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| Author | : Claude Schumacher |
| Publisher | : Cambridge University Press |
| Total Pages | : 568 |
| Release | : 1996-09-26 |
| Genre | : Drama |
| ISBN | : 9780521230148 |
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
| Author | : Johannes Riquet |
| Publisher | : Springer Nature |
| Total Pages | : 336 |
| Release | : 2019-11-30 |
| Genre | : Photography |
| ISBN | : 3030217744 |
This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time span—from early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Rancière, W. J. T. Mitchell and others. The contributors of Imaging Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.
| Author | : Kenneth Pickering |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 248 |
| Release | : 2018-03-17 |
| Genre | : Performing Arts |
| ISBN | : 1137329114 |
An accessible survey of the development of naturalism and its effects on modern-day theatre. Taking into account the philosophical, scientific and aesthetic ideas that constituted the movement during the nineteenth and early twentieth centuries, the book examines why naturalism is still a dominant mode of performance in theatre.
| Author | : Dennis Kennedy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 705 |
| Release | : 2010-08-26 |
| Genre | : Performing Arts |
| ISBN | : 0199574197 |
An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.
| Author | : Jens-Morten Hanssen |
| Publisher | : Narr Francke Attempto Verlag |
| Total Pages | : 258 |
| Release | : 2018-11-26 |
| Genre | : Performing Arts |
| ISBN | : 3823392719 |
Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.
| Author | : David Barnett |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 240 |
| Release | : 2021-10-07 |
| Genre | : Performing Arts |
| ISBN | : 1474259898 |
This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.
| Author | : Paul Johnson |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 205 |
| Release | : 2013-01-16 |
| Genre | : Performing Arts |
| ISBN | : 1443845736 |
Quantum Theatre uses the science of quantum mechanics to construct a rigorous framework for examining performance practice and the theatrical event, and live performance as a means of exploring the implications of quantum mechanics. Key ideas from physics are used to develop an interdisciplinary approach to writing about the work of a number of British theatre practitioners in terms of identity, observation and play. What this type of analysis does is enable an examination of aspects of performance that can remain hidden and so cast new light on the performance event. This is the first study of its kind that develops such a framework for analysis of contemporary performance, and provides a coherent alternative to postmodernism as a theoretical framework for writing about performance. As such, this book develops a methodology that can be applied to a wide range of performance practices. Furthermore, it presents an analysis of the work of a number of contemporary performance makers, including Vincent Dance Theatre and Triangle Theatre.
| Author | : Davinia Caddy |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 2012-04-26 |
| Genre | : Music |
| ISBN | : 1107379008 |
Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2013 |
| Genre | : Drama |
| ISBN | : 0521766362 |
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
| Author | : Peta Tait |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 240 |
| Release | : 2021-10-07 |
| Genre | : Performing Arts |
| ISBN | : 147425988X |
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
