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New Takes on Film and Imagination

New Takes on Film and Imagination
Author: Sarah Cooper
Publisher: Paragraph Special Issues
Total Pages: 0
Release: 2020-11-30
Genre: Motion pictures
ISBN: 9781474477604

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In contemporary film theory, cognitivist specialists have demonstrated the most sustained interest in imagination, pioneering an earlier wave of scholarship on this topic. This volume seeks to explore new questions, as well as open consideration of film and imagination to other theories and philosophies.


Film and the Anarchist Imagination

Film and the Anarchist Imagination
Author: Richard Porton
Publisher: Verso
Total Pages: 324
Release: 1999
Genre: Performing Arts
ISBN: 9781859842614

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From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmuller and Ken Loach, this book offers a comprehensive survey of anarchism in film.


Film, Architecture and Spatial Imagination

Film, Architecture and Spatial Imagination
Author: Renée Tobe
Publisher: Taylor & Francis
Total Pages: 216
Release: 2016-08-25
Genre: Architecture
ISBN: 1315533723

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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.


Film and the Ethical Imagination

Film and the Ethical Imagination
Author: Asbjorn Gronstad
Publisher: Springer
Total Pages: 256
Release: 2016-11-24
Genre: Performing Arts
ISBN: 1137583746

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This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.


Chisel A Grey Stone

Chisel A Grey Stone
Author: Michael Roughton
Publisher: Gatekeeper Press
Total Pages: 50
Release: 2020-06-10
Genre: Juvenile Fiction
ISBN: 1662900856

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Chisella, a young artist, looks longingly out onto the mountains beyond her tiny village. Cooped up in her tiny room, she dreams of making art on a much grander scale and having friends to play with. One day, she goes into the mountains where she chisels and sculpts her BIG IDEAS to life in the form of a gaggle of gargoyles! Follow along with Chisella and her new friends as they transform their hilly hideaway into a magical city of majestic arches, spiraling columns, and smiling clouds. Who says dreams don't come true?


The Mysteries of Cinema: Movies and Imagination

The Mysteries of Cinema: Movies and Imagination
Author: Peter Conrad
Publisher: Thames & Hudson
Total Pages: 470
Release: 2021-04-20
Genre: Performing Arts
ISBN: 0500776385

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Ranging from the late nineteenth century to the present day, this exhilarating survey by cultural critic Peter Conrad explores the ways film has changed how we see the world. This is a thematic roller-coaster ride through cinema history, with film expert Peter Conrad in the seat beside you. Thoroughly international, this book ranges from Fay Wray to Satyajit Ray, from Buster Keaton to Kurosawa, from westerns to nouvelle vague. Conrad explores the medium’s relationship to speed, technology, fantasy, horror, dream, color, sound, light, and shadow with reference to scores of films, from the earliest nineteenth-century silent experiments to the latest multisensory Hollywood blockbusters. The author’s insights are amplified by voices from inside and outside the industry: directors and critics are included alongside artists, writers, philosophers, and historians ranging from Leo Tolstoy to Salvador Dalí, Theodor Adorno to Philip Roth. Arranged by topics, such as “Meta-Movie” and “The Physics of Film,” rather than chronological events, The Mysteries of Cinema focuses on film’s otherworldly, hypnotic, and magical qualities. Perfect for both movie fans who will discover new films and directors, and for students of film who will see familiar classics in a new light, this volume is full of unique insights into the genre. Combining his vast knowledge with a forensic eye for a director’s every quirk and mannerism, Conrad offers a fascinating and thrilling exploration of film.


Fiction and Imagination in Early Cinema

Fiction and Imagination in Early Cinema
Author: Mario Slugan
Publisher: Bloomsbury Publishing
Total Pages: 288
Release: 2019-11-28
Genre: Performing Arts
ISBN: 1350115681

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When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.


New York in Cinematic Imagination

New York in Cinematic Imagination
Author: Vojislava Filipcevic Cordes
Publisher: Routledge
Total Pages: 182
Release: 2020-06-11
Genre: Architecture
ISBN: 1000090493

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New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film. The book argues that alternating endorsements and critiques of the 1920s machine age city are replaced in films of the 1930s and 1940s by a new critical theory of "agitated urban modernity" articulated against the backdrop of turbulent economic and social settings and the initial practices of urban renewal in the post-war period. Written for postgraduates and researchers in the fields of film, history and urban studies, with 40 black and white illustrations to work alongside the text, this book is an engaging study into cinematic representations of New York City.


The Book of Illusions

The Book of Illusions
Author: Paul Auster
Publisher: Macmillan
Total Pages: 292
Release: 2003
Genre: Absence and presumption of death
ISBN: 0312990960

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A man's obsession with a silent-film star sends him on a journey into a shadow world of lies, illusions, and unexpected love Six months after losing his wife and two young sons in an airplane crash, Vermont professor David Zimmer spends his waking hours mired in a blur of alcoholic grief and self-pity. Then, watching television one night, he stumbles upon a clip from a lost silent film by comedian Hector Mann. Zimmer's interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight in 1929 and has been presumed dead for sixty years. When the book is published the following year, a letter turns up in Zimmer's mailbox bearing a return address from a small town in New Mexico-supposedly written by Hector's wife. "Hector has read your book and would like to meet you. Are you interested in paying us a visit?" Is the letter a hoax, or is Hector Mann still alive? Torn between doubt and belief, Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever. This stunning novel plunges the reader into a universe in which the comic and the tragic, the real and the imagined, the violent and the tender dissolve into one another. With The Book of Illusions, one of America's most powerful and original writers has written his richest, most emotionally charged work yet.