of relevant titles. Women's Fiction: A Guide to Popular Reading Interests celebrates the books in this broad genre—titles that explore the lives of female protagonists, with a focus on their relationships with family, friends, and lovers. After a brief introductory history and a chapter that defines the characteristics of women's fiction, the author showcases annotations and suggestions of approximately 300 titles by more than 100 authors. She explains how women's fiction differs from romance fiction, enabling readers to appreciate this rich body of literature that encompasses titles as diverse as Meg Cabot's lighthearted chick lit to the more serious novels of Elizabeth Berg and Maeve Binchy. The book identifies some of the most popular and enduring women's fiction authors and titles, and provides invaluable reading lists and readalike suggestions that will be appreciated by both librarians and general readers.


Victorian Women's Fiction

Victorian Women's Fiction
Author: Shirley Foster
Publisher: Routledge
Total Pages: 249
Release: 2012
Genre: Literary Criticism
ISBN: 0415524113

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Annotation Focusing on the ways in which female novelists have challenged contemporary assumptions about their own sex, this book's critical interest in women's fiction shows how 19th century women writers confront the conflict between the pressures of matrimonial ideologies and alternative of single or professional life.


Contemporary American Women Fiction Writers

Contemporary American Women Fiction Writers
Author: Laurie Champion
Publisher: Bloomsbury Publishing USA
Total Pages: 422
Release: 2002-11-30
Genre: Literary Criticism
ISBN: 031307643X

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American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources


Women's Fiction and Post-9/11 Contexts

Women's Fiction and Post-9/11 Contexts
Author: Peter Childs
Publisher: Lexington Books
Total Pages: 235
Release: 2014-10-21
Genre: Literary Criticism
ISBN: 149850096X

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9/11 is not simple a date on the calendar but marks a distinct historical threshold, ushering in the war on terror, various states of emergency, a supposed “clash of civilizations,” and the putative legitimation of counter-democratic procedures ranging from extraordinary renditions to enhanced interrogation. Perhaps no date, since Virginia Woolf declared that “on or about December 1910 human character changed,” has marked such a singular point in the perception of time, identity and nature. Women’s writing has always been something of a counter-canon, offering modes of voice and point of view beyond that of the “man” of reason. This collection of essays explores the two problems of what it means to write as a woman and what it means to write in the twenty-first century.


Modern Women (Park Avenue Series, Book #4)

Modern Women (Park Avenue Series, Book #4)
Author: Ruth Harris
Publisher: Word International
Total Pages: 492
Release: 2020-01-14
Genre: Fiction
ISBN:

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Million-copy NYT bestseller! "Fiction at its best!" —New Woman magazine “Bestsellers like Decades, Husbands And Lovers and Love And Money have established Ruth Harris as one of the frankest, most stylish, and most compelling voices in contemporary fiction." —Chicago Sun-Times Meet three modern women—and the men in their lives. Jane Gresch: Her delicious revenge on her lying, cheating, thieving ex makes her rich and famous, but then what?? Lincky Desmond: Smart, beautiful and hard working, she marries Mr. Right—but risks it all for Mr. Oh-so-wrong. Elly McGrath: When her husband dumps her for another, younger woman, she doesn’t get mad. She gets even. Owen Casals: He is handsome, horny, and magnetic. Everyone knows it—and so does he. "Funny, sad, vivid, and raunchy. Harris seeks to enliven and entertain, and she does it in spades." —Cleveland Plain-Dealer “Glory be! Excellent. This is the story of today’s women.” —Los Angeles Times Ruth Harris is “brilliant, trenchant, chic and ultra-sophisticated, a writer who has all the intellect of Mary McCarthy, all the insight of Joan Didion.” —Fort Worth Star-Telegram "Excellent! Thoroughly delightful!" —Los Angeles Times "Author Ruth Harris' rapier wit spices up a coming-of-age-in-the-sexist-'60s story. Funny, sad, vivid, and more than raunchy enough to satisfy the most ribald appetites. Harris seeks to enliven and entertain, and she does it in spades." —Cleveland Plain-Dealer "Ruth Harris has written a superb 'rags to riches' story. Harris creates characters that are alive and familiar. These three women, Lincky, Jane and Elly, are like old friends, women we've all known. Their experiences, hopes and fears are universal and, yet, like most modern women they, too, wonder if they will find the right man and or how to get rid of the wrong one. Each in their own way finds success at the top and a successful relationship. You'll love MODERN WOMEN." —West Coast Review of Books “Bestsellers like Decades, Husbands And Lovers and Love And Money have established Ruth Harris as one of the frankest, most stylish, and most compelling voices in contemporary fiction." —Chicago Sun-Times MODERN WOMEN was originally published in hard cover and paperback by St. Martin's Press. All five books in the Park Avenue Series are available as GooglePlay ebooks. Decades (Book # 1)--The compelling story of a marriage at risk, a family in crisis and a woman on the brink set against the tumultuous decades of the mid-twentieth century. "Absolutely perfect." --Publisher's Weekly "Terrific!" --Cosmopolitan "Powerful. A gripping novel." --Women Today Book Club https://play.google.com/store/books/details/Ruth_Harris_DECADES_Park_Avenue_Series_Book_1?id=iMfHBAAAQBAJ Husbands And Lovers (Book # 2)--Million copy NYT bestseller! Winner, Best Contemporary, Romantic Times! The story of a wallflower who turns herself into a lovely and desirable woman and the two handsome, successful men who compete for her love. "Steamy and fast-paced." --Cosmopolitan https://play.google.com/store/books/details/Ruth_Harris_Husbands_And_Lovers_Park_Avenue_Series?id=-DX3AgAAQBAJ Love And Money (Book #3)--#1 on Amazon's Movers and Shakers. Rich girl, poor girl. Sisters and strangers until the handsome, mysterious man they both love--and murder—bring them face to face. "Richly plotted. First-class entertainment." --NY Times "Fast-paced, superior fiction. A terrifically satisfying 'good read.'" --Fort Lauderdale News Sun-Sentinel https://play.google.com/store/books/details?id=6TD3AgAAQBAJ The Last Romantics (Book # 5)--A sweeping love story set in Paris and New York during the glamorous Jazz Age of the 1920's. He is dashing, handsome and celebrated but dangerously flawed. She is a gifted fashion designer who has the world at her feet. She is beautiful, charming, lonely, haunted by a desperate secret. "I love it, I love it! Fantastic, immensely readable." --Cosmopolitan "Gloriously romantic." --Kirkus https://play.google.com/store/books/details?id=oHH4AgAAQBAJ Keywords, Series Keywords: Historical fiction, women's fiction, single woman, funny, humor, hilarious, sexy, bestseller, cheating boy friend, marriage, divorce, JFK, assassination, sex, women, marriage, divorce, Texas, New York, publishing, career woman, wife, journalist, author, affair, 20th Century


