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| Author | : Eduardo Reck Miranda |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 323 |
| Release | : 2006-01-01 |
| Genre | : Music |
| ISBN | : 089579585X |
xxii + 286 pp.Includes a Foreword by Ross Kirk
| Author | : Till Bovermann |
| Publisher | : Springer |
| Total Pages | : 406 |
| Release | : 2016-12-09 |
| Genre | : Technology & Engineering |
| ISBN | : 9811029512 |
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
| Author | : Thomas Patteson |
| Publisher | : Univ of California Press |
| Total Pages | : 251 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0520288025 |
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
| Author | : Eduardo Reck Miranda |
| Publisher | : |
| Total Pages | : |
| Release | : 2006 |
| Genre | : |
| ISBN | : |
| Author | : Nicolas Collins |
| Publisher | : Taylor & Francis |
| Total Pages | : 340 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0415996090 |
No further information has been provided for this title.
| Author | : Kim Bjørn |
| Publisher | : |
| Total Pages | : 351 |
| Release | : 2017 |
| Genre | : Electronic musical instruments |
| ISBN | : 9788799999507 |
| Author | : Jean-Michel Réveillac |
| Publisher | : John Wiley & Sons |
| Total Pages | : 382 |
| Release | : 2019-07-30 |
| Genre | : Science |
| ISBN | : 1786303256 |
Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.
| Author | : Sam McGuire |
| Publisher | : CRC Press |
| Total Pages | : 339 |
| Release | : 2020-12-28 |
| Genre | : Music |
| ISBN | : 1000286991 |
The Art of Digital Orchestration explores how to replicate traditional orchestration techniques using computer technology, with a focus on respecting the music and understanding when using real performers is still the best choice. Using real-world examples including industry-leading software and actual sounds and scores from films, VR/AR, and games, this book takes readers through the entire orchestration process, from composition to instruments, performance tools, MIDI, mixing, and arranging. It sheds light on the technology and musical instrument foundation required to create realistic orchestrations, drawing on decades of experience working with virtual instruments and MIDI. Bringing together the old and new, The Art of Digital Orchestration is an excellent resource for anyone using software to write or compose music. The book includes access to online videos featuring orchestration techniques, MIDI features, and instrument demonstrations.
| Author | : Filipe Calegario |
| Publisher | : Springer |
| Total Pages | : 152 |
| Release | : 2018-12-24 |
| Genre | : Computers |
| ISBN | : 3030028925 |
The author presents Probatio, a toolkit for building functional DMI (digital musical instruments) prototypes, artifacts in which gestural control and sound production are physically decoupled but digitally mapped. He uses the concept of instrumental inheritance, the application of gestural and/or structural components of existing instruments to generate ideas for new instruments. To support analysis and combination, he then leverages a traditional design method, the morphological chart, in which existing artifacts are split into parts, presented in a visual form and then recombined to produce new ideas. And finally he integrates the concept and the method in a concrete object, a physical prototyping toolkit for building functional DMI prototypes: Probatio. The author's evaluation of this modular system shows it reduces the time required to develop functional prototypes. The book is useful for researchers, practitioners, and graduate students in the areas of musical creativity and human-computer interaction, in particular those engaged in generating, communicating, and testing ideas in complex design spaces.
| Author | : Alexander Refsum Jensenius |
| Publisher | : Springer |
| Total Pages | : 506 |
| Release | : 2017-03-06 |
| Genre | : Technology & Engineering |
| ISBN | : 3319472143 |
What is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies. Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences. The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces, meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments.
