Neoclassicismo, Londra, settembre 1971
| Author | : |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 1973 |
| Genre | : Art, Modern |
| ISBN | : |
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Dal Neoclassicismo Alle Corrente Contemporanee
| Author | : Carlo Pirovano |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1968 |
| Genre | : Sculpture, Italian |
| ISBN | : |
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Neoclassicism and Romanticism
| Author | : Silvestra Bietoletti |
| Publisher | : Sterling Publishing Company, Inc. |
| Total Pages | : 198 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9781402759239 |
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Neoclassicism, which arose during the 18th Century's Age of Enlightenment, was inspired by the rationality, simplicity and grandeur of ancient Greece and Rome. This book focuses on the influential Neoclassic and Romantic art movements. It illuminates the ideas and events that shaped this era of artistic ferment.
Storia Della Letteratura Italiana
| Author | : Emilio Cecchi |
| Publisher | : |
| Total Pages | : 1158 |
| Release | : 1968 |
| Genre | : Italian literature |
| ISBN | : |
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Napoleon in Italian Literature, 1796-1821
| Author | : Eileen Anne Millar |
| Publisher | : Ed. di Storia e Letteratura |
| Total Pages | : 270 |
| Release | : 1977 |
| Genre | : Literary Criticism |
| ISBN | : |
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Mobilizing Cultural Identities in the First World War
| Author | : Federica G. Pedriali |
| Publisher | : Springer Nature |
| Total Pages | : 236 |
| Release | : 2020-08-19 |
| Genre | : History |
| ISBN | : 3030427919 |
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This book tackles cultural mobilization in the First World War as a plural process of identity formation and de-formation. It explores eight different settings in which individuals, communities and conceptual paradigms were mobilized. Taking an interdisciplinary approach, it interrogates one of the most challenging facets of the history of the Great War, one that keeps raising key questions on the way cultures respond to times of crisis. Mobilization during the First World War was a major process of material and imaginative engagement unfolding on a military, economic, political and cultural level, and existing identities were dramatically challenged and questioned by the whirl of discourses and representations involved.
Italica
| Author | : |
| Publisher | : |
| Total Pages | : 580 |
| Release | : 1965 |
| Genre | : Electronic journals |
| ISBN | : |
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"Bibliography of Italian studies in America" in each number, 1924-48.
Italia: Civilta e Cultura
| Author | : Paola Lorenzi |
| Publisher | : University Press of America |
| Total Pages | : 230 |
| Release | : 2009-03-16 |
| Genre | : Foreign Language Study |
| ISBN | : 0761843469 |
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Italia: Civilta e Cultura offers a comprehensive description of historical and cultural development on the Italian peninsula. This project was developed to provide students and professors with a flexible and easy-to-read reference book about Italian civilization and cultural studies, also appropriate for cinema and Italian literature classes. This text is intended for students pursuing a minor or a major in Italian studies and serves as an important learning tool with its all-inclusive vision of Italy. Each chapter includes thematic itineraries to promote active class discussion and textual comprehension check-questions to guide students through the reading and understanding of the subject matter.
The Neo-classic Movement in Spain During the XVIII Century
| Author | : Robert Edouard Pellissier |
| Publisher | : |
| Total Pages | : 198 |
| Release | : 1918 |
| Genre | : Classicism |
| ISBN | : |
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Neoclassicism
| Author | : Victoria Charles |
| Publisher | : Parkstone International |
| Total Pages | : 63 |
| Release | : 2019-12-09 |
| Genre | : Art |
| ISBN | : 1644618753 |
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In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicists also believed that art should be cerebral, not sensual and therefore characterised by clarity of form, sober colours and shallow space. It was a reaction against both the surviving Baroque and Rococo styles, and a desire to return to the perceived ""purity"" of the arts of Rome. The important artists of the movement include the sculptors Antonio Canova,Jean-Antoine Houdon and Bertel Thorvaldsen, and the painters J.A.D. Ingres, Jacques-Louis David and Anton Raphael Mengs.
