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Negation, Critical Theory, and Postmodern Textuality

Negation, Critical Theory, and Postmodern Textuality
Author: D. Fischlin
Publisher: Springer Science & Business Media
Total Pages: 383
Release: 2013-06-29
Genre: Literary Criticism
ISBN: 9401582912

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Negation, Critical Theory, and Postmodern Textuality features 14 new essays by leading specialists in critical theory, comparative literature, philosophy, and English literature. The essays, which present wide-ranging historical considerations of negation in light of recent developments in poststructuralism and postmodernism, range over many of the siginificant texts in which negation figures prominently. The book includes a wide-ranging introductory chapter that examines how attention to negation -- the inescapable nescience that is posited in any and every linguistic expression -- enhances the hermeneutic possibilities present in language. In addition, the four sections of the book bring together major critical interventions on, among others, negative meaning, unrecognizability, elenctic negation, apocalypse, nihilism, negation and gender, and denegation. All the essays involve close attention to key texts by major authors, including William Shakespeare, Henry James, Federico García Lorca, Samuel Beckett, Thomas Bernhard, Walt Whitman, E.M. Forster, Mary Shelley, Margaret Atwood, Roland Barthes, Douglas Barbour, Paul de Man, bp Nichol, Jacques Derrida, and Dogen Kigen. The volume opens up new areas in critical theory, comparative literature, and the philosophy of language, and defines a major new area of inquiry in relation to notions of postmodern textuality. Critical theorists, students of comparative literature, English literature, and the history of ideas, and those interested in the hermeneutic implications of postmodernism will find this volume of substantial interest. Its extensive bibliographical apparatus and index make the collection a valuable reference tool for upper-level undergraduate and graduate students as well as for those seeking a variety of interpretive approaches to the problem of negation in literature.


Negation and Polarity

Negation and Polarity
Author: Laurence R. Horn
Publisher: OUP Oxford
Total Pages: 286
Release: 2000-08-03
Genre: Language Arts & Disciplines
ISBN: 0191584398

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Negation is a central feature of language and cognition, interacting with all areas of grammar as well as with the philosophy of language. Whereas there is a cross-linguistic uniformity in logical and semantic aspects of negation, there is a diversity of syntactic and morphological forms and rules. This asymmetry in function and form poses problems for syntactic and universal grammar theory and for the study of the interface between syntax and discourse. It is particularly evident in negative polarity–words and phrases which can appear only in negative sentences. The exploration of negation and negative polarity phenomena and their implications for linguistic theory are the main themes of this book.


What's Wrong with Postmodernism?

What's Wrong with Postmodernism?
Author: Christopher Norris
Publisher: JHU Press
Total Pages: 306
Release: 1990
Genre: Literary Criticism
ISBN: 9780801841378

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In What's Wrong with Postmodernism Norris critiques the "postmodern-pragmatist malaise" of Baudrillard, Fish, Rorty, and Lyotard. In contrast he finds a continuing critical impulse—an "enlightened or emancipatory interest"—in thinkers like Derrida, de Man, Bhaskar, and Habermas. Offering a provocative reassessment of Derrida's influence on modern thinking, Norris attempts to sever the tie between deconstruction and American literary critics who, he argues, favor endless, playful, polysemic interpretation at the expense of systematic argument. As he explores leftist attempts to arrive at an accommodation with postmodernism, Norris addresses the politics of deconstruction, the issue of men in feminism, Habermas' quarrel with Derrida, narrative theory as a hermeneutic paradigm, musical aesthetics in relation to literary theory, and various aspects of postmodern debate. A chapter on Stanley Fish brings several of these topics together and offers a generalized statement on the function of current criticism.


Postmodernism: A Bibliography, 1926-1994

Postmodernism: A Bibliography, 1926-1994
Author: Deborah L. Madsen
Publisher: BRILL
Total Pages: 626
Release: 2023-11-20
Genre: Art
ISBN: 9004647287

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This is the first bibliography of Postmodernism to take account of work published in all subject areas and in all languages. Deborah Madsen has identified a new first occurrence of the term in 1926, preceding by more than twenty years the first occurence documented by the Oxford English Dictionary. In a chronological listing, books, articles, notes, letters and working papers on Postmodernism are described with full bibliographical details. Reviews of major books are documented and full contents listings are given for special issues of journals devoted to Postmodernism. An appendix includes books on Postmodernism announced for publication in 1995. This bibliography brings together in one place all secondary material published on Postmodernism. All disciplines are included, from anthropology to zoology: architecture, cultural studies, dance, drama, feminism, fiction, geography, history, legal studies, literary theory, mathematics, medicine, music, pedagogical theory, philosophy, photography and film, poetry, politics, religion, sociology, the visual and plastic arts, and others. The bibliography also documents items in a range of languages other than English: Chinese, French, German, Italian, Japanese, Russian, Slovanian, Spanish, and the Scandinavian languages. Access to the information contained in the bibliography is made easy with a comprehensive index providing guidance according to author, subject, language, and key words. Postmodernism: A Bibliography, 1926-1994 is an essential reference text for anyone working in the area of contemporary culture studies.


