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| Author | : Priyatosh Banerjee |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : |
Collection of research papers.
| Author | : Anupa Pande |
| Publisher | : |
| Total Pages | : 372 |
| Release | : 2009 |
| Genre | : Art, Buddhist |
| ISBN | : |
Proceedings of the International Seminar on the Art of Central Asia and the Indian Subcontinent in Cross-Cultural Perspective, 1st cent. CE-14th cent. CE, held at New Delhi during 12-16 March 2007.
| Author | : Vladimir Lukonin |
| Publisher | : Parkstone International |
| Total Pages | : 364 |
| Release | : 2015-09-15 |
| Genre | : Art |
| ISBN | : 1783107979 |
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years. form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.
| Author | : Aliya de Tiesenhausen |
| Publisher | : Routledge |
| Total Pages | : 168 |
| Release | : 2022-07-25 |
| Genre | : History |
| ISBN | : 1000622185 |
This collection of multi-disciplinary essays offers a fresh, perspective on Central Asian art and culture as it gains increased attention on both the local and international stage. Influenced by the golden ages of its history – from the ancient Scythians, through the glory of the Persians and Turks, and shaped by the Russian and later Soviet imperial powers – the region is revealed as exotic, dramatic, and universally topical. Contributions come from scholars and participants in the Central Asian cultural scene who specialise in different, often isolated, spheres. Their unifying theme is identity and its formation, including national, ethnic, cultural, religious and gender identities. Art and culture are shown to have active social roles – representing, analysing, questioning and supporting social upheavals and change. Culture is seen as an intrinsic part of society; while being affected by the specific historical context, it does at times affect it in return. From major socio-economic and political shifts, to smaller yet not less potent personal and individual identities, this collection demonstrates we are once again experiencing a time in which culture plays a crucial role in opening minds and facilitating change. The chapters in this book were originally published as a special issue of Central Asian Survey.
| Author | : Aliya Abykayeva-Tiesenhausen |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2016-06-20 |
| Genre | : Art |
| ISBN | : 1838608133 |
In the midst of the space race and nuclear age, Soviet Realist artists were producing figurative oil paintings. Why? How was art produced to control and co-opt the peripheries of the Soviet Union, particularly Central Asia? Presenting the 'untold story' of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. From the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union - and particularly Soviet Central Asia - to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.
| Author | : Priyatosh Banerjee |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
| Author | : Lilla Russell-Smith |
| Publisher | : BRILL |
| Total Pages | : 388 |
| Release | : 2021-11-29 |
| Genre | : History |
| ISBN | : 9047415698 |
This volume is about the long-neglected, but decisive influence of Uygur patrons on Dunhuang art in the tenth and eleventh centuries. Through an insightful introduction to the hitherto little-known early history and art of the Uygurs, the author explains the social and political forces that shaped the taste of Uygur patrons. The cultural and political effects of Sino-Uygur political marriages are examined in the larger context of the role of high-ranking women in medieval art patronage. Careful study of the iconography, technique and style sheds new light on important paintings in the collection of the British Museum in London, and the Musée national des Arts asiatiques-Guimet, in Paris, and through comparative analysis the importance of regional art centres in medieval China and Central Asia is explored. Richly illustrated with line drawings, as well as colour and black-and-white plates.
| Author | : Judith A. Lerner |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art, Central Asian |
| ISBN | : 9782503584508 |
This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city's temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, Soren Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine's publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi'an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants-Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum-along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple.
| Author | : Ardi Kia |
| Publisher | : Lexington Books |
| Total Pages | : 129 |
| Release | : 2015-04-16 |
| Genre | : Social Science |
| ISBN | : 0739199285 |
This book invites readers on a journey through time, to explore the multifaceted history of Central Asia. Through transcontinental passages such as the Silk Road, the book provides links among the major civilizations of China, India, Persia, and the Mediterranean, which in turn influences the characteristics of the region and beyond. For over seven thousand years, Central Asian residents have left a record of distinguished cultural artifacts. Like creators and innovators of any age or period, they sought to respond as creatively as possible to the necessities of their societies as a whole, and those of their individual patrons. In doing so they have given us a timeless source through which we can detect the dynamic stages of their creativity throughout history, as well as the breadth of our own rich cultural and artistic heritage.
| Author | : Vladimir G. Lukonin |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : |
| ISBN | : |
