New Grounds for Dutch Landscape
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2021 |
| Genre | : |
| ISBN | : 9789188829085 |
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Lytle Shaw New Grounds for Dutch Landscape.
New Grounds For Dutch Landscape PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download New Grounds For Dutch Landscape PDF full book. Access full book title New Grounds For Dutch Landscape.
Narrowcast
| Author | : Lytle Shaw |
| Publisher | : Stanford University Press |
| Total Pages | : 461 |
| Release | : 2018-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 1503606570 |
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Narrowcast explores how mid-century American poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subjected to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence.
The Difference Is Spreading
| Author | : Al Filreis |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 257 |
| Release | : 2022-03-29 |
| Genre | : Literary Criticism |
| ISBN | : 081229971X |
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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.
Jac. P. Thijsse Park
| Author | : Gaston Bekkers |
| Publisher | : Architectura & Natura Press |
| Total Pages | : 88 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : |
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A richly illustrated book with specially commissioned photographs. Includes historical illustrations and sketches.
Grounds for Review
| Author | : Andrew C. Theokas |
| Publisher | : Liverpool University Press |
| Total Pages | : 308 |
| Release | : 2004-01-01 |
| Genre | : Architecture |
| ISBN | : 9780853235392 |
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In recent decades, suburban growth and the decline of industry have left cities throughout Europe and America searching for creative and effective ways to revitalize blighted areas and reclaim underused land. In Grounds for Review, Andrew Theokas examines one particularly exciting tool for reinvigorating urban areas: the garden festival. These festivals, which began in post-war Europe, have been popular throughout the Continent for decades but are just beginning to gain currency in the United States. A garden festival temporarily transforms a previously derelict area, such as an abandoned factory lot, into a festival of horticulture, combining luxurious landscapes with exhibits and carnival rides. Most garden festivals last about six months--during which time they draw millions of visitors--but the success of the fair itself is only the initial step in a detailed plan for urban improvement. At the conclusion of the festival, funds from its operation are used to transform the grounds once again, this time with an eye toward the long-term use of the land. The enduring result of a successful garden festival is thus the transformation of derelict land into a community asset, such as a new urban park or an affordable housing project. Theokas considers here fifteen garden festivals--in Europe, England, and the United States--in all their dimensions. He examines the role they play in stimulating urban redevelopment, their effects on the practice of landscape architecture, and the contentious debates over their financing, purposes, and future prospects. This highly illustrated volume will serve as a useful introduction to garden festivals for all those interested in urban planning, horticulture, and the future of cities.
Masters of 17th-century Dutch Landscape Painting
| Author | : Peter C. Sutton |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 588 |
| Release | : 1987 |
| Genre | : Art |
| ISBN | : |
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Historical Painting Techniques, Materials, and Studio Practice
| Author | : Arie Wallert |
| Publisher | : Getty Publications |
| Total Pages | : 241 |
| Release | : 1995-08-24 |
| Genre | : Art |
| ISBN | : 0892363223 |
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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Unending Frontier
| Author | : John F. Richards |
| Publisher | : Univ of California Press |
| Total Pages | : 696 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 0520246780 |
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John F.
Jacob Van Ruisdael
| Author | : Seymour Slive |
| Publisher | : Yale University Press |
| Total Pages | : 278 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9781903973240 |
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A richly illustrated celebration of Ruisdael's achievements as the greatest and most versatile of seventeenth-century Dutch landscape painters
Courbet and the Modern Landscape
| Author | : |
| Publisher | : Getty Publications |
| Total Pages | : 158 |
| Release | : 2006 |
| Genre | : Landscape in art |
| ISBN | : 0892368365 |
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With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