Cultural Studies

Cultural Studies
Author: Jeff Lewis
Publisher: SAGE
Total Pages: 458
Release: 2008-03-17
Genre: Social Science
ISBN: 1473903505

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Praise for the first edition: "This is a great introduction and contribution to the subject. It is unusually wide-ranging, covering the historical development of cultural theory and deftly highlighting key problems that just won′t go away." - Matthew Hills, Cardiff University "To say that the scope of the book′s coverage is wide-ranging would be an under-statement. Few texts come to mind that have attempted such a thorough overview of the central tenets of cultural studies." - Stuart Allan, Bournemouth University This fully revised edition of the best selling introduction to cultural studies offers students an authoritative, comprehensive guide to cultural studies. Clearly written and accessibly organized the book provides a major resource for lecturers and students. Each chapter has been extensively revised and new material covers globalization, the post 9/11 world and the new language wars. The emphasis upon demonstrating the philosophical and sociological roots of cultural studies has been retained along with boxed entries on key concepts and issues. Particular attention is paid to demonstrating how cultural studies clarifies issues in media and communication studies, and there are chapters on the global mediasphere and new media cultures. This is a tried and tested book which has been widely used wherever cultural studies is taught. It is an indispensable undergraduate text and one that will appeal to postgraduates seeking a ′refresher′ which they can dip into.


After the Final No

After the Final No
Author: Thomas Cousineau
Publisher: University of Delaware Press
Total Pages: 182
Release: 1999
Genre: Drama
ISBN: 9780874136623

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This study, while surveying all of Samuel Beckett's major fiction, focuses on the work that he regarded as his masterpiece: the trilogy of novels Molloy, Malone Dies, and The Unnamable. It analyzes the ways in which Beckett, as he moves from one novel to the next, demystifies each of the principal idols to which human beings have looked for protection and guidance in the successive phases of their history. In part one of Molloy this role is assumed by the figure of the mother and the various women who minister to Molloy's needs in the course of his journey. In part two, these maternal figures are replaced by Youdi and other male authority figures, including Father Ambrose, who embody the rule of paternal law. In Malone Dies, we enter the period of modern individualism, in which, freed from dependence upon the parental figures that had dominated Molloy, Malone ("man alone") looks vainly to himself for the guidance that they had formerly provided.


Intersections

Intersections
Author: Tilottama Rajan
Publisher: State University of New York Press
Total Pages: 406
Release: 1995-01-13
Genre: Philosophy
ISBN: 1438416776

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Focusing on nineteenth-century philosophers from Schelling and Hegel to Nietzsche, and on contemporary theorists from Derrida to Kristeva and Lyotard, the essays in this book suggest that the two areas are most similar at the points where they seem most unlike. Tracing the links of contemporary thought to its nineteenth-century precursors, the authors explore such issues as the re-theorizing of history and the subject, the limits and persistence of the metaphysical, and the ends of theory.


Performing the Everyday in Henry James's Late Novels

Performing the Everyday in Henry James's Late Novels
Author: Maya Higashi Wakana
Publisher: Routledge
Total Pages: 204
Release: 2016-05-13
Genre: Literary Criticism
ISBN: 1317082214

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Focusing on James's last three completed novels - The Ambassadors, The Wings of the Dove, and The Golden Bowl - Maya Higashi Wakana shows how a microsociological approach to James's novels radically revises the widespread tradition of putting James's characters into historical and cultural contexts. Wakana begins with the premise that day-to-day living is inherently theatrical and thus duplicitous, and goes on to show that James's art relies significantly on his powerful sense of the agonizing and even dangerous complications of mundane face-to-face rituals that pervade his work. Centrally informed by social thinkers such as G. H. Mead and Erving Goffman, Wakana's study discloses the richness, complexity, and singularity of the interpersonal connections depicted in James's late novels. Persuasively argued, and rich in original close readings, her book makes an important contribution to James's studies and to theories of social interaction.


Black Writers, White Publishers

Black Writers, White Publishers
Author: John Kevin Young
Publisher: Univ. Press of Mississippi
Total Pages: 242
Release: 2006
Genre: Language Arts & Disciplines
ISBN: 160473549X

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Jean Toomer's Cane was advertised as a book about Negroes by a Negro, despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title might be too inflammatory. In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature examines the complex negotiations behind the production of African American literature. In chapters on Larsen's Passing, Ishmael Reed's Mumbo Jumbo, Gwendolyn Brooks's Children Coming Home, Morrison's Oprah's Book Club selections, and Ralph Ellison's Juneteenth, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as College English, African American Review, and Critique.