Challenging Realities: Magic Realism in Contemporary American Women's Fiction

Challenging Realities: Magic Realism in Contemporary American Women's Fiction
Author: M. Ruth Noriega Sánchez
Publisher: Universitat de València
Total Pages: 207
Release: 2011-11-28
Genre: Social Science
ISBN: 8437085365

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Les arrels del realisme màgic en els escrits de Borges i altres autors d'Amèrica Llatina han estat àmpliament reconeguts i ben documentades produint una sèrie d'estudis crítics, molts dels quals figuren en la bibliografia d'aquest treball. Dins d'aquest marc, aquest llibre presenta als lectors una varietat d'escriptores de grups ètnics, conegudes i menys conegudes, i les col·loca en un context literari en el que es tracten tant a nivell individual com a escriptores així com a nivell col·lectiu com a part d'un moviment artístic més ampli. Aquest llibre és el resultat del treball realitzat a les universitats de Sheffield i la de València i representa una valuosa investigació i una important contribució als estudis literaris.


Affective Labour in British and American Women’s Fiction, 1848-1915

Affective Labour in British and American Women’s Fiction, 1848-1915
Author: Katherine Skaris
Publisher: Cambridge Scholars Publishing
Total Pages: 187
Release: 2018-07-26
Genre: Literary Criticism
ISBN: 1527514277

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This volume is a comprehensive and transatlantic literary study of women’s nineteenth-and-twentieth-century fiction. Firstly, it introduces and explores the concept of women’s affective labour, and examines literary representations of this work in British and American fiction written by women between 1848 and 1915. Secondly, it revives largely ignored texts by the “scribbling women” of Britain and America, such as Mary Elizabeth Braddon, Elizabeth Stuart Phelps, Mona Caird, and Mary Hunter Austin, and rereads established authors, such as Elizabeth Gaskell, Kate Chopin, and Edith Wharton, to demonstrate how all these works provide valuable insights into women’s lives in the nineteenth and early twentieth centuries. Finally, by adopting the lens of affective labour, the study explores the ways in which women were portrayed as striving for self-fulfilment through forms of emotional, mental, and creative endeavours that have not always been fully appreciated as ‘work’ in critical accounts of nineteenth-and-twentieth-century fiction.


The Coupling Convention : Sex, Text, and Tradition in Black Women's Fiction

The Coupling Convention : Sex, Text, and Tradition in Black Women's Fiction
Author: Ann duCille Associate Professor of English and African American Studies Wesleyan University
Publisher: Oxford University Press, USA
Total Pages: 222
Release: 1993-10-19
Genre: Literary Criticism
ISBN: 0195359119

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What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.


The Medusa Gaze in Contemporary Women’s Fiction

The Medusa Gaze in Contemporary Women’s Fiction
Author: Gillian M. E. Alban
Publisher: Cambridge Scholars Publishing
Total Pages: 299
Release: 2017-08-21
Genre: Literary Criticism
ISBN: 1527502740

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The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma, madness and even suicide. The book shows how Freud’s, Sartre’s and Lacan’s androcentric views define the Medusa m/other as monstrous, and how the efforts of mothers to nurture may be slighted as inadequate or devouring. It presents Medusa and other goddess figures as inspirational, repelling harm through the ‘evil eye’ of their powerful gaze. Conversely, it also shows women who are condemned as monstrous Gorgons, trapped in enmity, rivalry and rage. Representing English, American and African American, Canadian and Caribbean writing, the works explored here include realistic, social narrative and magical realist writings, in addition to tales of the past and dystopian narratives.