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| Author | : Piet Mondrian |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
Internationally recognized as a pioneer of abstract art, the founder of Neo-Plasticism, and the ideological father of the De Stijl movement, Piet Mondrian (1872-1944) created both paintings and writings that embodied the spirit of modernism.
| Author | : Piet Mondrian |
| Publisher | : |
| Total Pages | : 143 |
| Release | : 1995 |
| Genre | : |
| ISBN | : |
| Author | : Kantilal L. Trivedi |
| Publisher | : |
| Total Pages | : 44 |
| Release | : 1975 |
| Genre | : Art, Abstract |
| ISBN | : |
| Author | : Jaana Pääsky |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : |
| ISBN | : 9789515148759 |
| Author | : Saul A Mendo |
| Publisher | : |
| Total Pages | : 118 |
| Release | : 2020-08-02 |
| Genre | : |
| ISBN | : |
The Abstract Reality. Experiences from the Divine translated into poetry. My psyche's own experiences with spiritual knowledge. A dive inside a natural born Psychologists mind. the first volume of the first book is part of a volume where the first poetry book will go through periods of transformation. You see as I evolve I start to find new and more mature ways of translating the first book in the series.
| Author | : Paul Crowther |
| Publisher | : Routledge |
| Total Pages | : 312 |
| Release | : 2012-10-12 |
| Genre | : Art |
| ISBN | : 1136455019 |
Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.
| Author | : Arthur Chandler |
| Publisher | : |
| Total Pages | : 88 |
| Release | : 1972 |
| Genre | : Aesthetics, Modern |
| ISBN | : |
| Author | : Chris Thompson |
| Publisher | : U of Minnesota Press |
| Total Pages | : 351 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0816653542 |
What happens when nothing happens?
| Author | : Hyman M. Schipper |
| Publisher | : John Hunt Publishing |
| Total Pages | : 159 |
| Release | : 2021-09-24 |
| Genre | : Philosophy |
| ISBN | : 1789045185 |
From a scientific and philosophical point of view, there is arguably no phenomenon as intractable as the origin and nature of consciousness. This volume provides a comprehensive account of the Kabbalistic understanding of consciousness adduced from ancient Jewish mystical texts and the writings of key sixteenth-twentieth century Kabbalistic and Chassidic luminaries.
| Author | : Etienne Gilson |
| Publisher | : Princeton University Press |
| Total Pages | : 482 |
| Release | : 2023-08-15 |
| Genre | : Art |
| ISBN | : 069125186X |
A classic study of the art of painting and its relationship to reality In this book, Étienne Gilson puts forward a bold interpretation of the kind of reality depicted in paintings and its relation to the natural order. Drawing on insights from the writings of great painters—from Leonardo, Reynolds, and Constable to Mondrian and Klee—Gilson shows how painting is foreign to the order of language and knowledge. Painting, he argues, seeks to add new beings to nature, not to represent those that already exist. For this reason, we must distinguish it from another art, that of picturing, which seeks to produce images of actual or possible beings. Though pictures play an important part in human life, they do not belong in the art of painting. Through this distinction, Gilson sheds new light on the evolution of modern painting. A magisterial work of scholarship by an acclaimed historian of philosophy, Painting and Reality features paintings from both classical and modern schools, and includes extended selections from the writings of Reynolds, Delacroix, Gris, Gill, and Ozenfant.
