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| Author | : Tennessee Williams |
| Publisher | : New Directions Publishing |
| Total Pages | : 340 |
| Release | : 2009 |
| Genre | : Literary Collections |
| ISBN | : 9780811217286 |
"There isn't a dull or conventional page, or an unlovely sentence in the book."--Scott Eyman, The Palm Beach Post
| Author | : Denise Levertov |
| Publisher | : New Directions Publishing |
| Total Pages | : 278 |
| Release | : 1992 |
| Genre | : Fiction |
| ISBN | : 9780811212182 |
"Denise Levertov fulfills the eternal mission of the true Poet: to be a receptacle of Divine Grace and a 'spendor of that Grace to humanity.'" --World Literature Today
| Author | : June Jordan |
| Publisher | : Basic Books |
| Total Pages | : 320 |
| Release | : 2009-08-05 |
| Genre | : Literary Collections |
| ISBN | : 0786751169 |
"She remains a thinker and activist who 'insists upon complexity.' "Reamy Jansen, San Francisco Chronicle*Some of Us Did Not Die brings together a rich sampling of the late poet June Jordan's prose writings. The essays in this collection, which include her last writings and span the length of her extraordinary career, reveal Jordan as an incisive analyst of the personal and public costs of remaining committed to the ideal and practice of democracy. Willing to venture into the most painful contradictions of American culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence in these accounts of her reckoning with life as a teacher, poet, activist, and citizen.
| Author | : Tennessee Williams |
| Publisher | : New Directions Publishing |
| Total Pages | : 198 |
| Release | : 1978 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780811207065 |
Tennessee Williams' witty, engaging, and elegant essays are now available in a revised and much expanded edition.
| Author | : H.D. |
| Publisher | : David Zwirner Books |
| Total Pages | : 81 |
| Release | : 2019-11-26 |
| Genre | : Art |
| ISBN | : 1644230232 |
H.D’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process. While H.D. is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, her critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following the First World War and her own remarkable creative vision, Notes on Thought and Vision, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Scilly Isles, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Letters to a Young Painter (2017), also published in the ekphrasis series, this collection is essential reading for anyone interested in the creative process.
| Author | : Mary Oliver |
| Publisher | : Penguin |
| Total Pages | : 194 |
| Release | : 2019-10-29 |
| Genre | : Literary Collections |
| ISBN | : 0143130080 |
One of O, The Oprah Magazine’s Ten Best Books of the Year The New York Times bestselling collection of essays from beloved poet, Mary Oliver. “There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . .” —Maureen Corrigan, NPR’s Fresh Air “Uniting essays from Oliver’s previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet’s thoughts on the natural, spiritual and artistic worlds . . .” —The New York Times “In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to enter, and in which to feel,” and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, “I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.” Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.
| Author | : Jean Genet |
| Publisher | : New York Review of Books |
| Total Pages | : 129 |
| Release | : 2020-01-21 |
| Genre | : Literary Collections |
| ISBN | : 1681373629 |
The Criminal Child offers the first English translation of a key early work by Jean Genet. In 1949, in the midst of a national debate about improving the French reform-school system, Radiodiffusion Française commissioned Genet to write about his experience as a juvenile delinquent. He sent back a piece that was a paean to prison instead of the expected horrifying exposé. Revisiting the cruel hazing rituals that had accompanied his incarceration, relishing the special argot spoken behind bars, Genet bitterly denounced any improvement in the condition of young prisoners as a threat to their criminal souls. The radio station chose not to broadcast Genet’s views. “The Criminal Child” appears here with a selection of Genet’s finest essays, including his celebrated piece on the art of Alberto Giacometti.
| Author | : James Wood |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 528 |
| Release | : 2020-01-14 |
| Genre | : Literary Collections |
| ISBN | : 0374722048 |
The definitive collection of literary essays by The New Yorker’s award-winning longtime book critic Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading literary critic of the English-speaking world. His essays on canonical writers (Gustav Flaubert, Herman Melville), recent legends (Don DeLillo, Marilynne Robinson) and significant contemporaries (Zadie Smith, Elena Ferrante) have established a standard for informed and incisive appreciation, composed in a distinctive literary style all their own. Together, Wood’s essays, and his bestselling How Fiction Works, share an abiding preoccupation with how fiction tells its own truths, and with the vocation of the writer in a world haunted by the absence of God. In Serious Noticing, Wood collects his best essays from two decades of his career, supplementing earlier work with autobiographical reflections from his book The Nearest Thing to Life and recent essays from The New Yorker on young writers of extraordinary promise. The result is an essential guide to literature in the new millennium.
| Author | : Jean-Paul Sartre |
| Publisher | : New York Review of Books |
| Total Pages | : 593 |
| Release | : 2013-06-04 |
| Genre | : Philosophy |
| ISBN | : 1590174933 |
Jean-Paul Sartre was a man of staggering gifts, whose accomplishments as philosopher, novelist, playwright, biographer, and activist still command attention and inspire debate. Sartre’s restless intelligence may have found its most characteristic outlet in the open-ended form of the essay. For Sartre the essay was an essentially dramatic form, the record of an encounter, the framing of a choice. Whether writing about literature, art, politics, or his own life, he seizes our attention and drives us to grapple with the living issues that are at stake. We Have Only This Life to Live is the first gathering of Sartre’s essays in English to draw on all ten volumes of Situations, the title under which Sartre collected his essays during his life, while also featuring previously uncollected work, including the reports Sartre filed during his 1945 trip to America. Here Sartre writes about Faulkner, Bataille, Giacometti, Fanon, the liberation of France, torture in Algeria, existentialism and Marxism, friends lost and found, and much else. We Have Only This Life to Live provides an indispensable, panoramic view of the world of Jean-Paul Sartre.
| Author | : James L. W. West |
| Publisher | : Penn State Press |
| Total Pages | : 162 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271050675 |
"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
